Twangville

A music blog featuring Alt-Country, Americana, Indie, Rock, Folk & Blues. Est. 2005.

  • Reviews
  • Why It Matters Interviews
  • 360 Playlist
  • Readers’ Picks
  • Weekly Email Updates
  • Release Calendar
  • About Us
  • Facebook
  • Instagram
  • RSS
  • Twitter

Powered by Genesis

Afton Wolfe – Kings For Sale

Thursday, June 17, 2021 By Shawn Underwood

It’s burned in my memory, the exact moment I first heard Afton Wolfe. Coming down out of the mountains on an impossibly bright day in southern Utah, I hit play on his new album, Kings For Sale. Like when you flip down a pair of polarized lenses after squinting into the sun, the textures hidden in the shadows suddenly came to life. The washed-out sandstone suddenly displayed splotches of vegetation, and while it still wasn’t lush I think the relative humidity increased 50%. Mississippi born-and-bred Wolfe and his Tom Waits, cigarettes-and-gravel vocals, had practically transported me to the Delta.

If you have to put a label on it, I suppose the record falls somewhere on the spectrum between jazz and country blues. Paper Piano sits pretty squarely in a jazz style, with horns and sax taking their turns highlighting a admonition to make the best of your situation. “Did you never use a milk jug as a baseball glove?” Indeed. Dirty Girl loosely recalls a road trip from Nashville to New Orleans with a sound that dirties up the jazz as they get closer to NOLA. Mrs. Ernst’s Piano is a Waits style, spoken vocal piece with a clarinet layering a lovely sepia tone over the 60’s era tale of racism and karma.

Over toward the country side of things, Carpenter gets inspiration from Wolfe’s time as a bartender. The fiddle and pedal steel punctuate a desire to serve drinks, not advice. “I was never much of a carpenter, I wouldn’t make you much of a savior.” Steel Wires highlights Laura Rabell’s harmonies against Wolfe in kind of a vocal beauty and the beast. O’Magnolia pairs a gospel choir with pedal steel in a country hymn about the new symbol in the Mississippi state flag.

Currently a resident of Nashville, Afton Wolfe has the bona fides to do a variety of roots and Americana music. This album doesn’t fit very well in that spectrum. Yet it kind of does fit. It’s a mishmash of styles that all have their heritage from areas of the Deep South. As a result of that paradox, and the superb musical execution, I have to recommend you listen to Kings For Sale at least once this summer.


About the author:  I've actually driven from Tehatchapee to Tonopah. And I've seen Dallas from a DC-9 at night.


Filed Under: Blues, Country, Jazz, Reviews Tagged With: Afton Wolfe

Friends of Twangville

Polls

What is your favorite new release for week of May 29?

  • Joshua Ray Walker – Ain’t Dead Yet (21%, 9 Votes)
  • Nathan Evans Fox – Heirloom (12%, 5 Votes)
  • Tom Waits and Kathleen Brennan – Where the Willow and Dogwood Grow (10%, 4 Votes)
  • Willie Nelson – Dream Chaser (10%, 4 Votes)
  • Paul McCartney – The Boys of Dungeon Lane (10%, 4 Votes)
  • SUSTO – Susto Stringband (Volume 2) (7%, 3 Votes)
  • Kurt Vile – Philadelphia’s been good to me (7%, 3 Votes)
  • Alexis Harte – Thirsty (7%, 3 Votes)
  • David Serby – Broken Heart In A Honky Tonk (5%, 2 Votes)
  • Lone Piñon – Hot Carne Seca (2%, 1 Votes)
  • JP Soars – Gypsy Blue Revue (2%, 1 Votes)
  • Joey Quiñones – Inna Soul Steady Situation (2%, 1 Votes)
  • Clay DuBose – Father Time & Mother Nature (2%, 1 Votes)
  • Leeroy Stagger – Pilgrimage (2%, 1 Votes)
  • Jesse and Noah – The Sunshine Shop (0%, 0 Votes)
  • Benson – Double Dose (0%, 0 Votes)
  • Amani Burhnam – Roots & Wings (0%, 0 Votes)
  • Robin Ganz – Hypnos (0%, 0 Votes)
  • Guided by Voices – Crawlspace Of The Pantheon (0%, 0 Votes)
  • Renée Fleming & Béla Fleck – The Fiddle and the Drum (0%, 0 Votes)
  • Gipsy Kings – Historia (0%, 0 Votes)

Total Voters: 42

Loading ... Loading ...