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Son Volt – American Central Dust

With the latest release from Son Volt, American Central Dust, I’m reminded why frontman Jay Farrar split with Wilco lead Jeff Tweedy over creative difference in Uncle Tupelo.  While Wilco continues to explore new musical directions, sometimes to good affect and sometimes not so much, Son Volt hews closer to the original vision circa 1990.  I’d have to say the strongest point to this new effort is just that: it harkens back to the early style of alt country instead of the more indie-influenced sound you often hear today.

One of the best examples of that is Dust of Daylight, a country waltz full of whining pedal steel and dance hall fiddle.  Yet it retains an edge that’s at odds with traditional country music.  With verses like “love is a fog and you stumble every step you take”, it captures the tears and woe of Hank or George or Porter, but in a more current way.  There are some misses, though.  In Pushed Too Far the “conversations turn to metaphors” and the lyrics slump to navel gazing that a well-timed stretch of the strings can’t resuscitate.

There are also a couple of more rock-tinged songs on the disc.  My favorite is Down to the Wire, where the interplay between guitar and keyboard remind you of Richards and Wood in the heyday of the Stones.  Speaking of Keith, you have to chuckle at Cocaine and Ashes, a pleasant little funeral dirge ditty inspired by the tale of, well, cocaine and his father’s ashes.

I was also enjoyed Sultana, the story of a riverboat tragedy shortly after the Civil War.  It owes a lot of its story-telling style to Wreck of the Edmund Fitzgerald, but instead substitutes a piece of history more familiar to a boy from St. Louis.

American Central Dust is a solid effort, with some flashy nods to 60’s and 70’s country music.  But the uneveness makes it a better candidate for downloading your favorite individual tunes over listening cover to cover.


About the author:  I like music, food and wine. And the view on a clear day from the top of a mountain. I like the designated hitter and instant replay. And fast cars, of any shape or size. A well turned phrase elicits a smile, too.


by Shawn Underwood in Alt-Country, Americana, Reviews

8 Comments , Comment or Ping

  1. Got to respectfully disagree. I think that “American Central Dust” is a great album and hearkens back to the “Trace” type of sound. While it is nothing groundbreaking to be sure, Jay Farrar is at his best here. Have listened to this album several times through now and have not yet grown tired of it. The perfect soundtrack for my summer!!

  2. That’s what this section is for. :-) Thanks for adding your thoughts.

  3. IMO its a great cd. Some of the most moving music Jay has created. I agree with Derek, its some of his best accessible songs/recordings he has made since the early days of Son Volt. Jay writes some of the most relevant music I’ve heard over the past 15yrs. “Strength & Doubt”, “Roll On” are beautiful songs & my favorites along with J Box of Steel. I was never overly impressed with Chris Masterson’s playing, but it blends and accents wonderfully on this cd.

  4. I have to say that this is the most boring/uninteresting Son Volt I’ve heard in a while…I tried to give it another shot last weekend but couldn’t sit through it all.

  5. I’m with Todd. Just boring and uninspired work here. It all sounds the same, and it’s just completely joyless. I loved the direction of the last album with the horns and all, but this one is just SO flat and listless.

  6. The sound on new Son Volt is a bit lighter and closer to the traditional alt. country sound of their first 3 albums. Not one straight ahead rocker, compared to their last 2. Im a big Jay/Son Volt fan & don’t see how you cant appreciate this disc if you enjoy any of his other albums. Its a solid album with some beautiful songs that IMO are as moving as any on Trace. Jays writing style/lyrics are just different and from those earlier albums. Roll on, Dust & Daylight, Exiles, Strength & Doubt are my favorites. Cant wait to see them later this summer in Pgh.

  7. I love this record, start to finish. And unlike some of the reviewers I’ve read, I can listen to it all the way through and never be bored. Yes Jay can be undeviating in his vocal delivery to the point where you can just about predict every inflection, but somehow, I still find it interesting. The songs and feel are much closer to Trace… and the mix of instrumentation is excellent with the return of the pedal steel and violin.
    Somebody here mentioned not being impressed with Chris Masterson’s playing. I just saw them live and I can tell you that although he doesn’t catch fire and he’s certainly no Metalhead, his work is tasty and really never misses the mark.

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