Sweet tea. Kudzu wrapped around anything that doesn’t move. Wearing a short sleeve shirt with a tie to church. While you can experience those things many places (less so the kudzu), growing up with their ubiquity is part of a cultural perspective that lends definition to the idea of being a southerner. In a similar […]
Now & Then: The Jayhawks’ Sanctuary Park and the reach of Buffalo Springfield Again
The Jayhawks have spent much of their career balancing country songwriting with a rock-band approach, and Sanctuary Park continues that tradition. That makes Buffalo Springfield Again a useful predecessor. The 1967 album mixed country instrumentation, folk-rooted harmonies and electric rock without treating those elements as separate styles. The Jayhawks work from a similar foundation, but with the benefit of decades spent refining their own version of it.
“Don’t Fence Me In” – a Premiere from Sanford
Brooklyn by way of South Carolina, Jay Sanford follows January’s Big Tent Revival with an old-school two-sided (digital) single. The A-side, “Don’t Fence Me In,” takes a honky-tonk two-step and runs it through a rock engine — same dance-floor bones, more muscle. Sanford lays out the thesis in the chorus: “I do some honky-tonkin’ but […]
Now & Then: Ray Wylie Hubbard’s Reel 2 Reel 4 Real and the reach of Naturally
Ray Wylie Hubbard has long worked in the overlap between country, blues and rock, usually with more interest in feel than polish. Reel 2 Reel 4 Real continues that approach with a rawer, more garage-minded sound. J.J. Cale’s 1971 debut Naturally makes a useful comparison because it established an earlier model for roots music built around groove, restraint and an unmistakable guitar style.
Readers’ Pick: Ray Wylie Hubbard – Reel 2 Reel 4 Real
You picked Ray Wylie Hubbard – Reel 2 Reel 4 Real as your favorite new release for the week of August 21, 2026.
Dolly Parton – In Memoriam
As a kid growing up I didn’t like Dolly Parton. She and her musical partner, Porter Wagoner, represented everything I hated about country music at the time. They were well-coifed, fancily dressed, polished, with heavily produced records. Absolutely nothing of value to a teenage boy. Fast forward a few years and she’d shed Porter and, […]
Now & Then: Elizabeth Cook’s Great Television and the reach of Bramble Rose
Elizabeth Cook’s Great Television and Tift Merritt’s Bramble Rose come from different moments in country music, but they share a similar approach to songwriting. Both records are rooted in country without being limited by it, and both rely on strong vocal performances, clear arrangements, and songs that carry most of the weight. Merritt’s 2002 debut offers a useful earlier example of the kind of flexibility Cook brings to her 2026 record.
Darlin’ Brando Song Premiere – How It Is
As anyone in the industry can attest, building a life as a musician is not for the faint of heart. In the case of itinerant drummer and vocalist Darlin’ Brando, nee Brandon Goldstein, he’s moved across the country more times than I’ve moved my furniture. After a repeat stint in LA he’s back in Nashville […]
Now & Then: Silverada’s Living Proof and the reach of Against the Wind
Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.
Now & Then: GA-20 with Charlie Musselwhite’s BLUES NOW and the reach of Hoodoo Man Blues
GA-20 and Charlie Musselwhite’s BLUES NOW is built around a simple idea: keep the band lean, leave room in the arrangements, and let the interaction between guitar, harmonica, and voice carry the record. That makes Junior Wells’ 1965 Hoodoo Man Blues a useful predecessor. The two albums come from very different moments, but both treat electric blues as band music first, with little interest in unnecessary studio polish.