Craig Finn has always had a reputation as an accomplished lyricist. In fact, he is as much of a poet as he is a Rock and Roll musician. His lyrics invoke an emotional connection that is evident as the crowd sings along at Hold Steady gigs. After all, this is the man who weaved the suicide of John Berryman into “Stuck Between Stations”. Not surprisingly, Clear Heart Full Eyes brings Finn’s poetic distinction to the forefront.

To be sure, the front man for Hold Steady has not forgotten the importance of the music. For this project, it tends to be more mellow and introspective, but is powerful none the less. My friend David, who has a daughter that is a budding musician at 13, recently made the point that musicians are sometimes far too serious and afraid to make people laugh. In fact, humor is a quality he is trying to encourage in the music of his daughter (Katie Deter). Humor has certainly never eluded Finn, as shown by the song, “New Friend Jesus”. He also invokes religious imagery often on Clear Heart Full Eyes. Consider this verse from “No Future”:

“I’ve been reading about the Calvary. The crucifixion still gets to me. I guess Golgotham meets the mount of execution. The best advice I got comes from ‘ol John Rotten. He said ‘God save the queen’ no future for you , no future for me”.

Finn is a modern day creative genius, and, Clear Heart Full Eyes is the perfect conduit to display his prodigious creativity.

Over the past year I’ve come across a few more to add to the collection. So without further ado… adieu!

Nothing At All, Maxim Ludwig
You said I wasted your time, but that’s ok ‘cause you wasted mine
Between you and nothing, I choose nothing at all.

Audio Download: Maxim Ludwig and the Santa Fe Seven, “Nothing At All”

My Little Blue One, Cowboy Mouth
I remember and try to forget
With a bottle of wine
I remember and try to forget
That the ring you’re not wearing is mine
No no no no you don’t wear it anymore
You’re gone and I don’t even think of you, my little blue one

Audio Download: Cowboy Mouth, “My Little Blue One”

(Not So) Sad, Mike Errico
The stupid things you said to me, I chalk ‘em up to history
I only hope my bitterness will fade into experience
The greatest curse I have for you is someday I hope you meet you.

Audio Download: Mike Errico, “(Not So) Sad”

Leavin’ Yesterday, John Howie, Jr.
The day you told me you were leavin’, I bet you thought you’d see me cry
When I said that I’d be grievin’, to tell the truth I told a lie.
I don’t think that I’ll stand and wait, I’m not the kind to take that bait
The fact is I’ve already said goodbye.

Audio Download: John Howie, Jr. and the Rosewood Bluff, “Leavin’ Yesterday”

Fool’s Gonna Fly, Will Hoge
Real life ain’t the movies, all bathed in black and white
Ain’t no script been written that can make this turn out right
You ain’t no Audrey Hepburn and I ain’t no leading man
But if this was a movie I’d say, “I don’t give a damn”

Audio Stream: Will Hoge, “Fools Gonna Fly”

As Long As You Don’t Come Back, Justin Currie
So I’m talking to myself, not you
and it ain’t so bad
At least I don’t put myself down

And sometimes I even sound like you,
well I know I should be making amends
but why would I do that?
when I won’t feel alone as long as you don’t come back

Audio Download: Justin Currie, “As Long As You Don’t Come Back”

You Can’t Keep Me, Amy Lavere
You can’t make me stay, I’m not your pet
I’m gonna break the chain you have tied around my neck.
I’m stomping out of here, I hope the dishes rattle down off your shelf
And if I see you first, I’ll run like hell

Audio Download: Amy Lavere, “You Can’t Keep Me”

Petered Out, Melodine
All you managed to do is ruin everything
When I bit my tongue, your words would sting
I’d like to take back from you both of those years
When I let it pass you abuse my ears, you go on and on and on… I’m petered out.

