Phoebe Hunt & the Gatherers – Walk With Me

Maybe it’s just me, but it seems like The Belleville Outfit is becoming sort of like Big Star or Nick Drake.  Which is to say that if everyone who currently claims to have been a huge fan from the beginning had actually bought records or gone to shows when the band existed, they’d have been a hugely successful phenomena.  Instead, the group recorded a couple of albums 5-6 years ago and then split up to pursue other things.  Fortunately, a couple of the band members continue to make music in a similar style.  Phoebe Hunt and Connor Forsyth are playing and recording the genre-bending mix of big band jazz and traditional country music that The Belleville Outfit was known for, and have just released a new album, Walk With Me.

Although she’s certainly an accomplished fiddle player, it’s Hunt’s voice that will stop you in your tracks.  Add to that Forsyth’s keyboards and you have the core sound that’s at home on a wide, wide range of musical styles. Warm Summer’s Evening sounds like an updated 40′s pop song with Hunt’s velvety vocals and some subtle muted trumpet from guest Kevin Flat.  Long Gone adds the horns again along with guitar from Willie Pipkin adding to Gatherer guitarist Marshall Hood to produce a spot-on Muscle Shoals sound.  Forsyth turns to a Stevie Wonder-like organ arrangement to give Darkness a 70′s radio-friendly feel.  You Know By Now also captures a little of that that 70′s deja vu feeling.

My favorite song on the disc is Walk Of Angeline.  It features more of Hunt’s fiddle and is more uptempo and country than anything else on the album.  Although Flee Fly Flow Flum also captures some of that spirit, I’m still left wanting a lot more of that particular sound.

phoebe hunt cover The musicians, both guests and Gatherer members, play a huge role in Phoebe Hunt’s latest release.  But what holds it all together and sets it apart is her voice.  The sum total of those parts is a rich texture of unique sound that, like the sirens of old, leaves you no desire to escape its warm embrace.

Mayer’s Playlist for July 2014, Part 1

ALBUMS OF THE MONTH

Resolution Road, by Easton Stagger Phillips

Easton Stagger PhillipsI don’t like to draw direct comparisons between artists but it’s hard not to do so with the latest release from Tim Easton, Leeroy Stagger and Evan Phillips. This talented trio of singer-songwriters conjure up the finer moments of Crosby, Stills and Nash. Resolution Road flows with the laid-back feeling and gentile harmonies that were – and are – a CSN hallmark.

Phillips kicks off the album with “Always Came Back To You,” a graceful love song made all the richer by the trio’s warm harmonies on the chorus. His reflective “Lucillia” has similar qualities and a day-dreamy vibe.

Stagger brings a tempered rock attitude to his contributions. A persistent drum beat ushers along “Traveler” as vocal harmonies give way to a George Harrison-flavored slide guitar solo.

Easton’s closing “Baby Come Home” is simultaneously melancholy and sentimental. “Sitting here late at night wondering where you might be,” he laments before the others join him to declare “baby come home right now, I need you for the rest of my life.” Guest Derry deBorja adds some subtle yet expressive organ flourishes.

Each singer-songwriter bring their own personality and songs to the group. Yet they blend together beautifully, as if they were meant to perform together. Like CSN, Easton Stagger Phillips prove that sometimes 1+1+1 equals more than three.


Dereconstructed, by Lee Bains III and the Glory Fires

Lee Bains III and the Glory FiresThere’s an old adage — write what you know. Birmingham, Alabama native Lee Bains takes this to heart with a searing album about life in the modern South. His lyrics reflect on the weight of history, religion and everyday economic struggles of small town Southern life; his songs are fueled by incendiary guitars and furious rock beats.

Bains doesn’t shy away from social commentary on tracks like “The Kudzu and the Concrete”:

You can talk, talk, talk about it: Repentance, and forgiveness, and loving your neighbor as yourself.
But what the hell does that mean when all your neighbors look the same and think the same or else live a couple miles down the rural route?

