Twangville

A music blog featuring Alt-Country, Americana, Indie, Rock, Folk & Blues. Est. 2005.

  • Reviews
  • Why It Matters Interviews
  • 360 Playlist
  • Readers’ Picks
  • Weekly Email Updates
  • Release Calendar
  • About Us
  • Facebook
  • Instagram
  • RSS
  • Twitter

Powered by Genesis

Riverboat Gamblers – Underneath the Owl

Wednesday, March 11, 2009 By Kelly Dearmore

m_8380bd4a14a66ed34cbd4345410d6639

Austin, TX by way of Denton, TX rockers Riverboat Gamblers have built a reputation for being raucous performers who don’t mind bleeding a little during their frenetic live-set. The spirit of their live-performance ways are captured brilliantly in their new record, Underneath the Owl (Volcom). The band will be spending a great deal of time touring with the likes of Rancid and Rise Against over the course of the next few months. The pairing with punk-greats (o.k., just one punk great) makes complete sense as the album boils down an assortment of hard sounds and pours them into a mold that creates an album that spits, swaggers, bleeds and breathes some toxic life into the benign world of punk.

I wouldn’t call Underneath the Owl a typical, straight forward punk record. While there are sonics that recall the works of SoCal punks Goldfinger and Social D (“Alexandria”, “Keep Me from Drinking” “Pilgrims in an Unholy Land” and the song that gets my vote for best song-title of the year, “Robots May Break Your heart”), there are also tracks that bring to mind the work of some home-state forerunners. The opening track, “Dissdissdisskisskisskiss” takes me back to the first time I heard At the Drive In’s “One-Armed Scissor” and “Catastrophe” roars like a menacing Toadies track with a swig or two of Red Bull.

The screaming guitars and the rushed call-and-response on many of the choruses give the album a sense of urgency that compels the listener to sit-tight and shut-up. Often during the course of the album, the lead vocals, which are shared by different members of the band, go from soaring to guttural growls effectively and instantaneously. Numbers such as “Sleepless”, a more straight-forward rock track, contain a polished crunchiness that many mall-punk/pop acts would likely trade their Vans shoes in for, if they could recreate it for their own album. Perhaps the key element that will easily set Underneath the Owl apart from the line of punk albums released this year is the strong sense of melody, regardless of the influence from track to track, that isn’t apparent in most punk releases.

Download a Free Track from Underneath The Owl adn Liten to songs on Riverboat gamblers Myspace.


About the author:  I likes me some wine, women and waffles, not always in that order (but usually). Chaucer is cool, but fart jokes are even better. You feel like spikin' your country with a little soul or mix in a little rock without the roll? Lemme hear from ya!!


Filed Under: Alternative, Indie, Reviews, Rock

Friends of Twangville

Polls

What is your favorite new release for week of May 16?

  • Carolyn Wonderland – Truth Is (31%, 10 Votes)
  • Charlie Musselwhite – Lookout Highway (19%, 6 Votes)
  • Ken Pomeroy – Cruel Joke (9%, 3 Votes)
  • Barenaked Ladies – IN FLIGHT – CARRY ON (6%, 2 Votes)
  • Dan Mangan – Natural Light (6%, 2 Votes)
  • The Talbott Brothers – Borderlands (6%, 2 Votes)
  • Peter Rowan – Tales of The Free Mexican Airforce (6%, 2 Votes)
  • Kat Hasty – The Time of Your Life (6%, 2 Votes)
  • Ben Hackett – Songs for Sleeping Dogs (3%, 1 Votes)
  • The Lowtimers – Cracks (3%, 1 Votes)
  • Suzie Brown – Songs Worth Saving (3%, 1 Votes)
  • BEATrio – BEATrio (0%, 0 Votes)
  • Erin Durant – Firetrail (0%, 0 Votes)
  • Sweet Megg – Never Been Home (0%, 0 Votes)
  • Christian Rutledge – An Inch Of This New York Mile (0%, 0 Votes)
  • The Travelin’ McCourys – One Chord That Rings True (0%, 0 Votes)

Total Voters: 32

Loading ... Loading ...