Women & Work, by Lucero
Lucero jumped on the major label train for their last release, 2009’s stellar 1372 Overton Park. Things didn’t go quite as planned but Lucero are a band that just won’t give up. Good thing, too, as the band are in peak form with a sound that marries their bar band roots with the soulful heritage of their native Memphis.

“Like Lightning” is a great example of how it all comes together. Rick Steff’s boogie-woogie piano opening the song before Brian Venable‘s guitar chimes in and the rhythm section of John Stubblefield and Roy Berry kick in with a heavy beat. And then there are the horns, which add real depth and character to the song.

The title track hearkens back to the bars of Lucero’s youth. A wisened Ben Nichols offers, “Now it’s one shot of women, one shot of work, one shot’s sweeter but both can hurt; Just let it go kid, just let it go.” Of course Nichols ignores his own advice on the rousing “On My Way Downtown,” pleading with a woman to meet him for a drink. “I ain’t looking for forever, I ain’t asking for your hand,” he sings, “I’m just on my way downtown, And I thought I’d take a chance.”

I love the burning intensity of “I Can’t Stand to Leave You,“ all the more so for the restraint in the band’s performance. They prove equally skilled on “It May Be Too Late,” a ballad that bristles with a southern soul.

Quite simply, Women & Work is the sound of a band kicking back and having a good time. And there is nothing wrong with that.

Audio Stream: Lucero, “Like Lightning”

(See what other members of the Twangville posse have to say about Lucero’s latest release here.)

THE PLAYLIST
See Me Through, Josh Ritter (from the Pytheas Recordings release Bringing In the Darlings)
Love, whether thriving or troubled, has been the inspiration for countless songs. On his recently released ep, Ritter carries on the tradition as he explores the crevices of a failed relationship. While it is hard to say that Ritter finds answers to his questions, there are few artists who tackle them with as much intelligence and thoughtfulness.

Where are the statues, colossal and bronze
That stood at the gates of our great love and kept watch
And now over the hills, over the horizons somebody’s army advances
I had faith in you darlin,’ even when I questioned our chances

Audio Stream: Josh Ritter, “See Me Through”

(See Jeff’s take on Josh Ritter’s latest here.)

On the Banks of the River Where I Died, Anthony D’Amato (from the self-released Paper Back Bones)
There’s a timeless quality to this track from D’Amato’s latest release, like an old folk tune reincarnated for another life. Against a rollicking beat, punctuated by harmonica and rinky-dink piano, D’Amato tells the tale of a fugitive on his last days. “Tell my wife and brothers that I’m sorry, tell my sons and daughters that I tried, all I ask is that you lay my body by the banks of the river where I died.”

Says D’Amato of the track, “I was thinking about what Woody Guthrie would be singing about if he were alive today when I wrote it. I expect he’d be happy about a lot of the progress we’ve made, but he’d sure be disappointed about how little some things have changed.”

Audio Download: Anthony D’Amato, “On the Banks of the River Where I Died”

Get Back, The Right Ons (from the Love Monk release Get Out)
This quintet from Spain knows how to rock. They’ve just unleashed a raucous new record filled with thunderous guitars and pounding beats sweetened by the right amount of vocal harmonies. And as good as they sound on record, they sound even better live. So when is the next US tour, boys?

Audio Download: The Right Ons, “Get Back”

Fourth of July, Dave Alvin (from the Yep Roc Records release Eleven Eleven Expanded Edition)
I’m usually not a fan of re-released “expanded edition” releases, even more so for albums that aren’t even a year old. I’ll make an exception for this one, though, as the bonus live cd is simply spectacular. Alvin and his band the Guilty Ones were clearly in fighting shape as they passed through Ann Arbor, MI in July 2011. They tear through selections from the latest release and a few choice Alvin classics. Here’s the crew performing one of my all-time favorite songs.

Audio Stream: Dave Alvin, “Fourth of July”

Why Would You Not Want to Go There?, Hoots & Hellmouth (from the sonaBLAST! Release Salt)
The Philly folksters offer up a study in contrasts, mixing melancholy and daydreams just as they surround acoustic guitars with an atmospheric glow.

