E.G. Kight – A New Day

E.G. Kight’s is a unique voice in contemporary music.  Her heartfelt, gospel and country-tinged blues blend American traditions into a toe-tapping good time.  Her latest album, A New Day, demonstrates what her dedicated following has known since the late 90s – that she is a special talent.

Though Georgia native Kight grew up listening to old time country music like Hank Williams and Patsy Cline and singing gospel in church, it is said she discovered her true calling upon listening to “queen of the blues” Koko Taylor as a teen.  Since the 1990s, the guitarist and vocalist has been writing and playing the blues, and she survived a serious illness to continue on making music.

A New Day is the eighth album to be released by Kight.  Kight wrote or co-wrote all the songs, with co-writing credits for five tunes going to Tom Horner and one each to the late Ann Rabson (Uppity Blues Women) and Lisa Biales.  Album highlights include “Holdin’ On,” “Graveyard Dead Blues,” “Don’t Give Up,” “Bad Times” (a duet with Greg Nagy), and “Low Mileage Woman.”  For the album Kight was joined by Gary Porter on drums, Johnny Fountain on bass, Ken Wynn on guitar and Mike Harrell on keyboards along with guest appearances by album producer Paul Hornsby on keyboards, Tommy Talton on guitar and Nagy. 

Audio Stream: E.G. Kight, “Don’t Give Up”

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Rob Stone – Gotta Keep Rollin’

Rob Stone plays good, honest blues.  A Boston native, harpist Stone followed a straight-forward style in the Chicago electric blues tradition on Gotta Keep Rollin’.  Stone’s tight band his has put together a first-class seRob Stonelection of rollicking tunes that is sure to enhance their growing reputation in the blues world.

Stone has been leading his own outfit – once called the “C-Notes” – since the late 1990s.  Previous offerings included No Worries in 1998, Just My Luck in 2003 and Back Around Here in 2010.  The group has played styles ranging from jazzy jump blues to the Chicago electric blues of Gotta Keep Rollin’.  The song selection on Gotta Keep Rollin’ is solid top to bottom, but highlights include “Lucky 13,” “Anything Can Happen,” “Move Baby Move,” “Strolling with Sasquatch” and the rousing closer “Not No Mo.”

To accomplish the polished electric blues sound on Gotta Keep Rollin’, Stone was joined by longtime bandmates guitarist Chris James and bassist Patrick Rynn, both of whom played with Stone in former Paul Butterfield Blues Band drummer Sam Lay’s band in the 1990s.  More than just sidemen, James and Rynn co-wrote all the originals on the album.  Stone also had some help from Boston-area pianist David Maxwell, a former sideman to James Cotton and Otis Rush whose own back catalogue of critically acclaimed work includes 2012’s inspired Blues In Other Colors, and slide-guitar ace John Primer, a former Muddy Waters and Magic Slim sideman who came into his own in the 1990s. 

Audio Stream: Rob Stone, “Anything Can Happen”

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Sena Ehrhardt – Live My Life

Sena Ehrhardt is a big voice from a smal town. Ehrhardt’s third album, Live My Life, is a polished musical offering that is sure to cement her reputation as a rising star in blues music.

Originally from a southern Minnesota town known more for lunch meat than blues music, the dynamic singer inherited her passion for blues from her father, who worked in regional blues bands for 40 years.  She attributes her ambition to growing up in a musical household and credits opportunities to see touring acts, including a performance by Luther Allison shortly before his death that took her breath away.  After graduating from college, she paid her early dues in her father’s band, Plan B, which gradually became the Sena Ehrhardt Band when her reputation took hold.  On her first two albums, Leave the Light On in 2011 and All In last year, her band continued to be a family affair, with her father anchoring as lead guitarist.

Sena Ehrhardt

But on Live My Life, Cole Allen replaced father Ed on guitar and also became her songwriting partner.  The album, like the glossy cover, is slicker than her earlier albums and may have some crossover appeal among rock audiences.  But at its heart it is still a blues album, and Ehrhardt’s talent is in the blues.

Live My Life is a mix of originals and covers.  Ehrhardt and Allen’s “Things You Should Know” and “Everybody is You” are solid tunes.  The title tune, written by Allen, is a fine blues-rocker.  She also does a good job on covers such as Leon Russell’s “Help Me Through the Day” and Albert Collins’ “If Trouble Was Money.”