Audio Download: Melodine, “Petered Out”

You’re Breaking My Heart, Harry Nilsson
You’re breakin’ my heart, you’re tearing it apart, so fuck you

Audio Download: Harry Nilsson, “You’re Breakin’ My Heart”

Call it Off, Brian Charles
I really liked you better back when you were dumb,
now you talk while I just watch amazed at what you’ve become
the fact remains, that you have changed
I’d feel a lot better if we called it off

Audio Download: Brian Charles, “Call It Off”

You’re Breaking My Heart, Harry Nilsson
You’re breakin’ my heart, you’re tearing it apart, so fuck you

Audio Download: Harry Nilsson, “You’re Breakin’ My Heart”

And be sure to check out Part 1 and Part 2, Part 3 and Part 4 for more ways to say goodbye.

 Originally formed in 2003 as a means for five friends – Jones, guitarist Jim Campilongo, singer/guitarist Richard Julian, bass player Lee Alexander and drummer Dan Reiser – to pursue their mutual interest in traditional country music, The Little Willies borrowed their name and spirit from Willie Nelson and hit a home run with their 2006 release, which included country standards along with a handful of original songs. 

 Although Norah Jones is the headliner, singer-songwriter Richard Julian and guitar virtuoso Jim Campilongo have had significant independent careers, and the musicianship by all the members is outstanding, with a bit of attitude.  Julian has a handful of well-received albums to his credit, and he splits the singing duties on The Little Willies’ releases fairly evenly with Jones.  Jim Campilongo has carved out an unsual career path, initially with his band the 10  Gallon Cats and later as a solo performer, doing instrumental country and rockabilly music that incorporates elements of jazz.  Originally influenced by blues guitar legend Roy Buchanan, Campilongo has Buchanan’s inventiveness along with the lightning-fast technique of a Bill Kirchen.  As a testament to his prowess among guitar enthusiasts, in 2010 Fender issued a signature Telecaster in honor of Campilongo – a reproduction of Campilongo’s 1959 Telecaster.  On For the Good Times, Campilongo’s Telecaster twang takes center stage on “Diesel Smoke, Dangerous Curves” and “Tommy Rockwood.”

But of course, Norah Jones’ presence will sell most of the albums, and that is fine.  Her vocals are sassy and superb.  Among my favorites are “Remember Me,” the Scotty Wiseman song recorded by Willie Nelson on his 1975 masterpiece Red Headed Stranger, and the title tune, which was written by Kris Kristofferson.  All-in-all, For the Good Times is an excellent album, lively and rewarding.  The collective talent of the members of The Little Willies is evident on virtually every track.  

 1) Roger Waters: I got a chance to see The Wall at the HP Pavilion in San Jose.  Holy cow.  As far as I’m concerned, when you look up the word “spectacle” now it should have a video of this show.  There was the light show that would have been technically impossible back in the 80′s. The 30 foot inflatable nightmare figures (plus the anatomically correct Pig balloon).  The Wall itself.  The explosion at the end.  Even the intermission was a multimedia show with snippets of stories from oh so many fallen soldiers.  It was over-the-top sights and sounds that still managed to have a social conscious.  It’s coming to outdoor arenas this summer–I don’t know if that will ruin the experience or just raise it to a new level, but worth the heart-stopping price of admission to find out.

2) Neko Case: Doing a show at the Mountain Winery in Saratoga, CA, Neko showed that even in a not-particularly-intimate setting a really good performer just draws the audience in.  In addition to the standard fare about why she wrote some of the songs she was also telling anecdotes about the drive to the venue and what they had been doing the day before.  It was like a fabulous performance by a rock star done in your living room for just you and your friends.

 3) The Band Of Heathens: On tour for their latest release, the Band came through Santa Cruz to play at the Kuumbwa Jazz Center.  As usual, the boys from Austin know how to give a live performance.  Lots of their own tunes, sometimes similar to how they sound on the album and sometimes not, along with a sprinkling of covers.  On this night those included Rod Stewart, the Grateful Dead, and Gram Parsons.  Not to mention more cowbell on Medicine Man.

