Twangville

A music blog featuring Alt-Country, Americana, Indie, Rock, Folk & Blues. Est. 2005.

Now & Then: Whitehorse’s All I Want Is All of It and the reach of Barton Hollow

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Whitehorse have always made tension sound like a room two people refuse to leave. On All I Want Is All of It, Luke Doucet and Melissa McClelland return to early folk-rock romanticism with the mileage of a long musical and marital partnership, recorded with a ragged, farmhouse-studio looseness that lets the floorboards speak up too. The “Then” that helps frame it is The Civil Wars’ Barton Hollow, a 2011 touchstone for modern male-female roots duos built on intimacy, friction, and the dangerous sport of singing very close together. 

Now & Then: Hiss Golden Messenger’s I’m People and the reach of Veedon Fleece

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A good Hiss Golden Messenger record does not arrive like a statement from a mountaintop. It pulls up beside you at a gas station, coffee gone cold, with a half-finished thought about mercy, children, money, God, and whether the map is helping. I’m People fits that line perfectly: a road record with home on its mind, full of M.C. Taylor’s worn-in gospel of doubt and persistence. For a “Then,” Van Morrison’s Veedon Fleece makes the sharper companion, not because Taylor sounds like Morrison, but because both albums use travel as a way to measure the soul’s weather.

Now & Then: The Milk Carton Kids’ Lost Cause Lover Fool and the reach of Bookends

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Some duos sing together. The Milk Carton Kids still seem to share one lung. On Lost Cause Lover Fool, Kenneth Pattengale and Joey Ryan return to the close-mic folk architecture that made them feel less like revivalists than custodians of a fragile old machine. The “Then” is Simon & Garfunkel’s 1968 Bookends, a record that proved two voices and sharp writing could carry the weight of memory, aging, distance, and national unease without raising the temperature much above a murmur. Lost Cause Lover Fool was released April 24, 2026, with nine songs on Far Cry Records/Thirty Tigers. 

Now & Then: Vincent Neil Emerson’s Blue Stars and the reach of Old No. 1

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Some records announce themselves with a bang. Vincent Neil Emerson’s Blue Stars does something tougher. It settles in, tells the truth, and lets the weight of the songs do the heavy lifting. That makes it a natural fit beside Guy Clark’s Old No. 1, a record that helped define how Texas songwriting could be plain, precise, and quietly devastating. Beyond sound or geography, the connection is a shared belief that the smallest details often carry the biggest truths.

Now & Then: Fantastic Cat’s Cat Out of Hell and the reach of Stage Fright

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Fantastic Cat’s Cat Out of Hell arrives with the band’s usual grin intact, but beneath the loose charm is a sturdier kind of record: one built on shared voices, accumulated mileage, and the small existential leaks that start showing up in adult life. That makes it a good candidate for a look backward, not to some obvious alt-country touchstone, but to The Band’s Stage Fright, another ensemble album where group chemistry sweetens songs about unease, pressure, and trying to keep your balance while the room keeps moving.