He wrestles with the love-hate relationship of growing up in Birmingham in “The Weeds Downtown.” “I know that Birmingham gets you down, but look what it raised you up to be,” he sings.

“The Company Man” takes a stand against greed and blind obedience. “All it takes is one wicked heart, a pile of money and a chain of folks just doing their jobs,” he cautions.

Bains lets his guitar do plenty of talking, too. Dereconstructed is a no holds barred rock album. Bains and fellow guitarist Eric Wallace trade licks like Keith Richards and Mick Taylor back in the day. The entire band sounds ferocious, rough and ragged. Bains describes it best on “Dirt Track” when he says, “Squeezing glory out of three rusty chords.” The results are glorious, indeed.

Audio Download: Lee Bains III and the Glory Fires, “The Weeds Downtown”

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THE PLAYLIST


Bernadine, Adam Carroll (from the self-released Let It Choose You)
I’d lost touch with the music of Austin folk-country singer Adam Carroll a few years back. I recall him tending towards humor in his songwriting yet always equally adept at finding the tenderness of a moment. His latest release shows that he hasn’t lost his touch.

While there are still occasional glimpses of humor, his latest batch of songs tend towards the sincere end of the spectrum. His voice and music have a gentle aura about them, his songs filled with thoughtful character-driven stories.

Audio Download: Adam Carroll, “Bernadine”

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Carry On, Denver (from the Mama Bird Recording Company release Rowdy Love)
Three singer-songwriters out of Portland serve up songs that are alternatively ramshackle and relaxed. The eleven tracks on Rowdy Love are rooted in country but sometimes veer towards mountain folk-rock territory that is reflective of the region from which they take their name. Then there is this track, a personal favorite, which has a decidedly Gordon Lightfoot feel.


Down, Kingsley Flood (from the self-released Live at the Armory)
I wouldn’t often call a live album one of an artist’s best releases but it’s appropriate in this instance. To tide us over until their next studio release, the Boston and Washington D.C-based six piece sextet took over an intimate venue to perform a career-spanning set. They impressively find a way to breathe fresh life into older songs and ratchet up the intensity of their already forceful more recent work. It also showcases the talents of songwriter Naseem Khuri, who crafts songs that are exceptionally intelligent and damn catchy, too.

You can download a free six-song sampler from this release here.


Monday, Caleb Caudle (from the This Is American Music release Paint Another Layer on My Heart)
New Orleans by way of Winston-Salem North Carolina singer-songwriter Caudle says that much of this album was inspired by a year of touring and the corresponding yearning for home. “I’m really leaving it’s really Monday, I don’t know how it got here so soon,” he laments on this stand-out, “lately I’m finding so little to trust in, that’s why it’s harder leaving you.”


Too Long I’ve Been Gone, Dom Flemons (from the Music Maker Relief Foundation release Prospect Hill)
The Carolina Chocolate Drops co-founder continues his exploration of the early American music canon on his latest release. Flemons roots himself in folk but masterfully blends countless other genres into the mix. “Georgia Drumbeat” beautifully blends jazz, country and folk while “Have I Stayed Away Too Long?” has a touch of Dixieland and “I Can’t Do It Anymore” brings in some tasty blues playing. I’m partial to this song, a more traditional – and winsome – ballad.

Mayer’s Picks – The Best of 2014, So Far (the Albums)

The year is off to a strong start and I expect that it will only get better. Here, in no particular order, are some of my favorite releases from the first half of 2014.


Somewhere Else, Lydia Loveless

SOMEWHERE ELSE by LYDIA LOVELESS

“Simply bad-ass” is the phrase that overwhelms my thinking every time I give this album a listen. Loveless isn’t one to pull any punches and her rocking band gets in more than a few jabs of their own. This is my kinda rock and roll.

Key Tracks: Really Wanna See You, Wine Lips, Head, Verlaine Shot Rimbaud, Somewhere Else

Featured Twangville coverage of Lydia Loveless: Mayer’s Playlist for Feb/Mar 2014, Part 1, Monday Morning Video: Lydia Loveless, and Monday Morning Video: Lydia Loveless


Alexandria, Chris Mills

ALEXANDRIA by CHRIS MILLS

There has long been something magical in Mills’ writing and his latest release is no exception. Mills wears his musical heart on his sleeve, crafting songs that are filled with emotion and intensity which he then brings to life with a voice that is passionate and full of conviction.