4) Terri Hendrix: Closing the Old Settler’s Music Festival at the Campground, Terri put on a performance that was pure festivarian joy.  She played old songs and new songs and even made up an Old Settler’s rap.  Every outward appearance was that this was the most fun she’d ever had in her life and it was infectious.  The crowd ate it up and it was the perfect end to a music-filled weekend.

5) The Gourds: Also at Old Settler’s, Kevin Russell and his band of merry men closed out Saturday night with a set that had the audience worked into a frenzy.  The stage MC tried to bring the show to a close at curfew time and the band was having none of it.  Sometimes too much is just enough.

So there you have it: my top 5 live sets of the year.  I obviously just get to see a fraction of bands on tour, so please add your favorites to the comments so Twangville readers know who to look out for in their local this year.

 1) R.E.M. – Collapse Into Now

 2) Old Californio – Sundrunk Angels: I keep coming back and listening to this album.  It’s rock ‘n’ roll, and twangy, and a little bit funky.  There are slide guitars and harmonicas, ballads and ditties.  It’s a veritable jambalaya of Americana music.

 3) Suzanna Choffel – Steady Eye Shaky Bow: Choffel, a guitarist as well as singer, manages to put a very jazzy spin on some tunes that are otherwise more country and pop, all while maintaining an Austin sensibility to the production.  Normally when someone says music is hard to classify it’s because the music is all over the map.  In this case, the songs are in a consistently similar vein, albeit not something you hear very often.  Undoubtedly the best Americana album of the year to play for someone who says they don’t like country and twangy.

 4) Gillian Welch – The Harrow & the Harvest: I was a little bit meh about this record when I first heard it.  But it’s grown steadily on me since it came out.  I think what I like most is that it’s so different from just about anything else I heard all year, and yet it’s still so essentially Gillian.  If you just listened to this once or twice and then put it away, go back and listen again 6 months later.  You’ll see.

5) Sons of Fathers – Sons of Fathers: And speaking of great harmonies in the vein of Welch & Rawlings, check out the debut release of David Beck and Paul Cauthen, otherwise known as Sons of Fathers.  These guys have a crack set of musicians behind them and give a vocal performance that is mesmerizing.

6) Milk Drive – Road From Home: Sometimes there’s no substitute for the ability to shred.  Milk Drive consists of members who collectively have probably won more picking awards than any band in existence.  They’ve put a jazz spin on a bluegrass sound and are seriously pushing the envelope of how sophisticated Americana music can sound.  Not to mention that instrumental virtuosity.

7) The Bottle Rockets – Not So Loud: An Acoustic Evening: Just as the unplugged MTV performance by Pearl Jam defined the very plugged-in sound that was grunge, this acoustic performance by a normally loud band shows why they’ve been so successful.  With all the amplifiers stripped out, the songs are still well written and well performed and stand the test of time.

8 The Decemberists – The King Is Dead: Lots has been written about the early 2011 release by one of the darlings of the indie crowd.  For me, this album showed how wide ranging they can be with its twangy influence that simply presents Colin Meloy and his mates in a new light that’s an easy extension to their previous catalog.

9) Dave Alvin – Eleven Eleven: No real surprises here, it’s another solid effort from Alvin who proves that, first, he can without fail drum up a supporting ensemble that’s so incredibly tight you’d swear they’ve played together for years.  And second, he keeps writing songs that convey such a sense of time and place that you’re transported with him to the moment in time so carefully documented in the lyrics.

10) Sarah Jarosz – Follow Me Down: Jarosz’ vocals have gained strength and capability on her second release.  Combine that with mandolin (and other strings) chops that may be the best in Texas even though she’s barely old enough to vote and you have a winner.  She just gets better every time you see her.

11) The Band Of Heathens – Top Hat Crown & the Clapmaster’s Son: I liked this album as a follow up to their two previously acclaimed efforts, but the real reason it’s in the years top was that it provides new material for them to perform live.  You have to catch them in a club to experience the full joy of TBOH.

