Singer-songwriter Ruston Kelly talks about rehearsing at home, working at a chicken plant when he was 20, and the time that his tour bus caught on fire.
Robert Jon Burrison on Playing Live and Early Days Working as a Barista
Robert Jon Burrison of Southern California’s Robert Jon & the Wreck talks about the Johnny Cash vibe of his first song and shares the name of the band’s new tour van.
Dan Forsyth of Driftwood on Fixing a Broken Fuel Pump and Trusting One’s Instincts
Guitarist and songwriter Dan Forsyth of upstate New York rock group Driftwood talks about 25 years spent rehearsing in the basement of a bandmate’s parent’s house and working at Cracker Barrel.
JJ Grey on Salad Bars, Working at a Lumber Yard, and the River of Nickels
Florida singer-songwriter JJ Grey recalls his early cover band days (and singing The Outfield’s “Your Love”) and talks about his new rehearsal space.
Ghalia Volt on Her Invisible Tour Van and Backyard Rehearsals in New Orleans
New Orleans by way of Brussels, Belgium blues singer Ghalia Volt talks about touring with a $40 juicer and her definition of financial success.
Shane Smith on Breaking Guitar Strings and Building a Team
Texas musician Shane Smith talks about working as a part-time tennis coach during the band’s early years and not getting paid after his first gig.
Phil Hurley on Deep Dish Pizza and Breaking Strings on Borrowed Guitars
Austin singer-songwriter Phil Hurley talks about working in guitar stores in Austin and LA and talks about the reason to get into music (and a reason not to get into music).
Stoll Vaughan on Def Leppard’s Generosity and His Mentor’s Advice
Singer-songwriter Stoll Vaughan talks about building a home for his music and shares advice on rehearsing for tours.
Louien on Matpakke and a Youthful Act of Defiance
Norwegian artist Louien talks about changing guitar strings, wonderful moments in her rehearsal space, and keeping on keeping on.
Trent Wagler of The Steel Wheels on Office Clutter and His Favorite Day Job
Trent Wagler of Virginia-based The Steel Wheels talks about a first song that prioritized rhyme over meaning and the importance of inner motivation.