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Top 9 Live Sets of ’09

Thursday, January 07, 2010 By Shawn Underwood

If you’re a frequent Twangville reader you know by now I’m an unabashed live music aficionado.  I usually manage to see 30 or more live acts a year, so in addition to the top records of the year I have to add my view to the best live sets I saw.

#9 Michelle Shocked.  Many successful singer-songwriters have the ability to tell stories and talk to the audience like you’re in a friend’s living room and they just decided to pick up the guitar and play a couple of songs.  Michelle’s show at Yoshi’s in San Francisco was a prime example of that as she previewed her new album and played many of her (and the audience’s) old favorites.

#8 The Lovell Sisters.  I didn’t walk away from their set at this year’s Old Settler’s Music Festival thinking these young women were going to make a best-of list.  But I found myself checking back during the year hoping they would do a tour swing to the west coast.  Their enthusiasm was contagious and they have some serious bluegrass chops.  Unfortunately, the oldest sister has now left the group and gone off to college, so that may have been my last chance to see them live.

#7 The Gourds.  I know, these guys are kind of a ringer in this category.  After all, they’re a live act that sometimes does recordings.  But expectations can be pretty high when you have that reputation, and The Gourds set at the campground at Old Settler’s met and exceeded the hype.

#6 Fred Eaglesmith.  Fred’s show last January at the Little Fox was a gem.  He shared insight into what his songs were about, talked about his beloved old guitar, made the usual amount of smart-ass political commentary, and just generally entertained the crowd with a couple of classic sets of his work.

#5 Great American Taxi.  Born from the ashes of jam band legend Leftover Salmon, Great American Taxi utilizes that live experience in their shows.  But this group isn’t about long stretches of instrumental solos.  Instead, they use that improvisational ability to tweak and mold their songs to the event so every performance is different, yet keeps a common thread.

#4 Belleville Outfit.  You have to love it when a group takes inspiration from their setting.  It’s why live music can be so thrilling.  These Americana hipsters from South Carolina took their western swing and country-folk songs, jazzed them up even more for the setting at Yoshi’s, and transported the audience to a New York or Kansas City jazz club circa the 1940’s.

#3 Ben Sollee.  Ben’s set at the Rocky Mountain Folks Festival was as much an education as a performance.  I don’t mean he lectured, but that he gave a lesson in how an instrument can take on so many voices.  Ben’s background playing the cello stretches from classical to bluegrass, and his performance was a masterpiece that combined many genres.

#2 Dave Alvin & the Guilty Women.  Starting with a lineup of superstar session players, Dave Alvin has melded the Guilty Women into a group whose sum is far greater than their separate parts.  Their set at Hardly Strictly Bluegrass was a jaw-dropping example of how a tight team of soloists can be just as amazing together as they are individually.  The groove they were laying down…oh my!  It was hard to believe this isn’t a band that’s been playing together 20 years.

#1 Booker T & the Drive-by Truckers.  Live music is at its finest when it conveys a sense of time and place such that you know the performance was so good it could never be repeated simply because the circumstances will never be the same.  That’s what happened at Hardly Strictly Bluegrass in Golden Gate Park when Booker T Jones and the Drive-by Truckers teamed up.  Their set was great, but they finished up with Booker T reminiscing about his time with Otis Redding, the last time he’d been in San Francisco, and then diving into a performance of “Sittin’ On the Dock of the Bay”.  One hundred thousand people whistling along in the right places.  It was magical.

So there you have my favorites.  Go catch some live music this year and we’ll compare notes this time next year.


About the author:  I've actually driven from Tehatchapee to Tonopah. And I've seen Dallas from a DC-9 at night.


Filed Under: Alt-Country, Americana, Best of Year, Bluegrass, Folk, Roots

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