12) Robert Earl Keen – Ready For Confetti: Another album that’s here because it’s just full of good songs.  Keen has his sound and his fans and no one’s going home disappointed from this.

13) Sinful Savage Tigers – The Last Night Of The Revels: A really solid effort from a group that’s bound to start gaining more notice.  They’re just too good and the tunes too catchy to fall into some regional bucket where they only play for the locals.

14) Great American Taxi – Paradise Lost: Sort of an Americana supergroup, Great American Taxi is a little retro and a little progressive and someone you need to go hear live.

15) Wilco – The Whole Love: The year off did these guys right.  There’s more excitement in this record than I’ve heard from Tweedy & company in a while.

16) Beirut – The Rip Tide: Another good release from one of the kings of the neo-Balkan indie sound.

17) Hayes Carll – KMAG YOYO (& Other American Stories): Carll continues to craft a unique sound and there are some real keepers on this album.

18) The Gourds – Old Mad Joy: Kevin Russell and his band mates have pushed out the boundaries on what most people would consider “Gourds music”, which was a pleasant surprise.

19) Allison Krauss & Union Station – Paper Airplane: Krauss is back into her groove from the rock-royalty side projects and as much as I enjoyed those, this seems to capture her spirit better.

20) The Wailin’ Jennys – Bright Morning Stars: When it’s all about the vocals, you can’t do much better than the Jennys.  Another group I have to recommend seeing live.

When My Time Comes, Barnstar! (from the self-released C’Mon!)
I somehow missed this song when it was released on Dawes’ debut back in 2009. My bad. I’ve corrected that now thanks to the guys in Barnstar! Even better, they’ve taken an already great song and made it even greater. Even Dawes agrees.

Audio Stream: Barnstar!, “When My Time Comes”

Time Spent in LA, Dawes (from the ATO Records release Nothing Is Wrong)
The best songs do more than catch one’s ear, they create an experience that takes you away from where you are. The fact that this song is about Los Angeles misses the point. The melancholy of melody and lyric becomes a destination of its own. “You got that special kind of sadness, you got that tragic set of charms, that only comes from time spent in Los Angeles, makes me wanna wrap you in my arms.”

Audio Stream: Dawes, “Time Spent In Los Angeles”

More Like Them, Lydia Loveless (from the Bloodshot Records release Indestructible Machine)
If you had any doubts that Loveless was a free — and feisty — spirit, look no further than this song.

Why can’t I be more like them, the kind of people who feel sad when relationships end
Well honey I don’t want you now, but it’s not about him
Why can’t I be more like them

Audio Stream: Lydia Loveless, “More Like Them”

The Understanding, Jones Street Station
If you’re going to release only one song in a year, it had better be a good one. By that standard, this Brooklyn quintet doesn’t disappoint. What starts with some quiet harmonies and an acoustic guitar builds into a pop song of epic proportions.

Turn to a stranger, take her hand, then you’ll understand. Where are my friends who are lost and alone. May they find their way back home.

Audio Download: Jones Street Station, “The Understanding”

Mannequin Man, Kingsley Flood (from the self-released ep Colder Still)

I was born to be a mover, not a mannequin man
Sworn to shake the sugar, not like a mannequin man
I’ll be damn before you take me like a mannequin man

Audio Stream: Kingsley Flood, “Mannequin Man”

Daydrunk, Butch Walker and the Black Widows (from the Dangerbird Records release The Spade)
I went back and forth between this track and “Summer of ’89.” It was a photo finish to say the least. In typical Walker fashion, this song is a power pop slap in the face – loud, brash and totally awesome.

Audio Stream: Butch Walker and the Black Widows, “Day Drunk”

Stopping By, Jason Isbell and the 400 Unit (from the Lightning Rod Records release Here We Rest)
Isbell is at his best when he explores the thoughts and emotions of troubled characters. He has an innate ability to provide an honest portrayal that captures the tension in both lyric and music. This track is a prime example, the tale of a child making a surprise visit to an estranged father.

