Mayer’s Playlist for July 2014, Part 1

ALBUMS OF THE MONTH

Resolution Road, by Easton Stagger Phillips

Easton Stagger PhillipsI don’t like to draw direct comparisons between artists but it’s hard not to do so with the latest release from Tim Easton, Leeroy Stagger and Evan Phillips. This talented trio of singer-songwriters conjure up the finer moments of Crosby, Stills and Nash. Resolution Road flows with the laid-back feeling and gentile harmonies that were – and are – a CSN hallmark.

Phillips kicks off the album with “Always Came Back To You,” a graceful love song made all the richer by the trio’s warm harmonies on the chorus. His reflective “Lucillia” has similar qualities and a day-dreamy vibe.

Stagger brings a tempered rock attitude to his contributions. A persistent drum beat ushers along “Traveler” as vocal harmonies give way to a George Harrison-flavored slide guitar solo.

Easton’s closing “Baby Come Home” is simultaneously melancholy and sentimental. “Sitting here late at night wondering where you might be,” he laments before the others join him to declare “baby come home right now, I need you for the rest of my life.” Guest Derry deBorja adds some subtle yet expressive organ flourishes.

Each singer-songwriter bring their own personality and songs to the group. Yet they blend together beautifully, as if they were meant to perform together. Like CSN, Easton Stagger Phillips prove that sometimes 1+1+1 equals more than three.


Dereconstructed, by Lee Bains III and the Glory Fires

Lee Bains III and the Glory FiresThere’s an old adage — write what you know. Birmingham, Alabama native Lee Bains takes this to heart with a searing album about life in the modern South. His lyrics reflect on the weight of history, religion and everyday economic struggles of small town Southern life; his songs are fueled by incendiary guitars and furious rock beats.

Bains doesn’t shy away from social commentary on tracks like “The Kudzu and the Concrete”:

You can talk, talk, talk about it: Repentance, and forgiveness, and loving your neighbor as yourself.
But what the hell does that mean when all your neighbors look the same and think the same or else live a couple miles down the rural route?

He wrestles with the love-hate relationship of growing up in Birmingham in “The Weeds Downtown.” “I know that Birmingham gets you down, but look what it raised you up to be,” he sings.

“The Company Man” takes a stand against greed and blind obedience. “All it takes is one wicked heart, a pile of money and a chain of folks just doing their jobs,” he cautions.

Bains lets his guitar do plenty of talking, too. Dereconstructed is a no holds barred rock album. Bains and fellow guitarist Eric Wallace trade licks like Keith Richards and Mick Taylor back in the day. The entire band sounds ferocious, rough and ragged. Bains describes it best on “Dirt Track” when he says, “Squeezing glory out of three rusty chords.” The results are glorious, indeed.

Audio Download: Lee Bains III and the Glory Fires, “The Weeds Downtown”

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THE PLAYLIST


Bernadine, Adam Carroll (from the self-released Let It Choose You)
I’d lost touch with the music of Austin folk-country singer Adam Carroll a few years back. I recall him tending towards humor in his songwriting yet always equally adept at finding the tenderness of a moment. His latest release shows that he hasn’t lost his touch.

While there are still occasional glimpses of humor, his latest batch of songs tend towards the sincere end of the spectrum. His voice and music have a gentle aura about them, his songs filled with thoughtful character-driven stories.

Audio Download: Adam Carroll, “Bernadine”

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Carry On, Denver (from the Mama Bird Recording Company release Rowdy Love)
Three singer-songwriters out of Portland serve up songs that are alternatively ramshackle and relaxed. The eleven tracks on Rowdy Love are rooted in country but sometimes veer towards mountain folk-rock territory that is reflective of the region from which they take their name. Then there is this track, a personal favorite, which has a decidedly Gordon Lightfoot feel.


Down, Kingsley Flood (from the self-released Live at the Armory)
I wouldn’t often call a live album one of an artist’s best releases but it’s appropriate in this instance. To tide us over until their next studio release, the Boston and Washington D.C-based six piece sextet took over an intimate venue to perform a career-spanning set. They impressively find a way to breathe fresh life into older songs and ratchet up the intensity of their already forceful more recent work. It also showcases the talents of songwriter Naseem Khuri, who crafts songs that are exceptionally intelligent and damn catchy, too.

You can download a free six-song sampler from this release here.


Monday, Caleb Caudle (from the This Is American Music release Paint Another Layer on My Heart)
New Orleans by way of Winston-Salem North Carolina singer-songwriter Caudle says that much of this album was inspired by a year of touring and the corresponding yearning for home. “I’m really leaving it’s really Monday, I don’t know how it got here so soon,” he laments on this stand-out, “lately I’m finding so little to trust in, that’s why it’s harder leaving you.”