Audio Download: Hoots & Hellmouth, “Why Would You Not Want to Go There?”

You Possess Me, Marvin Etzioni (from the Nine Mile Records release Marvin Country!)
The former Lone Justice guitarist invited an outstanding roster of friends and fellow musicians to join him on this impressive double-release. Duet partners range from Steve Earle to Lucinda Williams to Richard Thompson while the musical cast includes Buddy Miller, Gurf Morlix and Greg Leisz, among others. Pretty darn impressive. I’m partial to this track that features Etzioni’s former bandmate Marie McKee on guest vocals.

Audio Stream: Marvin Etzioni, “You Possess Me”

No Plans, Cold Chisel (from the forthcoming Warner Records release No Plans)
One of Australia’s finest rock and roll bands returns from an extended hiatus (14 years) with a powerhouse new collection. Singer Jimmy Barnes has one of those classic graveled rock and roll voices; his bandmates rock with a steady yet ferocious abandon. “I’m feeling no pain, I got no iPhone plugging into my brain, I’m hanging all alone in the sun, smoking a cigarette, no plans. Yeeeah, fuck you.”

Audio Stream: Cold Chisel, “No Plans”

Audio Download: Antonio Lulic, “Hey, It’s Okay”

Glen Hansard
The skills that Hansard honed while busking the streets of Dublin early in his career haven’t left him. Although claiming to be nervous standing on a stage by himself with a guitar, he performed with a confidence that demonstrated his musical and performing prowess. Hansard has a distinct way of connecting with his audience, one minute delivering a spine-tingling performance, the next minute showcasing his sharp wit with his between song banter. My only complaint? It’s been far too long since Hansard has shared new music with us! The good news is that he will be sharing a new release in June.

Barfield
The self-proclaimed Tyrant of Texas Funk lived up to the title with a raucous set that got the joint jumping. The unassuming Barfield owes as much to James Brown as he does to Bob Wills.

Audio Download: Barfield, “Ask My Baby”

Brendan Benson
Nashville by way of Detroit pop rocker Benson is about to unleash his fifth solo album. I caught Benson play a vibrant afternoon set with his band. His set included a few new tracks mixed in with the old, all boisterous power pop songs that burst with energy. I, for one, am looking forward to the new release.

The Dunwells
The stage where the Dunwells performed their official showcase could barely fit the band. Even more notable, the venue could hardly contain the youthful energy of the their music. The quintet from Leeds, England had a well-honed Americana sound made all the better by the group’s brilliant harmonies.

Audio Download: The Dunwells, “I Could Be a King”

Frank Turner
Turner is the embodiment of rock and roll, a rebellious spirit with an impeccable sense of melody. With just an acoustic guitar he captivates a room, passionately spitting out lyrics one minute then cracking jokes the next.

Gush
I only got a short glimpse of this quartet from Paris but it was enough to grab my attention. The boys are well-studied in the classics, from Neil Young to Queen to the Rolling Stones. They swapped instruments about as much as they traded vocals, making for a really fun set.

Audio Download: Gush, “Let’s Burn Again”

Click here for more Twangville coverage of SXSW.

Photo credits: 30 Days Out (Brendan Benson).

Audio Stream: Bahamas, “Caught Me Thinking”

The Lumineers
I caught two or three (it’s all a blur!) of the Lumineers Austin marathon. The first was an early-afternoon affair at a music club, the second was an evening showcase in a church sanctuary. Both were magnificent, showcasing the band’s intelligent songwriting and heart-felt playing. They engaged the crowd with their sing-along choruses, stepping into the crowd at the club and spreading around the church sanctuary to create what they deemed “surround sound.” Two venues, two equally incandescent performances.

Audio Download: The Lumineers, “Ho Hey”

Lydia Loveless
Fresh from her appearance at our Columbia showcase, Loveless and crew tore through Austin with their firebrand mix of country and rock-and-roll. I saw one critic complain about performers playing covers during their official SXSW showcases, which made Loveless’ opening cover of Fleetwood Mac’s “You Can Go Your Own Way” even ballsier.

