The Rolling Stones have spent their career making their influences easy to hear, and Chuck Berry remains one of the clearest. Foreign Tongues connects through its guitar-driven arrangements, Jagger’s character-based singing, and the band’s preference for direct, rhythm-first rock and roll. Chuck Berry’s 1959 album Berry Is on Top offers a useful point of comparison because it contains several songs and techniques that helped shape the Stones from their earliest years.
Readers’ Pick: The Rolling Stones – Foreign Tongues
You picked The Rolling Stones – Foreign Tongues Price – Days Of Unrest as your favorite new release for the week of July 10, 2026.
Now & Then: Margo Price’s Days Of Unrest and the reach of Van Lear Rose
Margo Price has never treated country music as neutral ground, and Days Of Unrest removes any remaining doubt. Released as a July 4 weekend protest mixtape, it puts her in conversation with the folk-protest tradition while keeping one boot in country music. The “Then” album is Loretta Lynn’s Van Lear Rose, a 2004 record that made plainspoken country songwriting feel newly urgent.
Readers’ Pick: Margo Price – Days Of Unrest
You picked Margo Price – Days Of Unrest as your favorite new release for the week of July 3, 2026.
Now & Then: American Aquarium’s New Ways to Lose and the reach of Tennessee
American Aquarium’s New Ways to Lose puts BJ Barham back in familiar territory, but with a wider lens. The songs still come from bars, back roads, family memory, and bad decisions, yet the focus has shifted from private wreckage to the social pressures around it. For a useful older reference point, Lucero’s Tennessee makes sense. Released in 2002, it helped define a Southern alt-country lane where punk urgency, country phrasing, and bar-band durability could sit in the same set without apology.
Readers’ Pick: American Aquarium – New Ways to Lose
You picked American Aquarium – New Ways to Lose as your favorite new release for the week of June 26, 2026.
Now & Then: Swamp Dogg’s Swamp Dogg Contemplates The Afterlife and the reach of Solomon Burke’s Don’t Give Up on Me
Swamp Dogg’s Swamp Dogg Contemplates The Afterlife belongs in the long line of soul records where age sharpens the writing instead of softening it. The album looks at mortality, memory, belief, and unfinished business with the plain speech that has always made Swamp Dogg hard to categorize. A useful earlier reference is Solomon Burke’s 2002 album Don’t Give Up on Me, a late-career soul record that gave an older singer room to use experience as the central instrument.
Readers’ Pick: Swamp Dogg – Swamp Dogg Contemplates The Afterlife
You picked Swamp Dogg – Swamp Dogg Contemplates The Afterlife as your favorite new release for the week of June 19, 2026.
Readers’ Pick: Fruit Bats – The Landfill
You picked Fruit Bats – The Landfill as your favorite new release for the week of June 5, 2026.
Now & Then: The Red Clay Strays’ Grateful and the reach of The Del Fuegos’ Boston, Mass.
The Red Clay Strays’ Grateful and The Del Fuegos’ Boston, Mass. are both band records in the practical sense. The appeal starts with a singer, but it depends on the group around him: guitars that answer instead of crowd, rhythm sections that keep the songs moving, and arrangements that sound built from stage time. Grateful was released in 2026 and produced by Dave Cobb, while Boston, Mass. was The Del Fuegos’ second album, released in 1985 on Slash Records.