Iron & Wine (the moniker for singer/songwriter Sam Beam) had been toiling away in obscurity until his demo tapes fell into the hands of a Sub Pop. Sub Pop then released the recordings as is for what became “The Creek Drank the Cradle” in 2002. Sam Beam made hushed and thoughtful recordings highlighted by warm […]
The Shopkeeper
Here at Twangville we spend pretty much all our time listening to and reviewing the latest Americana and roots music. Â We spend very little time talking about how it gets created in the first place, and how the music industry makes a living from genres that don’t attract the business machine that feeds, and feeds […]
Colter Wall/Colter Wall
Some of my favorite songwriters are storytellers. Even better are the ones that leave the endings a bit open so you can come to your own conclusions about the ending. Damien Jurado does this brilliantly, as does Neil Young. You can get lost in a song and see the characters as if reading a 300 […]
Ben Sollee and Kentucky Native
The dictionary defines polyglot as someone who speaks many different languages. Â As evidenced by his latest album, Ben Sollee is a musical polyglot. Â Featuring his latest band, Kentucky Native, Ben covers many of the cultural music influences that became the folk music of Appalachia, and eventually bluegrass. Â He then overlaid that with the jazz influences […]
Jenny Parrott – When I Come Down
Back in the day there was a clear distinction between the sound of a “demo” record and one that the label produced to be released to the public.  Demos were recorded with nothing but a tape machine and a couple of mics and cost virtually nothing to produce.  Records themselves cost a lot of money to […]
Mayer’s Picks – The Best of 2017 (So Far), the Songs
I thought that I’d do something different this year and, with one exception, focus this list on songs that aren’t from my list of favorite 2017 albums (so far). Each of those releases, of course, could contribute songs to this list but let’s highlight some other faves of the year. Hope the High Road, Jason […]
Mayer’s Picks – the Best of 2017 (So Far), the Albums
It’s been a good year for music so far this year (and the rest of the year is looking quite nice, too). Here, in no particular order, are some of my favorite releases from the first half of 2017. BIG BAD LUV by JOHN MORELAND It’s not too late to get on the Moreland train […]
Back in the Saddle Again – a Special Twangville Playlist, Part 4
Sallisaw Blue, John Moreland (from the 4AD release Big Bad Luv) It speaks volumes when some of Americana’s leading lights are, pardon the pun, singing an artist’s praises. Such is the case with Oklahoma boy Moreland. Perhaps they are captivated with his profound storytelling, simple tales that overflow with emotion and meaning. Or maybe it’s […]
Gerry Spehar – I Hold Gravity
Distances in western America can be vast. Â You have to decide on a philosophy: are you about the journey or the destination. Â Focus on the goal and you can embrace the trance of picket fence telephone poles and the sporadic interruption of small towns. Â A day, two, three and you’re there with no trauma beyond […]
Back in the Saddle Again – a Special Twangville Playlist, Part 3
Battle Born, Matthew Ryan (from the self-released Hustle Up Starling) I tend to judge the quality of a year in part based on the caliber of new music unleashed within them. In that light, any year that we get a new album from Matthew Ryan is well on its way to being a good one. […]