Twangville

A music blog featuring Alt-Country, Americana, Indie, Rock, Folk & Blues. Est. 2005.

  • Reviews
  • Why It Matters Interviews
  • 360 Playlist
  • Readers’ Picks
  • Weekly Email Updates
  • Release Calendar
  • About Us
  • Facebook
  • Instagram
  • RSS
  • Twitter

Powered by Genesis

Logan Ledger Quotes Mark Twain and Talks About Bluegrass Music Camp

Tuesday, October 17, 2023 By Mayer Danzig

Logan Ledger

Tell us about your tour vehicle. Any notable breakdown stories?

I don’t own a proper touring vehicle so most of the time I have to rent a car. I’m a big fan of the hybrid Chrysler Pacifica minivan. Great mileage to space ratio for a smaller touring rental. I’ve never broken down luckily, though one time I went off the road in an Iowa blizzard, which was pretty scary. That was in my little Ford truck though (a terrible touring vehicle).

How do you eat cheaply and/or healthy while on tour?

Whenever I can stop at a grocery store and grab some healthy snacks, that’s a good thing. Usually we’re in such a rush though. It’s a bit difficult.

How many strings do you break in a typical year? How much does it cost to replace them?

None, really. I try not to wail on the thing too hard.

Where do you rehearse?

Most of the time I rehearse at friends’ houses. My place isn’t really big enough to host a comfortable rehearsal. But I’m lucky to have friends who have good rehearsal spots.

What was the title and a sample lyric from the first song that you wrote?

I wrote a song called the “Downtown Coffee House” when I was thirteen. I remember there was some line about “Buddha giving me flowers,” but I don’t remember much else about it really. It exists on a cassette tape somewhere. I don’t reckon it was very good.

Describe your first gig.

When I was 14 I went to this bluegrass music camp in Nashville called Nashcamp. I was in the banjo class. At the end of the camp, they had all the students play a big shindig at the Station Inn. Even though it was mostly just family members etc. in the audience, it was fun being in such a legendary spot. Felt like a real gig. So I reckon that was my first time.

What was your last day job? What was your favorite day job?

I still work part-time as an audio-visual tech and also in a warehouse. I’m not sure if I ever had a favorite occupation. I’m reminded of that quote by Mark Twain, “I do not like work even when someone else is doing it.”

How has your music-related income changed over the past 5-10 years? What do you expect it to look like 5-10 years from now?

It hasn’t been easy. I’m lucky to break even most of the time. I guess I’d like to get to a place where I can start saving a little bit of money. But, I really don’t know what the next few years will look like. The music industry is pretty bleak except for those few at the very top.

What one thing do you know now that you had wished you knew when you started your career in music?

What an impossible way of life it is. I would have still chosen it though.

The second full-length from singer/songwriter Logan Ledger, Golden State is steeped in so many of the ineffable qualities embodied by California: wild-eyed idealism, uneasy unpredictability, the infinite promise of rebirth and renewal. In keeping with the refined ingenuity first revealed on his T Bone Burnett-produced self-titled debut, the Bay Area raised, Nashville-based musician also leans into California’s legacy of restless reinvention, continually cross-pollinating his vast reservoir of influences to create entirely unexpected musical idioms (including, at one point, a glorious collision of British folk and rowdy surf rock). Anchored in his captivating baritone and poetic lyricism, Golden State ultimately matches Ledger’s rich sense of history with an unfettered originality, arriving at a body of work both elegantly composed and endlessly surprising.

Produced by Shooter Jennings (Tanya Tucker, Brandi Carlile, Kelsey Waldon) and recorded at the famed Sunset Sound in Los Angeles, Golden State marks a stylistic departure from the timeless country noir of Ledger’s critically lauded debut (a 2020 LP featuring such luminaries as avant-garde guitarist Marc Ribot). This time around, Ledger worked with musicians like Cage The Elephant guitarist Nick Bockrath, pedal-steel player Russ Pahl (Sturgill Simpson, Tyler Childers), Jennings’s longtime bassist Ted Russell Kamp and drummer Jamie Douglass, and Jennings himself (on piano, Wurlitzer, organ, and celeste), dreaming up a lush and spirited sound partly inspired by the California country-rock scene of the late-’60s and early-’70s.

Connect with Ledger online and on the road.

Filed Under: Americana, Country, Interviews, Singer/Songwriter, Videos, Why It Matters Tagged With: Logan Ledger

Friends of Twangville

Polls

What is your favorite new release for week of May 16?

View Results

Loading ... Loading ...