I think the best of me’s still standing in the doorway
Counting cars and counting days and counting years
I could say you made me go through life the hard way
But it might’ve been worse if you were here…

Audio Stream: Jason Isbell and the 400 Unit, “Stopping By”

No Easy Way Out, The Duke and the King (from the So Recordings release The Duke and the King)
I was first enchanted by the sense of wanderlust that permeates this song. Repeated listens, however, showcase the band’s impressively nuanced musicianship.

Audio Stream: The Duke and the King, “No Easy Way Out”

Guilty Girls, Buffalo Tom (from the Scrawny Records release Skins)
From the opening guitar riff to the final fade, the band impeccably combines sparkling harmonies with an edgy rock sound. This is the kind of song that was made to be played loud. And often.

Audio Stream: Buffalo Tom, “Guilty Girls”

Maybe, Paul Collica (from the self-released It’s Not Me, It’s You )
This is a great high-energy power pop song but that’s not the sole reason that it is on this list. Collica infuses the song with a sonic quality that should make many “top 40″ artists green with envy. All the more impressive, he wrote, performed and produced it entirely on his own.

Audio Download: Paul Collica, “Maybe”

#1. JASON ISBELL & THE 400 UNIT, Here We Rest (Lightning Rod)

I’d be lying if I said that I wasn’t hoping for a full-on rock assault from Isbell and crew. What I got was something better — a nuanced musical tour of his home state of Alabama. From the back porch acoustic sway of “Codeine” to his soulful swagger on the Muscle Shoals classic “Heart on a String,” Isbell proves that his musical talent is boundless. (Twangville reviews here and here and here.)

Audio Download: Jason Isbell and the 400 Unit, “Codeine”

#2. LYDIA LOVELESS, Indestructable Machine (Bloodshot)

Here’s to a newcomer who established her presence with authority. Her debut burst from the gate with a fire-cracking, rabble-rousing confidence. (Twangville review here.)

Audio Download: Lydia Loveless, “Can’t Change Me”

#3. KASEY ANDERSON AND THE HONKIES, Heart of a Dog (Red River)

This January release has held a steady spot in my musical rotation. Anderson and the Honkies run the table with an outstanding collection of rockers furious and ballads forlorn. (Twangville review here and here.)

Audio Download: Kasey Anderson and the Honkies, “Mercy”

#4. DAVID WAX MUSEUM, Everything is Saved

A potent mix of Appalachian and Mexican folk music makes for one of the year’s most vibrant musical celebrations. “Some of us come with new hearts, most of us come with used hearts, baby, why do you look so sad?” (Twangville review here.)

Audio Download: David Wax Museum, “Born With a Broken Heart”

#5. THE DUKE AND THE KING, The Duke and the King (So Recordings)

Although these songs were technically culled from the band’s two earlier UK releases, they are finally getting a proper US release. I’m not sure what took so long but it was well worth the wait. We’ll call this Americana soul, filled with beautiful harmonies and haunting melodies. (Twangville review here.)

Audio Download: The Duke and the King, “Shine On You”

#6. THE DECEMBERISTS, The King Is Dead (Capitol)

The Portland, Oregon band intentionally shifted away from the song-cycle approach that defined 2009’s The Hazard of Love. Simpler doesn’t mean less striking, as this release gloriously proves. Guests Peter Buck and Gillian Welch are just icing on the cake. (Twangville review here.)

Audio Download: The Decemberists, “Down By the Water”

#7. NATHAN HAMILTON, Beauty, Wit & Speed

Austin, Texas songwriter Hamilton just gets better with age. His latest is filled with songs of lyrical intelligence and musical restraint, delivered in a style that is warm and assured. (Twangville review here.)