Audio Download: Lydia Loveless, “Can’t Change Me”

Tom Morello
One might suspect that the former Rage Against the Machine guitarist, having spent time touring stadiums and arenas, would be a seasoned live performer. Seeing him do his solo thing as “The Nightwatchman” merely confirms the fact. Backed by a ferocious three-piece band, Morello unleashed a firestorm from his acoustic guitar. I caught Morello twice and each set was filled with songs of protest and rebellion, every one packing a lyrical punch yet catchy as hell. Morello typically invites the crowd onto the stage for his closing number and Austin was no exception. Far be it for me to refuse the invitation and here is my picture to prove it.

Audio Download: Tom Morello, “It Begins Tonight”

James McMurtry
The first show that I saw in Austin was James McMurtry playing to a small crowd at the Continental Gallery. I can’t imagine a better way to start the Austin experience than seeing one of the town’s talented sons play an intimate solo acoustic set. It would be easy to say that McMurtry is a favorite because of his dry and biting wit, but that just doesn’t do him justice. His songs are filled with rich story-telling and vibrant detail, often overshadowing his guitar-playing prowess. “Levelland,” a personal favorite, was played much slower in tempo, giving the song a much more somber feel.

The Biters
There are times when you want to get lost in an unbridled guitar attack. When those times arrive, seek out the Biters. The Atlanta quartet will wallop you with their guitars while simultaneously pumping you up with sugary melodies. It’s addicting!

Audio Download: The Biters, “Born To Cry”

Bob Mould
A few days before SXSW Mould announced that he had signed to Merge Records and would be releasing a new album this fall. To get everyone primed – or perhaps just to celebrate the occasion – Mould dusted off Sugar’s Copper Blue and played the album from start to finish, with a few extras thrown in for good measure. Mould, backed by bandmates Jon Wurster (Superchunk, the Mountain Goats) and Jason Narducy (Telekinesis, Robert Pollard band), cranked up his guitar and played with an intensity that left no prisoners.

Audio Stream: Sugar, “Helpless”

Click here for more Twangville coverage of SXSW.

Photo credits: John McNicholas (Tom Morello); Erica Bruce/Between Love and Like (Bob Mould).

• Tom Morello, “World Wide Rebel Song” from the New West day party
• Bahamas, “Caught Me Thinking”
• The Lumineers, “Gun Song” performed at St. Davids Historic Sanctuary.
• Glen Hansard performing sans microphone and amplification. Watch him roll with the punches as an electric band begins playing nearby about halfway through his performance.
• The Posies, Jody Stephens, Peter Buck and Markus Nordenstreng (of the Latebirds) paying tribute to the legendary Big Star with the band’s classic “In the Street.”
• Alejandro Escovedo and friends featuring Garland Jefferies and Bruce Springsteen taking on the Rolling Stones’ “Beast of Burden”
• Lucero, “Nights Like These”
• Bob Mould, “If I Can’t Change Your Mind”
• Lydia Loveless, “Can’t Change Me” at the Twangfest party.
• Frank Turner, “I Am Disappeared”
• Alejandro Escovedo and the Sensitive Boys and Girls, “Sally Was a Cop” from his forthcoming release.
• The Dunwells, “Elizabeth”
• Adam Duritz with Kasey Anderson, “Like Teenage Gravity” (Anderson’s song that was covered by Counting Crows on their latest release.)
• The Stone River Boys (featuring Barfield and Dave Gonzalez) performing “Love On the Dial” at Threadgills for Music Fog.
• Brendan Benson, “A Whole Lot Better”
• Tom Morello with Wayne Kramer, “Kick Out the Jams” (and, wow, did they ever!)
• Tom Morello’s complete Occupy Austin performance at 2am on the street in Austin.

Click here for more Twangville coverage of SXSW.

For me, the true harbinger of spring is the arrival of the SXSW Music and Media Conference in Austin, Texas. Or rather, spring begins for me when I arrive in Austin for SXSW. With upwards of 2,200 bands and 19,000 attendees, SXSW is the world’s premiere music conference. Even better, it is one heck of a party.

