Twangville

A music blog featuring Alt-Country, Americana, Indie, Rock, Folk & Blues. Est. 2005.

Now & Then: Ryan Bingham & The Texas Gentlemen’s They Call Us The Lucky Ones and the reach of Doug Sahm and Band

By

Texas music has always had a loose gate policy. Country can walk in with muddy boots, blues can grab the good chair, and somebody will eventually find an accordion. Ryan Bingham & The Texas Gentlemen’s They Call Us The Lucky Onesfits the house-party tradition: a road-worn singer stepping into a band that knows when to lean hard and when to let the dust hang in the air. Its clearest ancestor is Doug Sahm’s 1973 solo debut Doug Sahm and Band, the big-hearted Atlantic Records record that treated Texas roots music like a borderless language. 

Nathan Evans Fox – Heirloom

By

Songwriter icon Harlan Howard came to love country music as a kid listening to the Grand Ole Opry on the radio. When he came up with the phrase, “three chords and the truth”, the truth he was referring to was that life in rural America was hard. World War II was over, but prosperity was […]

Now & Then: Whitehorse’s All I Want Is All of It and the reach of Barton Hollow

By

Whitehorse have always made tension sound like a room two people refuse to leave. On All I Want Is All of It, Luke Doucet and Melissa McClelland return to early folk-rock romanticism with the mileage of a long musical and marital partnership, recorded with a ragged, farmhouse-studio looseness that lets the floorboards speak up too. The “Then” that helps frame it is The Civil Wars’ Barton Hollow, a 2011 touchstone for modern male-female roots duos built on intimacy, friction, and the dangerous sport of singing very close together. 

Steep Canyon Rangers – Next Act

By

You’ve no doubt heard the saying, popularized by author Thomas Wolfe, “you can’t go home again.” There are an endless number of dissections about what that really means, but the gist is that nostalgia has colored memories enough that the home you remember wasn’t exactly like that. So it was with some curiosity I listened […]

Now & Then: Hiss Golden Messenger’s I’m People and the reach of Veedon Fleece

By

A good Hiss Golden Messenger record does not arrive like a statement from a mountaintop. It pulls up beside you at a gas station, coffee gone cold, with a half-finished thought about mercy, children, money, God, and whether the map is helping. I’m People fits that line perfectly: a road record with home on its mind, full of M.C. Taylor’s worn-in gospel of doubt and persistence. For a “Then,” Van Morrison’s Veedon Fleece makes the sharper companion, not because Taylor sounds like Morrison, but because both albums use travel as a way to measure the soul’s weather.

India Ramey – Villain Era

By

No Fear. Nashville’s India Ramey must have taken some inspiration from that clothing line’s name. Lots of musicians have songs about finding their true self and coming to terms with who they are. On Villain Era, Ramey takes it a step further with a confidence and frankness that would make Clint Eastwood blush. She doesn’t […]

Now & Then: Vincent Neil Emerson’s Blue Stars and the reach of Old No. 1

By

Some records announce themselves with a bang. Vincent Neil Emerson’s Blue Stars does something tougher. It settles in, tells the truth, and lets the weight of the songs do the heavy lifting. That makes it a natural fit beside Guy Clark’s Old No. 1, a record that helped define how Texas songwriting could be plain, precise, and quietly devastating. Beyond sound or geography, the connection is a shared belief that the smallest details often carry the biggest truths.

Odd Marshall – Seconds

By

I’m not really a believer in fate. I just feel like people can make rational choices that end up steering them down a new path. Having said that, I’ve certainly seen examples where the Universe just keeps knocking someone back on track. The musician Odd Marshall seems to be one of those. An obsession with […]