Audio Download: Nathan Hamilton, “The Heart That Aches To Open”

#8. BARNSTAR!, C’Mon!

This is how music is supposed to sound, fresh and carefree. These five talented folk and bluegrass musicians serve up engaging covers ranging from the Louvin Brothers to the Traveling Wilburys and from Paul Simon to Neil Young. And don’t miss their brilliant take on Dawes’ “When My Time Comes.” Then, of course, are the handful of originals which more than hold their own alongside the covers. (Twangville review here.)

Audio Download: Barnstar!, “Northern Rail”

#9. BUTCH WALKER AND THE BLACK WIDOWS, The Spade (Dangerbird)

Walker proves yet again why he is the master of melody. He and his crack outfit crank out another collection of sing-along rock anthems. It’s like power pop fueled by a case of Red Bull. (Twangville review here.)

Audio Download: Butch Walker and the Black Widows, “Summer of ’89″

#10. JO WYMER, Living With Scars

Explosive is the best word to describe Wymer and this release. Her voice is strong and forceful, an intensity matched by her crack band. And the songs? Tales of love gone wrong delivered with immensely catchy hooks. What’s not to like? (Twangville review here.)

Audio Download: Jo Wymer, “This Ain’t Love (Love and War)”

#11. CARRIE RODRIGUEZ AND BEN KYLE, We Still Love Our Country (Ninth Street Opus)

Americana has a rich tradition of male-female duets, from Johnny and June Carter Cash to Graham Parsons and Emmylou Harris. Add Rodriguez and Kyle to the list. Their vocals blend magically as they wrap them around this collection of six classic covers and two originals. (Twangville review here, here and here.)

Audio Download: Carrie Rodriguez and Ben Kyle, “Your Lonely Heart”

#12. BUFFALO TOM, Skins (Scrawny Records)

The fact that this Boston-based power trio just celebrated their 25th anniversary (with the same line-up!) would be an impressive enough milestone. Commemorating it with yet another in a long line of raw rock and roll records makes for quite the celebration.

Too Drunk to Truck, by Roy Sludge
This album was tailor-made for Twangville. Old school in all the best ways, it might as well be a collection of lost classics from the Sun Studios archive.

The title track kicks off the album with a strong indication of what will follow. Yup, songs about trucks, drinking and ornery women, although not necessarily in that order.

Well I drive all over this country, roaming from town to town
When day is done I’m gonna have my fun I’ll pick ‘em up and put ‘em down.
I’ll flirt with some old waitress, try to push my luck.
But when push comes to shove I’m too tired for love ‘cause I’m too drunk to truck.

The song also unleashes Sludge’s secret weapons: Boston-based guitarists Duke Levine and Kevin Barry. Both have a sound pristine and precise, yet filled with character, Barry on the lap steel and Levine on the electric guitar. And I shouldn’t neglect bassist Jim Haggerty, who brings his own rockabilly cred from his role as bassist for Wanda Jackson.

Sludge sings of drinkers remorse on the amusing “I Got Hammered (Then I Got Nailed).” Haggerty’s walking bass line mimics the pounding that comes from a bad hangover as Sludge laments, “spent the next five days in jail, but the rest I can’t recall ‘cause of too much alcohol.”

I’m sure that there are two sides to every story, and “Hell Hath No Fury” provides Sludge’s perspective on a love gone wrong. “She lives to hurt me, she lives to make me mad,” he sings, “she loves to burn me, when I’m sad it makes her glad.” Ouch.

Sludge and crew bring out the country shuffle as on the swinging “Eight Would Be Great.” A few tracks later, the band cranks it up in fine Sun Records fashion on “If You Can’t Rock Me.” Levine, in particular, lets it fly with some magnificent guitar licks and solos.

The record closes with a mighty fine cover of Johnny Cash’s “Drive.” It is the perfect capstone to a release that showcases a classic sound with skill and flair. But don’t take my word for it. Bruce Springsteen recently stopped by to check out Sludge during a recent run of residency shows.

