Not so long ago when someone said the latest record from a group was more “radio friendly” it meant they’d sold out and gone from what made them unique to something more appealing to the mainstream, at least as judged by some nameless, faceless A & R guy.  But with most people listening to music [...] more »

by Shawn Underwood

It wasn’t that long ago when someone asked me “Why doesn’t anyone make Rock n’ Roll” anymore?” Like many folks, he quit looking for new music after he graduated college, and was now trying to search the radio for new Rock n’ Roll. If he asked that today, I would give him a copy of [...] more »

by Chip Frazier

Listening to Jason Isbell’s newest album was a true revelation. A few album’s later and he’s really moved beyond his life with the Drive-by Truckers. Now when I hear about a concert on the other side of DC from me, I think twice about heading out to H street. But when I heard Isbell was [...] more »

by Jeff McMahon

OK, look. It’s not that I’m unaccustomed to gushing over a record I really love here on Twangville, it’s just that I try and at least tell you why it is that I feel a record is so gush-worthy, when called for. In the case of Israel Nash Gripka’s latest, Barn Doors & Concrete Floors, [...] more »

by Kelly Dearmore

When we last saw Tara Nevins, do her own thing, outside of the Donna the Buffalo ”herd”, it was an award winning Bluegrass album, but it has been over 10 years since Mule to Ride. On her new release, Wood and Stone,  she showcases a broader stroke of the Americana landscape. On the surface it invokes a similar territory travelled by Donna, [...] more »

by Chip Frazier

I’m beginning to think The Band of Heathens are a little bit like Benjamin Button.  Many well-known bands start with critically acclaimed albums, move to spending more time on the road, then abandon studio releases all together to milk their live performances.  The Heathens started as a live-only phenomena and now, with their third release, [...] more »

by Shawn Underwood

English Folkster Bobby Long, the man with a name that (to me, at least) recalls more baseball and apple pie than London Bridge and Boddington’s, is back with an album that, at first blush, seems like a relatively stright-forward folk record, A Winter Tale. Sure, the album’s title has a certain Stratford-on-Avon feel to it, [...] more »

by Kelly Dearmore

I got a bit carried away with the videos, compiling 26 great videos captured live at SXSW. Not surprisingly, we kick things off with the performance that introduced me to Maxim Ludwig & the Santa Fe Seven. From there, a three-fer from Alejandro Escovedo’s special Sunday night gig at the legendary Continental Club. We’ve got [...] more »

by Mayer Danzig

Now, I’ll be honest: I still haven’t made my way completely through Brian Wright’s new Sugar Hill album, House on Fire. It’ll be released next week, but what I’ve heard thus far, I really like. See for yourself with these two videos. One shows the softer acoustic side, while the one below it displays a [...] more »

by Kelly Dearmore

The benefits of landing a tune on a prime-time drama can obviously be plentiful, and make no mistake, The Civil Wars, a duo out of Nashville have certainly been reaping those riches in the form of monumental buzz and sold out club shows all over the country. Of course, the side of that which isnt [...] more »

by Kelly Dearmore

READERS PICK: FEBRUARY 2011 Twangville readers recently picked The Wailin’ Jennys Bright Morning Stars as their favorite album of February 2011. Jazz vocalist Heather Masse joins Ruth Moody and Nicky Meht as the third Jenny in their first studio album in 5 years. Each contributed 4 songs each for a total of 12 original songs [...] more »

by Tom Osborne

“Now we’re gonna just kinda roll with it,” said Peter Wolf as he joined extraordinary Boston musicians Session Americana for a surprise set last week. Imagine Wolf playing a house party in your living room, sitting around a table with a group of extremely talented and relaxed musicians, and you’ll get a sense of this [...] more »

by Mayer Danzig

We’ll book-end this edition with two clips from the Low Anthem. “Boeing 737,” the opener, features clips of the band recording in the abandoned pasta sauce factory while “Apothecary Love,” the closer, was recorded live in Grand Central Station. In-between you get Lucinda William’s acoustic take on “Buttercup,” the David Wax Museum performing “The Least [...] more »

by Mayer Danzig

Producing some stellar, if not downright seminal, works can be a real pain for an artist. Ask Lucinda Williams what’s it been like to answer questions about why each of her albums can’t be Car Wheels on a Gravel Road? Ryan Adams has tried for years to overcome the “Where’s the next Heartbreaker?” stigma. Classic [...] more »

by Kelly Dearmore

An original demo of “I Walk the Line.” Early recordings with Sam Phillips. A solo acoustic version of Leadbelly’s “Goodnight Irene.” If one every wanted to understand why Johnny Cash is a legend, this collection of 57 tracks from speaks volumes. Cash had a voice that commanded authority. The demos captured here – more than [...] more »

by Mayer Danzig