Key Tracks: Alexandria, Rubicon, Blooms, The Sweet Hereafter, Quiet Corners

Featured Twangville coverage of Chris Mills: Mayer’s Playlist for January 2014, Part 2, Monday Morning Video: Chris Mills, and Monday Morning Video: Chris Mills


Hard Working Americans

HARD WORKING AMERICANS by HARD WORKING AMERICANS

You never know what you’re going to get when a “super group” of musicians come together. Leave it to the newly formed Hard Working Americans to demonstrate how to do it right. They hit the bulls-eye twice, first with their stand-out performances and musicianship. Second, by covering a collection of songs written by some of theirs – and my – favorite songwriters.

Key Tracks: Another Train, Down to the Well, Stomp and Holler, Welfare Music

Featured Twangville coverage of Hard Working Americans: Mayer’s Playlist for January 2014, Part 1


Drive-By Truckers

ENGLISH OCEANS by DRIVE-BY TRUCKERS

Are you ready to rock? Well the Truckers certainly are. English Oceans finds Patterson Hood in fine story-telling form and Mike Cooley filling his songs with plenty of piss and vinegar. The results are pretty damn potent.

Key Tracks: Shit Shots Count, Primer Coat, Pauline Hawkins, Hearing Jimmy Loud, When Walter Went Crazy, Grand Canyon

Featured Twangville coverage of Drive-By Truckers: Mayer’s Playlist for Feb/Mar 2014, Part 2 and Drive By Truckers – Live at Track 29 in Chattanooga, TN


Chuck Ragan

TILL MIDNIGHT by CHUCK RAGAN

Ragan has found a way to marry his punk pedigree with the edgier side of Americana. Let’s call it rustic punk… and a mighty fine listen.

Key Tracks: Something May Catch Fire, Vagabond, Non Typical, Bedroll Lullaby, Gave My Heart Out

Featured Twangville coverage of Chuck Ragan: Mayer’s Playlist for January 2014, Part 1.


Sarah Borges

RADIO SWEETHEART by SARAH BORGES

Borges returned from her musical hiatus by releasing what is arguably the best album of her career. Radio Sweetheart bristles with swagger and attitude, not to mention plenty of guitar-driven punch.

Key Tracks: Girl With a Bow, Think of What You’ve Done, The Waiting and the Worry, Start Again, Record on Repeat

Featured Twangville coverage of Sarah Borges: Happy Valentine’s Day: Radio Sweetheart from Sarah Borges , Monday Morning Video: Amy Black, Girls Guns & Glory and Sarah Borges , and More Video Fun from Sarah Borges, Amy Black and Girls Guns & Glory


Girls Guns and Glory

GOOD LUCK by GIRLS GUNS AND GLORY

While they remain true to their love of Hank Williams and vintage country, Girls Guns and Glory let their rock and roll colors fly on Good Luck. It makes for one rollicking good time.

Key Tracks: All the Way Up to Heaven, Be Your Man, One of These Days, C’Mon Honey, Rockin’ Chair Money, It’s Your Choice

Featured Twangville coverage of Girls Guns and Glory: Mass Ave – A Special Boston Playlist , Photos that Rock: Girls Guns and Glory , and Girls Guns and Glory at the Circle of Friends Coffeehouse


Parker Millsap

PARKER MILLSAP by PARKER MILLSAP

The Oklahoma native sets a high bar for himself with an outstanding debut release, deftly mixing up a stew of country gospel, folk and bluegrass.

Key Tracks: Old Time Religion, Truck Stop Gospel, The Villain, Quite Contrary, When I Leave

Featured Twangville coverage of Parker Millsap: Mayer’s Playlist for January 2014, Part 2, and Old Settlers Music Fest 2014 Edition .


