Dr. John is an institution.  With his characteristic mystical groovy-gumbo-voodoo schtick and funky keyboard playing, he has been a force in American music since his groundbreaking Gris-Gris in 1968.  His early 1970s work, including Dr. John’s Gumbo and In the Right Place were instant classics.   A gifted piano (and occasional guitar) player, Mac Rebennack, or Dr. John, [...] more »

by Bill Wilcox

The Carolina Chocolate Drops, whose informal folksy jug band approach belies a talent pool that is seemingly bottomless, have added another gem to their already stellar catalogue with Leaving Eden.  The Drops, who in their live shows recreate the look and feel of a turn-of-the 20th century string band but with the anachronistic addition of human “beatbox” vocal percussionist [...] more »

by Bill Wilcox

Otis Taylor and Corey Harris may be the most creative blues musicians active today. And with Harris spending much of his time exploring other musical avenues, that leaves Taylor pretty much in a class by himself as an avant-garde bluesman.  His moody, atmospheric yet beautiful recordings are a welcome change from the many younger musicians trying [...] more »

by Bill Wilcox

Ever since Ray Charles earned the wrath of the righteous back in the 50′s with his corruption of “church music”, musicians have been stealing that mix of old fashioned gospel, rhythm and blues, and soul.  Rarely, though, has it come together as well as on the latest Ruthie Foster project, Let It Burn.  Listening to [...] more »

by Shawn Underwood

The release of new albums by two masters of roots music this summer flew pretty much under the radar. Both David Bromberg and Ry Cooder have churned out album after album of Americana spanning folk to R&B since the early 1970s. Bromberg’s career has been the oddest, with long periods of withdrawal from public performance [...] more »

by Bill Wilcox

I almost didn’t make it past the first song. “Alabama Pines”. Usually that would have bad conotations, but in this case the song was absolutely mesmerizing. It is a song centered around the area of Alabama where I grew up. It is not the first Isbell penned song to have such an impact. “Dress Blues”, [...] more »

by Chip Frazier

Some albums have lyrics with an emotional impact, but more often than not, the music impacts me more than the lyrics. So it is always special to find an album that does both. Then there is Lucinda Williams’ new project Blessed , which has great musicianship delivering a Soulful Blues with deep roots. Even More impressively, the [...] more »

by Chip Frazier

I dub this a good day, since any day that we get new music from Dave Alvin is a good day to me. Alvin wrote and recorded the track for the FX series “Justified.” Alvin will also appear in the episode, which is based in the fictional town of Harlan County, KY. For those of [...] more »

by Mayer Danzig

You can always count on Paul Thorn to provide a picture of life in the margins. His new effort Pimps and Preachers paints many different portraits. There are catchy singer-songwriter story songs like the opener “You’re Not the Only One”, which shows that the problems and trials of life are not unique to the family [...] more »

by Chip Frazier

I’m not sure why the May floods that hit Nashville in May of this year did not seem to grasp the nation’s attention like other recent natural disasters did. There was a lot of press attention, but it seems that the lack of hurricane force winds made the story less captivating. However, the people who [...] more »

by Chip Frazier

MAYER’S TAKE: SHADES OF WOODY GUTHRIE It’s interesting how artists get influenced by their surroundings, particularly when they uproot from familiar territories and move to new locales. It usually sends their music into different directions, sometimes for the better and sometimes not. When Justin Townes Earle moved from Nashville to New York City, I’m sure [...] more »

by Mayer Danzig

ALBUM OF THE MONTH: Pimps and Preachers, by Paul Thorn Paul Thorn is the Mark Twain of Americana. Possessing an endearing folksy charm, he fills his songs with a potent and intelligent wit. Thorn’s lyrics are typically self-depreciating yet hopeful. A fine example is “I Hope I’m Doing This Right.” After several verses of reflection [...] more »

by Mayer Danzig

ALBUMS OF THE MONTH: See You On the Moon, by Tift Merritt I suppose that Merritt could sing the alphabet and I’d listen. There is such a genuine quality to her voice, an infectious spirit. It is a spirit that shines through her music despite the dark overtones of her latest release. “Engine to Turn” [...] more »

by Mayer Danzig

If Hunter Thompson were still alive, I think he’d like The Back Row Baptists. First off, you know he’d identify with the attitude of their namesakes, the heathens-in-the-house-of-god thing. More to the point about the music, though, Broken Hearts & Bad Decisions is a dark record. It’s about drinking and driving (although not necessarily together), [...] more »

by Shawn Underwood

Running on all cylinders. In the groove. Hitting the sweet spot. All are descriptors about when everything comes together and suddenly the sum is greater than the parts. They’re also good descriptions of the latest album from the queen of San Marcos, Texas, Terri Hendrix. Her latest release, Cry Till You Laugh, with long-time collaborator [...] more »

by Shawn Underwood