Over the next week I’ll be sharing some of my highlights from SXSW 2012.

THE MUSICAL THEMES
No Plug Required?
Perhaps the most enjoyable musical theme, for me at least, was the range of acoustic artists. I’m among the first to line up for the wash of an electric guitar but there are times when the quiet musicianship of an acoustic artist just can’t be beat. Glen Hansard and Frank Turner, artists whose between-song banter is as sharp as their songs, performed multiple stellar sets. London-based Antonio Lulic was captivating while Denver’s the Lumineers were enchanting and, with their debut album just released, are ones to watch.

And then there was Tom Morello, whose guitar reads “whatever it takes,” a mantra that he brings to life with his hard-hitting performances.

Attack of the 1980s and 1990s
I want my MTV! Artists who first established themselves in the 1980s and 1990s were out in force. Whether you desired the goth of the Cult or the Jesus & Mary Chain or the pop of Thomas Dolby or Lionel Richie (with special guest Kenny Rogers!), you could find it at this year’s event. SXSW has become as much an opportunity to announce one’s return as it is to announce one’s arrival. Other artists who appeared included Counting Crows and Bob Mould, who delivered an intense performance of his band Sugar’s debut album.

Rap, Hip-Hop and Electronic Music Make Their Mark
Two of this year’s music themes fell outside the typical Twangville fare. Rap and hip-hop have had an increased presence in previous years but came into their own this year. From up-and-comers playing a showcase to big names playing label gatherings and unofficial events, the genre made its presence known.

DJs and electronica artists also made some noise this year. 24-year old Skrillix got a lot of buzz, although I can’t say that I saw him or any artists from this genre. Maybe next year.

”THE MUSICAL EQUIVALENT OF “PLUG AND PLAY”
Many artists make their time in Austin count, performing upwards of 4-5 times in a single day. Having made the trip and with a large and captive musically-starved audience, why not? The Lumineers took this to heart and performed no less than 12 times over four days. Quipped Bahamas, “We’re playing 127 shows over the next 3 days… We’ll be playing anywhere there is a pa.” On behalf of the music fans at SXSW: thank you.

YEAR OF THE WRISTBAND
Every year I write about how the quantity of day parties gets bigger and bigger. This year was no exception. The new wrinkle this year it was the rise of the multi-day event. Many party sponsors apparently figured that one day just wanted enough. Three and four day affairs were commonplace, with many taking over stores, bars and yards in East Austin. Many of these show relied on a music venue staple – the wristband – to manage capacity. At one point I had eight bands gracing my wrist. Wristband tan anyone?

BIG NAMES, WITH AND WITHOUT CORPORATE SPONSORSHIP

Sure, Bruce Springsteen captured the spotlight, but this year was notable for the plethora of well-known and established artists who converged on Austin. Many of these were promotional appearances sponsored by companies who thumbed their noses at any global economic uncertainty as they looked to make a major splash at the event.

Doritos was the, um, big winner with a stage built a stage into the base of a 56 foot vending machine. Seriously. Snoop Dogg was among the artists featured on the stage apparently built to satisfy those with a super-sized case of the late night munchies.

But Doritos wasn’t the only brand using music to reach the masses. Red Bull built a stage on an empty lot and invited artists ranging from Erykah Badu to the Crystal Method to perform.

In some cases, big name artists bypassed the corporate sponsorship and simply threw their own parties. Notable in this camp was 50 Cent, who invited his friend Eminem to join him to perform his 2003 album Get Rich or Die Tryin.

OCCUPY SXSW
Regardless of one’s political bent, Tom Morello’s Occupy SXSW show was not to be missed. Morello, joined by Wayne Kramer (of MC5 fame) broadcast his raucous 1am showcase into the street so that the masses could enjoy it. Then, as the 2am end time approached, Morello invited club attendees to follow him into the street for a few final songs. Under a watchful police eye, Morello and the band led the crowd of several hundred people in Woody Guthrie’s “This Land Is Your Land.” Continuing on, albeit now acoustic as the power had been shut off, Morello served up his own “Worldwide Rebel Song” as the crowd joined in.