Billy Joe Shaver – Long in the Tooth

bjs-longinthetooth-cover
Billy Joe Shaver is back at 74 with his first album in seven years. Shaver reportedly feels that “Long in the Tooth” is his best album. It is a tall claim considering his voluminous discography, but it is definitely in the upper echelon. Since his last album, Shaver has shown he is not ready to remove the outlaw from Outlaw Country. Four years ago he was acquitted for shooting a man in self-defense outside of a Waco bar. When asked by the prosecutor why he didn’t try to get away he said, “If I was a chicken shit I would have left.” Then later he added, “”Hopefully things will work out where we become friends enough so that he gives me back my bullet.”

Shaver references aging from a few different perspectives on the album. On the one hand, he shows an air of defiance. Like the opener “Hard to be an Outlaw (who ain’t wanted anymore)”, which is a superb duet with Willie Nelson. On that song the two of them declare that “Someday we might end up in a junkyard on the side, but until that day you can bet your ass we’re going to whip that ride.” He sings a similar mantra on the tile cut, which has a cool, trippy vibe to it. On the other hand, Shaver uses his life experience to add perspective about life’s issues and realities. On songs like “The Git Go” and “Checkers and Chess”, there is none of the melodrama or class bashing that you will often hear from young idealistic singers. He is not trying to change the world, opting instead to point out that the world hasn’t changed.

“Long in the Tooth” empties the Outlaw’s saddlebag. There is the proverbial mixture of Country and Rock. However, he also takes us to the Honky Tonk and tweaks the listener to make us laugh. “Last Call for Alcohol” is a perfect example quintessential Shaver wit. “Music City USA” is a compelling story song and an instant classic. Shaver is joined on this album not only by Willie Nelson, but also by Tony Joe White, Leon Russell and Shawn Camp.

“Long in the Tooth” is an album that Shaver is obviously proud of and I am quite sure he gives a wink and a nod to Eddy, his late son and long-time collaborator.

Mayer’s Playlist for June 2014, Part 1

ALBUM OF THE MONTHS

Metamodern Sounds in Country Music, by Sturgill SimpsonSturgill Simpson

It’s easy to take pot-shots at what passes for country these days. You know what I’m talking about: the feel-good, truck-drivin’, beer-drinking music makes for great stadium concert sing-alongs. If that’s your scene, then more power to you.

Some of you, like me, want something different. We want music that is more firmly rooted in the country tradition, songs of heartache and life’s tribulations that are performed with grit and authenticity.

Fortunately for us, there is a renaissance afoot. A new breed of artists has emerged who are revitalizing country, reviving the spirit and song craft of the country pioneers. Score one for us that Sturgill Simpson, one of the neo-traditionalist movement’s leading lights, is back with his second album in as many years. Damn if it ain’t a beaut.

Lead track “Turtles All the Way Down” has a warm and rambling melancholy that gives way to the chugging honky-tonk “Life of Sin.” “Long White Line” keeps things moving with a groove that hearkens back to the truck-drivin’ classics of the 1970’s.

A real surprise is Simpson’s magical cover of the late 1980′s new wave hit “The Promise.” Simpson transforms the song by giving it a dramatic George Jones feel. “I’m sorry, but I’m just thinking of the right words to say,” he croons, “I know they don’t sound the way I planned them to be.” It is a performance that is plaintive and powerful.

Lyrically, Simpson preserves the custom of writing about troubled times without being spurious or sensationalistic. His characters take a matter-of-fact approach as they consider their oft-troubled situations. “But it ain’t all flowers, sometimes you gotta feel the thorns,” Simpson declares on “It Ain’t All Flowers.”

With Sturgill helping to lead the charge, country music is beginning to sound as fresh today as it did back in the day. Can I get an amen?


THE PLAYLIST


When You’re Here, John Fullbright (from the Blue Dirt Records release Songs)
After the tremendous (and justifiable) success of 2012’s From the Ground Up, Fullbright strips things down with his latest release. Following in the footsteps of writers like Randy Newman, he understands that subtlety can be incredibly compelling.

