Twangville

A music blog featuring Alt-Country, Americana, Indie, Rock, Folk & Blues. Est. 2005.

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Now & Then: GA-20 with Charlie Musselwhite’s BLUES NOW and the reach of Hoodoo Man Blues

Sunday, August 09, 2026 By Tom Osborne

GA-20 and Charlie Musselwhite’s BLUES NOW is built around a simple idea: keep the band lean, leave room in the arrangements, and let the interaction between guitar, harmonica, and voice carry the record. That makes Junior Wells’ 1965 Hoodoo Man Blues a useful predecessor. The two albums come from very different moments, but both treat electric blues as band music first, with little interest in unnecessary studio polish.

Filed Under: Reviews Tagged With: Charlie Musselwhite, GA-20, Junior Wells

GA-20 with Charlie Musselwhite – Blues Now

Thursday, August 06, 2026 By Bill Wilcox

GA-20 with Charlie Musselwhite – BLUES NOW (cover art)

It’s chemistry. Matthew Stubbs and Charlie Musselhite have worked together off-and-on for at least 15 years, with Stubbs initially a sideman in Musselwhite’s band. Now, with Stubbs new role as lead guitarist for GA-20, the pair are once again tearing it up on their new album, Blues Now. Musselwhite himself, at age 82, has ascended […]

Filed Under: Blues, Reviews, Roots Tagged With: Charlie Musselwhite, GA-20

Greg Piccolo & Heavy Juice – Who Knows What the Future Holds

Thursday, August 06, 2026 By Bill Wilcox

Tenor sax player Greg Piccolo is another in a long line of Roomful of Blues alumni who have gone on to great solo careers, along with the likes of Duke Robillard, Ronnie Earl, Curtis Salgado and Sugar Ray Norcia. Roomful of Blues has long been the gold standard for jump blues, which is a horns-heavy […]

Filed Under: Blues, Reviews, Roots, Singer/Songwriter Tagged With: Greg Piccolo, Jimmie Vaughan & Tilt-A-Whirl, Roomful of Blues

Prodigal Father – a Premiere from Kevin Gordon

Wednesday, August 05, 2026 By Mayer Danzig

Kevin Gordon is as authentic as they come. His Southern stories are rooted in truth, though only he knows exactly how much. He brings those tales to life with a literary eye, set against guitars as gritty as the stories themselves. There are countless reasons a great song gets left off an album — which […]

Filed Under: Reviews, Rock, Videos Tagged With: Kevin Gordon

Now & Then: Brand New Heartache’s A New Alchemy and the reach of In Spite of Ourselves

Sunday, August 02, 2026 By Tom Osborne

Brand New Heartache’s A New Alchemy fits into a long country tradition: two singers using harmony and disagreement to tell the truth about a relationship. The clearest earlier reference point is John Prine’s In Spite of Ourselves, a record that treated love as a conversation between imperfect people rather than a polished romantic ideal.

Filed Under: Reviews

The Family – Delusions of Grandeur

Thursday, July 30, 2026 By Chip Frazier

Some records feel assembled; Delusions of Grandeur feels inherited. The Family is Dylan LeBlanc, his father James LeBlanc and James wife and stepson Angela Hacker and Bay Simpson. The album carries the unmistakable weight of shared history, where blood ties matter less than the lived experiences that shape every lyric and harmony. Recorded at Muscle […]

Filed Under: Alt-Country, Americana, Blues, Folk, Indie, Reviews, Roots, Singer/Songwriter, Soul/R&B, Streams, Up & Comers, Videos Tagged With: Dylan LeBlanc, Fame Studios, Muscle Shoals, The family

“Start a Band” – A Premiere from Bleu

Wednesday, July 29, 2026 By Mayer Danzig

LA popmeister Bleu doesn’t release a lot of his own music these days — he’s too busy writing and producing for television, film, and other artists. But personal experience provided the impetus for his new album: a tribute to two close friends he lost, longtime studio partner Ducky Carlisle and college best friend Alex Scutro. […]

Filed Under: Pop, Reviews, Streams Tagged With: Bleu

Now & Then: John R. Miller’s The Great Unknowing and the reach of The Poet Game

Sunday, July 26, 2026 By Tom Osborne

John R. Miller’s The Great Unknowing expands his country-rooted songwriting without leaving its working-class concerns behind. The album moves between acoustic character studies, honky-tonk arrangements, and louder electric passages, but Miller’s focus stays on people dealing with disappointment, economic pressure, and their own bad habits. Greg Brown’s 1994 album The Poet Game offers a useful earlier model. Brown also built songs from ordinary lives and local details, then allowed broader social concerns to emerge without turning the writing into commentary first and music second.

Filed Under: Reviews Tagged With: Greg Brown, John R. Miller

Now & Then: The Rolling Stones’ Foreign Tongues and the reach of Berry Is on Top

Sunday, July 19, 2026 By Tom Osborne

The Rolling Stones have spent their career making their influences easy to hear, and Chuck Berry remains one of the clearest. Foreign Tongues connects through its guitar-driven arrangements, Jagger’s character-based singing, and the band’s preference for direct, rhythm-first rock and roll. Chuck Berry’s 1959 album Berry Is on Top offers a useful point of comparison because it contains several songs and techniques that helped shape the Stones from their earliest years.

Filed Under: Reviews Tagged With: Chuck Berry, Rolling Stones

Ma Rainey – The Complete Paramount Recordings, 1923-1928

Wednesday, July 15, 2026 By Sophie Gault

Editor’s Note: We invited Nashville artist and blues devotee Sophie Gault to dig into Ma Rainey’s Paramount recordings, arriving as a new box set on July 24. Sitting in the kitchen one summer night, you hear the sound of a muted trumpet leading into a song. It’s accompanied by a slight lingering static. While listening, […]

Filed Under: Blues, Reviews Tagged With: Ma Rainey, Sophie Gault

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