Photo credits: Teenage Kicks (Tom Morello); Matt Carney (Glen Hansard); Derek/Holidaze (Space Available); Ryan C Jones (Artist Walking).

Go Fly a Kite, by Ben Kweller
Kweller’s last outing was a more moody affair, however that comment can’t be made of his latest release.While there are some acoustic moments, Kweller has brought the rock. And damn it sounds good.

“Time Will Save the Day” is the song Weezer’s Rivers Cuomo wishes that he wrote; spit-fire lyrics set against bombastic guitar chords. “A problem’s a wave you gotta ride to the other side and wave bye-bye-bye.”

“Mean to Me” leads with muscular guitars, punctuated by sharp horn blasts. Yet the song also finds Kweller staying true to his power pop heritage with a quiet, harmony-soaked chorus. Meanwhile “Free” has a musical vibe that recalls the Steve Miller classics. The song has a groove-heavy beat propelled by chugging guitars.

“The Rainbow” finds Kweller in a reflective mood. “Why do I sing these songs, all of these mixtures of pain,” he sings. Piano and strings join as the song builds towards the chorus, “still I can’t figure out why I act this way, just trying to live my life day by day.” It is this moment of reflection that illustrates the strength of Kweller’s songwriting – an innate ability to be introspective and a musical restlessness that finds him constantly searching for emotional clarity in song.

Audio Download: Ben Kweller, “Mean To Me”

Sugar & the Hi-Lows, by Sugar & the Hi-Lows
The first thing that you’ll notice about the debut release of Nashville duo Sugar & the Hi-Lows is the timeless quality of their songs. These are immaculately crafted pop songs that are beautifully packaged, deftly balancing a contemporary feel with a retro-sheen.

The second thing you’ll notice are the handsome harmonies by principals Trent Dabbs and Amy Stroup. Their voices blend magnificently.

I was hooked at the gentle sway of opener “Show and Tell.” It is nearly impossible to not get lost in the song as Dabbs and Stroup let their voices glide effortlessly across the melody. A string arrangement adds an extra flourish.

“See It For Yourself” is edgy yet alluring. “You spend a life time looking when a life time is in front of your eyes,” sings Stroup while Dabbs lets loose with some jagged guitar riffs. When Stroub lets loose a wail during Dabbs guitar solo, you know that you are hearing one of those magical moments when two musicians are totally connected with the song.

“Think I Said Too Much” is noteworthy for its simplicity. A heavy beat propels the song while Dabb’s guitar sets the stage for the duo’s glossy vocals. The groove continues on “This Can’t Be the Last Time,” which finds Stroup chastising a lover.

Dabbs and Stroup announce their arrival with a release that is both fresh and inviting. Mark this down as the first stand-out debut of 2012.

Audio Download: Sugar and the Hi-Lows, “See It For Yourself”

THE PLAYLIST
Country Girl, Carolina Chocolate Drops (from the Nonesuch Records release Leaving Eden)
I have to admit that I’m late to the Carolina Chocolate Drops party. I’m finally arriving with a proper listen to their latest release. It is filled with moving acoustic music that is filled with a welcoming down-home warmth and authenticity. Some may say that it is about damn time, but I prefer to say better late then never. (See Bill’s review here.)

Audio Download: Carolina Chocolate Drops, “Country Girl”

When I Was Young, Nada Surf (from the Barsuk Records release The Stars Are Indifferent to Astronomy)
Matthew Caws just has a knack for sublime power pop hooks. While most of the band’s latest release is filled with concise rock gems, this track is a more sprawling affair. It starts as an acoustic ballad but then shifts into a mid-tempo rocker. “Now I’ve grown up, I wonder what was that world I was dreaming of,” sings Caws in a wistful reflection on the freedoms and ambitions of youth.

