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Chris Berardo On a Tense Songwriting Session and an Alabama Breakdown

Tuesday, March 04, 2025 By Mayer Danzig

Chris Berardo

Tell us about your tour vehicle. Any notable breakdown stories?

I think it’s important how you roll up to the gig … we’ve been going around in a van and trailer for many years … I’m on my 6th or 7th van … 15 seater airport vans, a bunch of conversion vans … some pretty nice rides, and I’ve become a bit of an aficionado … I could bore you all day talking about vans!

I can barely remember a run of shows with no breakdowns … it just seemed like part of the sport … the connection to the trailer lights was always a pretty good bet to try to shut us down …

t all runs together but I remember once being on the side of the highway in Alabama and the flatbed guy comes to get us and he must have heard we were a band, and a captive one, and 7 of us pile into his truck and he has a case of Busch beer and he pulls out his guitar and he won’t take us to get fixed until we’ve played 6 or 7 Bob Seger songs with him … then the mechanic was closed so we had to stay in town and he came to the hotel in the morning and started picking that guitar again and it’s 5 more songs and he brought weed and more beer and we just figured, ok, we live here now with this guy and there’s no way out of it! It was a long couple of days …

How do you eat cheaply and/or healthy while on tour?

We used to stop in the morning at the Denny’s for a quick breakfast until it dawned on me over the years that some eggs and coffee for 6 or 7 guys took, like, 4-5 hours and cost, like, $5,000 … Never underestimate the free hotel breakfast, although I personally am almost never awake for that and if I am then it’s been a long night … backstage catering is wonderful when it happens but you can’t count on that for the whole day …

We like to find the great BBQ place in town whenever possible … and if you want fast and nobody gets hurt, the Subway won’t do you wrong …

How many strings do you break in a typical year? How much does it cost to replace them?

I break a lot of strings … but I don’t play guitar, so as you can imagine, this really tends to aggravate the guitar players in the band …

Where do you rehearse?

I have a great little rehearsal / recording space in the woods in Connecticut … I get a lot of critter visitors, usually the deer, who I love, or a bird family building a nest on the porch, but one time I had a deadline for some piece of music that I had to finish right away and a snake got in somehow … I do not like snakes … he went behind the beer fridge, so I figured, “ok, we gotta share the space today” because I had to get finished … it was a tense afternoon … I’m sure whatever music I made was jumpy and the tempo was too fast because I wanted to get done and out of there … but mostly every day down there is pretty lovely …

What was the title and a sample lyric from the first song that you wrote?

I bet there were earlier ones, but the first thing I remember that I wrote alone was called “Fine On My Own” … “Look at me, up all night, drinking heavily, look at me, I don’t need you to make me smile, I’m fine on my own, I don’t need you” fun guy, right? I had a lot of those, “you’ll never break my heart” songs … a real tough monkey! Even later, I had a big deal music biz manager I worked with, the late Bud Prager, who used to say to me, “Hey, ease up, give the little girls some hope!” That made me laugh … and it was good advice about letting your emotional guard down …

Describe your first gig.

My folks say that when I was 4 or 5 I used to jump up out of nowhere in restaurants and start to belt out songs … they were probably mortified, although my mom is pretty show bizzy, so I think she probably understood my need to be heard … pretty sure nobody paid me on those, although I was once in the studio audience of a game show in New York City when I was 3 or 4 years old and I got paid a dollar for telling a joke … so that’s when the Show Biz dough really started rolling in …

I remember first actually getting paid playing grammar school and high school dances, when I was probably 14 or 15 … those were VERY exciting, just to get to do it was such a big deal … Someone sent me a picture recently of our crazy little cool band playing at the Saints John and Paul middle school dance in Larchmont, NY … there we are, set up on the gym floor, and right at my feet is a can of Coors beer … oddly, the nuns said nothing … different time!

What was your last day job? What was your favorite day job?

When I was a kid I’d head out to anywhere that I thought might help me to be able to get in a band and sing, and I remember washing dishes at a couple of places in NY (professionally, of course … at home not so much) and just showing up in DC or LA and getting a gig waiting tables, and I actually wore the paper hat of fast food and had a quick stint at the Der Weinerschnitzel in Hermosa Beach, CA (it didn’t go well) … but the scam that I most enjoyed was being a lifeguard … I came home from my first year of college in Miami and had a good tan going and I got myself hired at the local pool and then I got hired away for more money by a fancy beach club and the funny thing is that I’m not a strong swimmer … and I never passed the life-saving test … but the right look can go a long way and those were great jobs … I think that was it for me and the labor force …

How has your music-related income changed over the past 5-10 years? What do you expect it to look like 5-10 years from now?

Well, obviously it’s a lot tougher with streaming these days … I used to sell lots of CDs out of the trailer on the road and now some folks don’t know what a CD is … and running around the country with a 6 piece rock band can just be a financial killer, really hard … we are still trying to get back to the kind of offers we were getting right before the pandemic and it’s a slow rebuild even now, but we’ll get there …

Still, as for future income trends, I predict grotesquely enormous show biz cash flowing freely, with fur-lined sinks and air-conditioned suitcases for everyone, the kind of jaw-dropping decadence that would make Elton John look like a scrappy East Village folk singer … that’s my guess as to where I see the financial stuff going … it’s a hunch …

What one thing do you know now that you had wished you knew when you started your career in music?

I think that I should have trusted my own instincts better … I was really lucky to have stumbled into a lot of big deal-ish industry attention really early, and I learned great things from that, that I carry with me today … I had a healthy respect for older accomplished people in this racket, but looking back I think I knew more about who I was and wanted to be than they did, and I would tell anyone starting out that you know more about who you are than you think you do …

Keep your mind open to suggestions but also be who you are as fast as you can, and don’t waste time …

Also, it’s fun … so have FUN … ??

Chris Berardo returns with Wilder All The Time (Blue Élan Records), his first full album release since 2007’s Ignoring All The Warning Signs, Wilder All The Time. With his friend and frequent musical partner David Abeyta, (formerly of celebrated Austin-based country rock band Reckless Kelly) in the producer’s chair, Wilder All The Time brings Berardo to another level within his trademark roots rock and into a Southern Pop Rock realm that lands him well-positioned to recapture the spotlight. The album also features Reckless Kelly bandmates drummer Jay Nazz and bassist Joe Miller who join in their support of Berardo, alongside longtime DesBerardo band members Marc Douglas Berardo (acoustic guitar, background vocals) and “Handsome” Bill Kelly (electric guitar, acoustic guitar, mandola and background vocals), and the Grammy Award winning Lloyd Maines (pedal steel guitar), Bukka Allen on Hammond B3 organ and piano, as well as a duet vocal with the highly-acclaimed Texas singer / songwriter Walt Wilkins.

Connect with Berardo online.

Filed Under: Americana, Interviews, Rock, Why It Matters Tagged With: Chris Berardo

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