Joshua Ray Walker’s Ain’t Dead Yet and Steve Earle’s Guitar Town are separated by four decades, but they share a clear country music lineage. Both albums come from writers who use traditional country materials without treating them as fixed rules. Earle’s 1986 debut helped open space for country records with tougher guitars, direct storytelling, and singer-songwriter focus. Walker’s new album works in that same lane, with a more personal and present-tense sense of survival.