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Melissa McClelland of Whitehorse on Touring in a Van Named Clarice and Rehearsing in the Rat Space

Tuesday, January 24, 2023 By Mayer Danzig

Whitehorse (credit Lyle Bell)

Photo credit: Lyle Bell

Tell us about your tour vehicle.

We used to own a big, old blue GM Safari van that we named Clarice. She had 150,000 miles on her when we first got her. We drove her back and forth across the country dozens of times before she finally rattled and sputtered to her last stop. This was pre-Whitehorse and that was the last time we owned a vehicle of any kind. Now we rent, ride, walk, run, hitchhike…

How do you eat cheaply and/or healthy while on tour?

We have some healthy stuff on our backstage rider. Fruits, veggies, nuts, hummus. But sometimes there’s a wheel of cheese on there and chocolate and always too much beer, so that’s when we say everything in moderation, including moderation.

How many strings do you break in a typical year? How much does it cost to replace them?

It surprisingly doesn’t happen that often! I guess we need to play harder.

Where do you rehearse?

We rehearse at our favourite place up the street from us in Toronto called the Rat Space. It’s the farthest thing from a corporate vibe. Our pal Robin runs it. It’s filled with eclectic collectables, it’s clean, but scrappy and sounds great- but still a bit shitty so that when you play soundcheck at the venue it blows your mind a little bit. A good rehearsal space should make you work a little harder, so that the show is a breeze.

What was the title and a sample lyric from the first song that you wrote?

I wrote a Thanksgiving song as a kid called “Keep Walking”. Each section modulates until by the end I’m singing so high that I’m screeching into the tape recorder. I’ve never worked my range so hard.

Describe your first gig.

My parents drove me to an open mic night every Monday in a neighbouring city. I was probably around 15 or 16. I’d play 3 new original songs every week and get to know the wonderful cast of characters that took the stage there. I’m still friends with some of them to this day. The back of the restaurant is a proper venue and I’d end up headlining there a few years later.

What was your last day job? What was your favorite day job?

I spent a week in a factory packing Hustler magazines into boxes in my early 20’s. It was quite the education. I had several short-lived jobs before I went into the studio to record my first solo record.

How has your music-related income changed over the past 5-10 years? What do you expect it to look like 5-10 years from now?

Income is all over the map in this line of work, especially now in a covid world. We’re pretty lucky that we’ve carved out a living and continue to do so, but there’s no feeling of security in it. We have no idea what the future looks like, but we keep creating, working and moving… and always hope for the best.

What one thing do you know now that you had wished you knew when you started your career in music?

Honestly, I’ve loved just picking it all up as I go along, it’s part of the adventure for me. What would I tell someone else starting out? Make sure you’re enjoying the journey. It’s unpredictable and can be really hard, but those moments of payoff – when traveling, performing, creating, collaborating – are truly glorious.

Whitehorse is the prolific partnership of Melissa McClelland and Luke Doucet. Uninhibited by expectation, boldly adventurous and categorically talented, Whitehorse’s signature sound is always guitar-heavy, harmony-plentiful and lyrically deft.

With an expansive run of records that freely and thrillingly dip in psychedelic Americana, pop noir, squalling blues rock and celestial folk, Whitehorse have pushed their idiosyncratic musical identity into new realms and sounds for over a decade. As attested by five consecutive JUNO Award nominations in three different genre categories, Whitehorse do a lot of things, and do them well.

For artists whose biographies have been written many times over, what’s new this time is how the duo’s previous experiences set the stage for a new thrilling chapter. This is a story of artists coming from a multitude of somewheres, a culmination of the many chapters of two artists who live their lives in and through music. Doucet, long known as one of Canada’s best guitarists, has journeyed from Winnipeg to Nashville and back again, synthesizing blues, rock and country influences through a career that has pivoted around his calling card, the White Falcon. Doucet has found yet another level of excellence, as evidenced in the next-level licks and tricks on full display in new work.

McClelland, whose own guitar prowess deserves mention, has also tapped into new depth and dimension. Her astonishing vocals, undeniable in power and startling in their prismatic tones, are the conduit through which McClelland fully expresses and inhabits the characters that populate her songs. From her breakthrough work, exposing the gothic underbelly of surburbia, through to her return musical trip from Chicago to California, McClelland’s eye for detail and ear for harmonies has placed the artist among rarified company when it comes to her combination of pure talent and hard-earned achievement.

On their new record, Whitehorse venture deeper into classic country music touchstones than ever before, a move that is both a homecoming and an evolution of their sound. A twist on the ‘pandemic’ album, Whitehorse distilled and transcended the gloom and uncertainty of the time with a collection about heartbreak and loyalty, getting by and going crazy, shaking things up and hunkering down. The songs are playful yet profound, masterfully simple and timeless. When everything was stripped away, this turn to classic country was the answer. I’m Not Crying, You’re Crying is an immaculate collection of 70s country-inspired songs that showcase Whitehorse at their absolute best.

Connect with Whitehorse online and on the road.

Filed Under: Country, Interviews, Videos, Why It Matters Tagged With: Whitehorse

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