Along with Ehrhardt and Allen, the album features St. Paul Peterson and Rick Roussell on bass, Michael Bland and Paul Peterson on drums, and Bruce McCabe on piano, with guest appearances by rhythm guitarist Jimi “Primetime” Smith and slide guitarist Smokin’ Joe Kubek.  The album was produced by prolific Minneapolis sound master David Z.

Audio Stream: Sena Ehrhardt, “Everybody Is You”

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Sugar Ray & the Bluetones – Living Tear to Tear

Sugar Ray & the Bluetones have added an entertaining gem to their long list of album releases with Living Tear to Tear.   From the first notes blown through Sugar Ray Norcia’s harmonica on “Rat Trap,” the album is a pleasure to hear.

Sugar RayIt’s not surprising that harpist Sugar Ray Norcia, a former member of Roomful of Blues, is a master at his craft. Roomful of Blues, a fine outfit in its own right, has become a stamp of quality for its alumni. The lexicon of blues masters who, along with Norcia, have been affiliated with Roomful of Blues include guitarists Duke Robillard and Ronnie Earl, trumpeter/cornetist Al Basile, and pianists Al Copley and Ron Levy – all musical standouts.

Norcia, who founded the first version of the Bluetones in the late 1970s, formally became a member of Roomful of Blues in the early 1990s.  But he had been playing with those guys for years.  Ronnie Earl, who took over from Duke Robillard as lead guitar, had been one of the original Bluetones.  Norcia’s decades of experience playing with great musicians ala Roomful of Blues shows on Living Tear to Tear.  The album includes a collection of original tunes written not only by Norcia but also by Bluetones Monster Mike Welch, Michael “Mudcat” Ward, and Anthony Geraci, with a couple of standards added in.  “Here We Go,” which you can stream below, was written by Welch.

On Living Tear to Tear, the Bluetones’ tight lineup includes  Welch on guitar, Ward on bass,  Geraci on piano, and Neil Garouvin on drums.

Audio Stream: Sugar Ray & the Bluetones, “Here We Go”

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Mud Morganfield & Kim Wilson – For Pops: A Tribute to Muddy Waters

Larry “Mud” Morganfield and Kim Wilson have put together a collaboration that features 1950s Chicago Blues akin to Morganfield’s famous father, McKinley Morganfield – Muddy Waters. And the surprisingly good tribute album by Waters’ eldest son and the frontman from the Fabulous Thunderbirds, For Pops: A Tribute to Muddy Waters, captures that Muddy Waters feel without knocking off any obvious hits like “Hoochie Coochie Man,” “I’ve Got My Mojo Working” or “Mannish Boy.”

MudMud Morganfield is one of two of Waters’ sons – the other is Big Bill Morganfield – who are making a name for themselves in their father’s business.   He didn’t consider a music career until after his father’s death in 1983, becoming a professional truck driver for a time instead.  But since 2000, Mud has been building a solid reputation.  releasing his first album, Fall Waters Fall, in 2008.  His second album, Son of  the Seventh Son, released in 2012, included a number of original songs and received some positive critical notice.   Wilson, of course, has held the Fabulous Thunderbirds together since Jimmie Vaughan left the band in in the late eighties.  The band managed to hang together through some ups and downs and, with the release of On the Verge in 2012,  received critical notice as glowing as during their heyday of the seventies and eighties.

On For Pops, Mud’s round baritone vocals and Wilson’s harmonica establish a a great core for the project, but the veteran crew including guitarists Billy Flynn, who played with Chicago blues standout Jimmy Dawkins and the Legendary Blues Band (with Waters’ sidemen Willie “Big Eyes” Smith and Pinetop Perkins) and Rusty Zinn, Barrelhouse Chuck on piano, former Ronnie Earl sideman Steve Gomes on bass and drummer Robb Stupka, who frequently backed the legendary Luther Allison.

For Pops is a tour de force that covers a range of offerings written by Muddy Waters, such as “Gone to Main Street,”Still a Fool,” and “Blow Wind Blow.”  It also includes songs written by others for Muddy, such as Willie Dixon’s  “I Don’t Know Why” and “I Love the Life I Live, I Live the Life I Love” and Bernard Roth’s “Just to Be With You.”  None of the songs were huge hits for Muddy, but they all have that signature Muddy Waters sound, especially when played by this group of veteran musicians. 

Audio Stream: Mud Morganfield and Kim Wilson, “Still a Fool”

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