Audio Download: Nada Surf, “When I Was Young”

It’s All Over Now, Baby Blue, Bad Religion (from the Amnesty International release Chimes of Freedom: The Songs of Bob Dylan)

I know that some will take offense to this take on the Dylan classic. To me, however, it is a real treat. I love how Bad Religion stay true to both themselves and the song – a straight-forward rendition with the electric punch that is all Bad Religion. Note to self: listen to more Bad Religion.

Audio Stream: Bad Religion, ” It’s All Over Now, Baby Blue ”

Soul Power, Ray Ganucheau (from the self-released Ray Ganucheau and the Bande Le Rois)
What is it about New Orleans? The city just oozes with musical talent. I’ve had Ganucheau’s 2010 release in my queue for quite some time and finally gave it a spin. The interplay and balance between the instruments on this track, from the crispness of the drums to the simmering organ to the jazz-influenced piano, create a brilliant musical palate. Soul power indeed.

Audio Download: Ray Ganucheau and the Bande Le Rois, “Soul Power”

Although he was best known for the Monkee’s hit “Daydream Believer,” I’m partial to the Neil Diamond penned “Look Out (Here Comes Tomorrow).”

The shows begat plans for a box set; the planned box set begat a book. Although both have already been released in his native Australia, they are now getting a proper US release.

How impressive is the box set? Well, let’s start with how remarkable Kelly’s catalog is. With a career that has spanned nearly 40 years, it is a catalog of unparalleled depth filled with songs of emotional purity and musical allure.

The A-Z Recordings is comprised of eight cds that encompass 105 songs from throughout his career. Most of the performances are acoustic, shining a bright light on the brilliance of Kelly’s songs.

In celebration of this release and Kelly’s upcoming US tour, Twangville is giving away a copy of the A to Z Recordings. To win, post a comment with your favorite singer-songwriter. How simple is that? A winner will be selected at random when the contest ends on Tuesday, 14 February 2012 at midnight ET.**

Kelly talked about The A-Z Recordings at a TED Conference in Sydney last year. His remarks include the details behind “How To Make Gravy,” his Christmas song that “doesn’t have a chorus and is set in prison.” Brilliant.

Click here, here and here for more Twangville coverage of Paul Kelly.

Over the past year I’ve come across a few more to add to the collection. So without further ado… adieu!

Nothing At All, Maxim Ludwig
You said I wasted your time, but that’s ok ‘cause you wasted mine
Between you and nothing, I choose nothing at all.

Audio Download: Maxim Ludwig and the Santa Fe Seven, “Nothing At All”

My Little Blue One, Cowboy Mouth
I remember and try to forget
With a bottle of wine
I remember and try to forget
That the ring you’re not wearing is mine
No no no no you don’t wear it anymore
You’re gone and I don’t even think of you, my little blue one

Audio Download: Cowboy Mouth, “My Little Blue One”

(Not So) Sad, Mike Errico
The stupid things you said to me, I chalk ‘em up to history
I only hope my bitterness will fade into experience
The greatest curse I have for you is someday I hope you meet you.

Audio Download: Mike Errico, “(Not So) Sad”

Leavin’ Yesterday, John Howie, Jr.
The day you told me you were leavin’, I bet you thought you’d see me cry
When I said that I’d be grievin’, to tell the truth I told a lie.
I don’t think that I’ll stand and wait, I’m not the kind to take that bait
The fact is I’ve already said goodbye.

Audio Download: John Howie, Jr. and the Rosewood Bluff, “Leavin’ Yesterday”

Fool’s Gonna Fly, Will Hoge
Real life ain’t the movies, all bathed in black and white
Ain’t no script been written that can make this turn out right
You ain’t no Audrey Hepburn and I ain’t no leading man
But if this was a movie I’d say, “I don’t give a damn”

Audio Stream: Will Hoge, “Fools Gonna Fly”

As Long As You Don’t Come Back, Justin Currie
So I’m talking to myself, not you
and it ain’t so bad
At least I don’t put myself down

And sometimes I even sound like you,
well I know I should be making amends
but why would I do that?
when I won’t feel alone as long as you don’t come back

Audio Download: Justin Currie, “As Long As You Don’t Come Back”

You Can’t Keep Me, Amy Lavere
You can’t make me stay, I’m not your pet
I’m gonna break the chain you have tied around my neck.
I’m stomping out of here, I hope the dishes rattle down off your shelf
And if I see you first, I’ll run like hell

Audio Download: Amy Lavere, “You Can’t Keep Me”

Petered Out, Melodine
All you managed to do is ruin everything
When I bit my tongue, your words would sting
I’d like to take back from you both of those years
When I let it pass you abuse my ears, you go on and on and on… I’m petered out.