The arrangements, mostly centered around Fullbright’s piano and acoustic guitar, are particularly stunning here. Alternately lush and sparse, they convey the drama in Fullbright’s songs.

His lyrics are simple and direct, while conveying tremendous power and emotion. This magical ode to companionship is a great example. “As for lonely I can show you how to live a life alone,” he counsels, “all it takes is getting used to getting lost.”


Frankie Please, Rodney Crowell (from the New West Records release Tarpaper Sky)
There’s a lot to be said for consistency. Rodney Crowell is a fine example, a 40+-year songwriting veteran with a tremendous catalog that grows stronger with every new release. His latest is a roots-rockin’ hootenanny, filled with gentle ballads and crackling rave-ups. From the ambling Cajun feel of “Fever on the Bayou” to the emotional tug of “God I’m Missing You,” Crowell’s songs are filled with vivid language and vibrant storytelling.

Here’s one of my favorites from Tarpaper Sky. How can one note love a song that begins with a line like, “You tore through my life like a tornado looking for a trailer park.”


Intervention, Old 97’s (from the ATO Records release Most Messed Up)
The quartet from Dallas are back with a collection of no bull-shit, let’s have a good time kind of rock and roll. Pick your favorite topic – such as boozin’ or hanging with friends, lovers or wanna-be-lovers – and there’s undoubtedly a song about it here. Musically the band is in rip-roaring form, guitars blazing and beats pumping.

If there was ever any doubt that the Old 97’s are the life of the party, Most Messed Upshould put it to rest.


We Both Lose, Tommy Malone (from the MC Reocrds release Poor Boy)
Whether performing solo or as a founding member of the subdudes, New Orleans singer-songwriter Tommy Malone knows how to serve up a potent stew of R&B, rock and soul. His latest solo release drives the point home.

Malone brought together a crack group of like-minded musicians, the kind who know how to play and sound damn good doing it. They play with precision and grace, all the while finding some spirited grooves.

Of course it helps that they start with a damn fine batch of songs. Here’s one of my favorites from the release, a happy-go-lucky break-up song.


Audio Stream: Tommy Malone, “We Both Lose”

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First Cold Day of Fall, Ian McFeron (from the self-released Acoustic)
Seattle-based McFeron revisits songs from his catalog on this special acoustic release. His songs have always been enchanting, possessing a soothing warmth even when he is singing about heartache and tragedy. The sparse acoustic arrangements presented here make them even them even more so. Multi-instrumentalist Alisa Milner adds her own special musical touch, not to mention some wonderful harmonies.

Audio Download: Ian McFeron, “First Cold Day of Fall”

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Sing Together, Jeff Black (from the Lotos Nile Music release Folklore)
Black writes in the liner notes that the compositions on Folklore are inspired by photographs. Close your eyes and you will undoubtedly begin to visualize these photos as you listen to this collection of songs.

Black is a storyteller of the finest kind. Armed with just his guitar (and the occasional banjo and harmonica), he paints vivid musical portraits. He has a wonderful way of bringing characters to life in his songs, burrowing into their innermost thoughts and deliberations. The results are sublime.


On a Wire, Waylon Speed (from the Crow on Ten Records release Kin)
Who says that you have to be from below the Mason-Dixon line to play some fine Southern rock? No one told these four guys from Vermont, as they serve it up in spades. Their songwriting is top notch, catchy yet with plenty of whiskey-infused edge in the mix. At times they channel the rambling feel of the Allman Brothers, at other times they evoke the electricity of Lynyrd Skynyrd.

Audio Download: Waylon Speed, “On a Wire”

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Age of Miracles, The Trews (from the Nettwerk Records release The Trews)
For over ten years, Nova Scotia’s the Trews have served up brilliant stadium-ready rock. Their latest shows that the group has no intention of slowing down or changing. The songs on this self-titled release overflow with bombastic electric guitar riffs, softened only by the quartet’s pop hooks and polished harmonies. It is a perfect summer soundtrack. Best played loud.