Too Long I’ve Been Gone, Dom Flemons (from the Music Maker Relief Foundation release Prospect Hill)
The Carolina Chocolate Drops co-founder continues his exploration of the early American music canon on his latest release. Flemons roots himself in folk but masterfully blends countless other genres into the mix. “Georgia Drumbeat” beautifully blends jazz, country and folk while “Have I Stayed Away Too Long?” has a touch of Dixieland and “I Can’t Do It Anymore” brings in some tasty blues playing. I’m partial to this song, a more traditional – and winsome – ballad.

Mayer’s Picks: The Best of 2014, So Far (the Songs)

Chris MillsRubicon, Chris Mills
(from the Loud Romantic Records release Alexandria)

Mills lulls you in with a lilting melody before unleashing the jaw-dropping emotion of lyrics and voice. The results are heartwrenching.


Lydia LovelessReally Wanna See You, Lydia Loveless
(from the Bloodshot Records release Somewhere Else)

This is the way rock and roll is supposed to sound: honest, boisterous and alive.


Drive-By TruckersShit Shots Count, Drive-By Truckers
(from the ATO Records release English Oceans)

The opening track from the Truckers was a lock for this list based on the title alone. The fact that it is rocks like only the Truckers can? Just icing on the cake.


The Hard Working AmericansWelfare Music, Hard Working Americans
(from the Melvin Records release Hard Working Americans)

This is the very definition of win-win – a group of phenomenally-talented musicians recording a raucous version of a song written by one of my favorite songwriters.


Jimbo MathusRock and Roll Trash, Jimbo Mathus
(from the Fat Possum Records release Jimbo Mathus)

This is swamp rock at its finest — unbridled and whiskey-infused.


Jonny Two BagsHope Dies Hard, Jonny Two Bags
(from the Isotone Records release Salvation Town)

While the lyrics reflect on a rough break-up, the music bristles with a raw and defiant energy.


Lake Street DiveBad Self Portraits, Lake Street Dive
(from the Signature Sounds Records release Bad Self Potraits)

Who knew a break-up song could sound so uplifting? Pure pop perfection.


Rod PicottWhere No One Knows Your Name, Rod Picott
(from the Welding Rod Records release Hang Your Hopes on a Crooked Nail)

If there is such a thing as a perfectly-weathered song, this is it. Picott has a knack for songs that are well-worn in topic, tone and voice.


Photo credits: Todd Cooper (Lydia Loveless), David McClister (Drive-By Truckers), James Martin (The Hard Working Americans), Elizabeth DeCicco (Jimbo Mathus), Jarrod McCabe (Lake Street Dive), Stacie Huckeba (Rod Picott)

Missy Werner – Turn This Heart Around

You just can’t have a good summer mix tape without some bluegrass.  Whether you’re getting liquored up at a festival down at the fairgrounds or spending some quality time with the family at the annual church picnic, bluegrass just sounds like a carefree, sunny day.  Yes, there are plenty of songs about heartbreak and angst, and I’m not sure any genre has more classic murder ballads.  But you usually have to pay close attention to the lyrics to realize it.  Meanwhile, the sound of claw-hammer banjo or flat-picked guitar is almost guaranteed to get people up and dancing.

Lucky me that the latest release from Missy Werner, Turn This Heart Around, slid across my inbox last week.  It’s bluegrass in all its finest forms.  Missy takes the vocal lead on all the tracks, with occasional harmonies from the likes of Sierra Hull and Sarah Siskind, and plenty of harmony from the band itself.  Her voice has that clear-as-a-bell quality you get from an Alison Krauss or Rhonda Vincent.  So whether it’s the slow ballad of Dead Man Walking or the tumbling rapids of Rocks In the River, nearly every song is anchored with Werner’s voice.  There is a lone instrumental track on the disc, Snake In the Grass, where the band gets to stretch their solo chops.

While I really liked a couple of the uptempo tunes on the album, like Rough Edges and Cloudless Blue, everything came together best on Come Back To Me, with its soaring vocals and rock solid instrumentals.  Having said that, the most interesting song on the album is Travelin’ Light.  Its gospel harmonies and call-and-response chorus have a purity of style that suck you in to hitting repeat more than once.

Turn-This-Heart-Around Turn This Heart Around covers a lot of bluegrass territory, so there’s bound to be something that catches your fancy.  Perfect for a summer mix tape.

Mayer’s Picks – The Best of 2014, So Far (the Albums)

The year is off to a strong start and I expect that it will only get better. Here, in no particular order, are some of my favorite releases from the first half of 2014.