Audio Download: Melodine, “Petered Out”

You’re Breaking My Heart, Harry Nilsson
You’re breakin’ my heart, you’re tearing it apart, so fuck you

Audio Download: Harry Nilsson, “You’re Breakin’ My Heart”

Call it Off, Brian Charles
I really liked you better back when you were dumb,
now you talk while I just watch amazed at what you’ve become
the fact remains, that you have changed
I’d feel a lot better if we called it off

Audio Download: Brian Charles, “Call It Off”

You’re Breaking My Heart, Harry Nilsson
You’re breakin’ my heart, you’re tearing it apart, so fuck you

Audio Download: Harry Nilsson, “You’re Breakin’ My Heart”

And be sure to check out Part 1 and Part 2, Part 3 and Part 4 for more ways to say goodbye.

Live At Lincoln Hall, by Joe Pug
Since arriving on the singer-songwriter scene in 2008, it didn’t take long for Joe Pug to establish himself as a rising star. This live album, recorded in Chicago last spring and comprising songs from his one full-length album and two eps, is a spectacular demonstration of his songwriting prowess.

Album opener “Nobody’s Man”, from his debut ep, is a personal favorite. “I’d rather be nobody’s man than somebody’s child,” sings Pug. It is a statement of independence but not without some regret at his loneliness. “There’s an ugliness growing up inside me, from where it has come I don’t know.”

“Lock the Door Christina,” from the In the Meantime ep, serves as both a love letter and a warning. “Lock the door, Christina, I’m standing on your porch tonight,” he sings with a gentle sway.

An electric guitar joins Pug’s acoustic to give “Speak Plainly Diana” some extra punch. Not that it needs it as Pug’s lyrics pack plenty of punch already. To wit, “And when there’s too much to get rid of, and you get rid of me, speak plainly to me Diana, there’s nothing you must be.”

“Call It What You Will” finds Pug struggling with heartache. “I call today a disaster, she calls it December the 3rd,” he laments, “call it what you will, I’m heartbroken still, words are just words.”

Live At Lincoln Hall is a great introduction for those who haven’t heard him and a treat for those who already have. And with a new release shortly to follow, it is the perfect set-up for what could be Pug’s best year yet.

Audio Download: Joe Pug, “Call It What You Will”

Grand Hotel, by The Explorers Club
This talented sextet from Charleston, SC whip up a magical blend of three minute pop masterpieces. Each track is masterfully crafted, filled with spectacular musicianship and brilliant harmonies.

Lead single “Run Run Run” opens with some regal horns before giving way to a bouncy pop beat. A percussive march towards the chorus is rewarded with a blast of airy harmonies as the band sings, “I’ll run run run ‘til I get back to you, run run run, do what I have to do, run run run ‘til I get back in your arms again.”

“Anticipatin’” starts off with a guitar, piano and organ riff that recalls the opening of the Beatles “Get Back.” The opening quickly transforms into a classic pop melody that leads to a falsetto-led chorus. Throw in some tasty guitar riffs and you’ve got a feel-good classic.

Did I mention harmonies? “Go For You” brings them in full force. The song’s already head-bobbing and harmony-laden chorus reaches even higher when the horns join the fray. The fun continues with “I’ve Been Waiting,” which matches percussion and taut guitars with honeyed harmonies.

Album closer “Open the Door” starts with a bit of flamenco guitar before launching into an emotional ballad that builds towards a symphonic conclusion. This is the kind of music that makes Brian Wilson smile.