Somewhere Else, Lydia Loveless

SOMEWHERE ELSE by LYDIA LOVELESS

“Simply bad-ass” is the phrase that overwhelms my thinking every time I give this album a listen. Loveless isn’t one to pull any punches and her rocking band gets in more than a few jabs of their own. This is my kinda rock and roll.

Key Tracks: Really Wanna See You, Wine Lips, Head, Verlaine Shot Rimbaud, Somewhere Else

Featured Twangville coverage of Lydia Loveless: Mayer’s Playlist for Feb/Mar 2014, Part 1, Monday Morning Video: Lydia Loveless, and Monday Morning Video: Lydia Loveless


Alexandria, Chris Mills

ALEXANDRIA by CHRIS MILLS

There has long been something magical in Mills’ writing and his latest release is no exception. Mills wears his musical heart on his sleeve, crafting songs that are filled with emotion and intensity which he then brings to life with a voice that is passionate and full of conviction.

Key Tracks: Alexandria, Rubicon, Blooms, The Sweet Hereafter, Quiet Corners

Featured Twangville coverage of Chris Mills: Mayer’s Playlist for January 2014, Part 2, Monday Morning Video: Chris Mills, and Monday Morning Video: Chris Mills


Hard Working Americans

HARD WORKING AMERICANS by HARD WORKING AMERICANS

You never know what you’re going to get when a “super group” of musicians come together. Leave it to the newly formed Hard Working Americans to demonstrate how to do it right. They hit the bulls-eye twice, first with their stand-out performances and musicianship. Second, by covering a collection of songs written by some of theirs – and my – favorite songwriters.

Key Tracks: Another Train, Down to the Well, Stomp and Holler, Welfare Music

Featured Twangville coverage of Hard Working Americans: Mayer’s Playlist for January 2014, Part 1


Drive-By Truckers

ENGLISH OCEANS by DRIVE-BY TRUCKERS

Are you ready to rock? Well the Truckers certainly are. English Oceans finds Patterson Hood in fine story-telling form and Mike Cooley filling his songs with plenty of piss and vinegar. The results are pretty damn potent.

Key Tracks: Shit Shots Count, Primer Coat, Pauline Hawkins, Hearing Jimmy Loud, When Walter Went Crazy, Grand Canyon

Featured Twangville coverage of Drive-By Truckers: Mayer’s Playlist for Feb/Mar 2014, Part 2 and Drive By Truckers – Live at Track 29 in Chattanooga, TN


Chuck Ragan

TILL MIDNIGHT by CHUCK RAGAN

Ragan has found a way to marry his punk pedigree with the edgier side of Americana. Let’s call it rustic punk… and a mighty fine listen.

Key Tracks: Something May Catch Fire, Vagabond, Non Typical, Bedroll Lullaby, Gave My Heart Out

Featured Twangville coverage of Chuck Ragan: Mayer’s Playlist for January 2014, Part 1.


Sarah Borges

RADIO SWEETHEART by SARAH BORGES

Borges returned from her musical hiatus by releasing what is arguably the best album of her career. Radio Sweetheart bristles with swagger and attitude, not to mention plenty of guitar-driven punch.

Key Tracks: Girl With a Bow, Think of What You’ve Done, The Waiting and the Worry, Start Again, Record on Repeat

Featured Twangville coverage of Sarah Borges: Happy Valentine’s Day: Radio Sweetheart from Sarah Borges , Monday Morning Video: Amy Black, Girls Guns & Glory and Sarah Borges , and More Video Fun from Sarah Borges, Amy Black and Girls Guns & Glory


Girls Guns and Glory

GOOD LUCK by GIRLS GUNS AND GLORY

While they remain true to their love of Hank Williams and vintage country, Girls Guns and Glory let their rock and roll colors fly on Good Luck. It makes for one rollicking good time.

Key Tracks: All the Way Up to Heaven, Be Your Man, One of These Days, C’Mon Honey, Rockin’ Chair Money, It’s Your Choice

Featured Twangville coverage of Girls Guns and Glory: Mass Ave – A Special Boston Playlist , Photos that Rock: Girls Guns and Glory , and Girls Guns and Glory at the Circle of Friends Coffeehouse


Parker Millsap

PARKER MILLSAP by PARKER MILLSAP

The Oklahoma native sets a high bar for himself with an outstanding debut release, deftly mixing up a stew of country gospel, folk and bluegrass.

Key Tracks: Old Time Religion, Truck Stop Gospel, The Villain, Quite Contrary, When I Leave

Featured Twangville coverage of Parker Millsap: Mayer’s Playlist for January 2014, Part 2, and Old Settlers Music Fest 2014 Edition .