Audio Stream: The Explorers Club, “Run Run Run”

THE PLAYLIST
Abaddon Blues b/w All the Good You Lose (demo), Kasey Anderson and the Honkies
Kasey Anderson and the Honkies rocked out on 2011’s Twangville fave Heart of a Dog. But last year is so last year. A new year is upon us now and Anderson and crew have hatched plans for a new album.

Here are two tracks recorded for the album to be known as Let the Bloody Moon Rise. One is a bruising blues number with the Honkies; the other is an Anderson demo recording of a brilliant ballad.

Like what you hear? Anderson and the Honkies are going the sponsorship route to fund Let the Bloody Moon Rise. Click here for more details on the campaign and here to lend your support.

Gloryland, Kevin Gordon (from the self-released Gloryland)
Gordon is Louisiana’s answer to James McMurtry, spinning tales of weathered characters that come across as part song, part short-story. Check out the bluesy, dark and edgy title track.

Audio Download: Kevin Gordon, “Gloryland”

Bandit of Love, Jenny Dee and the Deelinquents (from the DeeVeeUs Records single Bandit of Love b/w That Moon Was Low)
For years Boston musician Jenny D’Angora has played with various punk and rock bands. Now she’s stepping out with a new outfit that pays homage to the 1960’s girl groups and their shiny pop sound. It’s retro with all the trimmings, what’s not to like?

Audio Download: Jenny Dee and the Deelinquents, “Bandit of Love”

Caught Me Thinking, Bahamas (from the Universal Republic release Barchords)
Toronto-based singer-songwriter-guitarist Afie Jurvanen, who records as Bahamas, reminds me of Harry Nilsson. His simple and airy arrangements stand in contrast to the often dark side of his lyrics. He actually pulls off a slight Caribbean feel with this track as he sings, “Back when we started, before we parted, I would wonder what would make her stay; what was I thinkin’, as if my drinkin’ was the only thing that drove her away.”

Audio Stream: Bahamas, “Caught Me Thinking”

One Voice Together, Martin Sexton (from the Kitchen Table release Fall Like Rain)
Simply put, Sexton has one of the most magical voices singing today. It is a voice soulful and smooth as molasses.

Audio Download: Martin Sexton, “One Voice Together”

A Good Feelin’ to Know, Tom Gillam (from the Great Tone Records release Rustic Beauty)
Austin by way of Philly singer-songwriter Gillam takes on the free-wheelin’ Poco classic. It is a great cover selection as it fits comfortably along side Gillam’s originals. He and his band have a relaxed feel that just makes the music fun.

Audio Download: Tom Gillam, “A Good Feelin’ to Know”

Aim For the Heart, Ruthie Foster (from the Blue Corn Music Release Let It Burn)
“When in Rome,” the old saying goes. Foster took it to heart, figuratively if not literary, with her latest release. The album came to life in New Orleans, where it was infused with the spirit of local musicians including the Funky Meters rhythm section of bassist George Porter Jr. and drummer Russell Batiste. While most of the album is covers ranging from the Band’s “It Makes No Difference” to Adele’s “Set Fire to the Rain,” Foster includes a couple of originals including this soulful track.

Audio Download: Ruthie Foster, “Aim For the Heart”

Honolulu Blues, Craig Finn (from the Vagrant Records release Clear Heart, Full Eyes)
At this point there should be little doubt that Finn is one of rock’s most literate lyricists. He puts the point on that exclamation with his debut solo release. Finn leaves the rock and roll musical bravado of the Hold Steady behind and proceeds with more subdued arrangements that shine an even brighter light on his lyrics.

We’re all good, we’re all bad
We’re euphoric and we’re sad
We roll the rock away and check the tomb

Audio Stream: Craig Finn, “Honolulu Blues”

Runaway, Imperial Teen (from the Merge Records release Feel the Sound)
The winter snow may be falling as I type this but the shimmery sounds of Imperial Teen are transporting my spirit to a summery place. The arrival of the band’s latest release, filled with upbeat melodies and bright harmonies, is a sure sign that summer will soon be upon us, right? If not, you’ll find me cranking this one by the fireplace.

Audio Download: Imperial Teen, “Runaway”