Audio Download: Roy Sludge, “If You Can’t Rock Me”

This Round Is On Me, by Maxim Ludwig and the Santa Fe Seven
My favorite musical discovery this year was LA-based Maxim Ludwig and the Santa Fe Seven. The band has the perfect combination of great songwriting and playing that is playful and loose. As we move towards the close of the year, Maxim and the Seven have just released a new ep that features his strongest songs yet.

“Stacy C’Mon,” the opening track is one that should be familiar to Twangville readers. Maxim was kind enough to share it with us earlier this year. I, for one, can’t get enough of it – from the catchy riff to the sing-along chorus, it has simply lodged itself in my head.

“Nothing At All” adds a bit of R&B shuffle to the mix, in large part courtesy of a soulful sax that joins the fray. Maracas give the song an extra flair, complimenting the wailing slide guitar. Ludwig leaves no doubt where he stands on the future of a relationship: “Between you and nothing, I choose nothing at all.”

The opening of “On Bunker Hill” teases with a mournful woman’s voice set against a somber synthesizer. When a piano joins the mix, the song builds into a majestic rocker reminiscent of the Band. The maracas return on “Red Eyes,” which has a restrained boogie beat that hearkens back to Little Feat.

Take a shot, this round is on me,” Ludwig sings on the rousing closer “From the Alley View.” I’ll join in with a toast to this ep and more great music to come!

Audio Download: Maxim Ludwig and the Santa Fe Seven, “Nothing At All”

THE PLAYLIST
Mannequin Man, Kingsley Flood (from the self-released ep Colder Still)
I’d forgotten how potent the Kingsley Flood live show was until I saw them light up the Lizard Lounge in Cambridge this past weekend. Although acoustic guitar and fiddle are part of their instrumentation, they are way more than a roots band. They pack their songs with an aggressive yet infectious edge. I’m lovin’ this track that reminds me a bit of the Violent Femmes.

Audio Stream: Kingsley Flood, “Mannequin Man”

Parade, Oldjack (from the self-released Maxi-Single)
The headline on Oldjack’s web site says “Old Soul Rock and Roll” and damn if that ain’t what they deliver. This is classic rock – think Joe Cocker, Leon Russell, the Rolling Stones and maybe even some Lynyrd Skynyrd – played to perfection. Lead singer Dan Nicklin howls while a bevy of female singers wail. Throw in multiple guitars, an organ and a rock solid rhythm section and you’re primed for a rock and roll revival.

Audio Download: Oldjack, “Parade”

One Guitar, Willie Nile (from the River House Records release The Innocent Ones)
“I’m a soldier marching in an army, got no gun to shoot but what I’ve got is one guitar, I got this one guitar,” sings Nile on this stand-out track from his latest release. It is a fitting lyric for an artist whose songs are filled with an unbridled passion for rock and roll. Rock on, Willie, rock on!

Audio Download: Willie Nile, “One Guitar”

Turn It Up Or Turn It Off, Harrison Hudson (from the Favorite Gentlemen Recordings release American Thunder)
There is some music, loaded with hooks and overflowing with energy, that is just tailor-made to be the soundtrack of any party. Put this one down on that list. The songs on Harrison Hudson’s latest have the feel of classic 1960’s rock and roll while maintaining a modern-day sound. And did I mention the hooks?

Audio Download: Harrison Hudson, “Turn It Up Or Turn It Off”

Westside Street, The Deep Dark Woods (from the Sugar Hill Records release The Place I Left Behind)
This quintet from Saskatchewan, Canada was a pleasant surprise at the recent Americana Music Conference. Their songs are like aural pictures, soundscapes regal yet forlorn. In the Robbie Robertson tradition, these boys prove that some of the best Americana comes from North of the border.

Audio Download: The Deep Dark Woods, “Westside Street”

Bite Your Tongue, High on Stress (from the self-released Living Is a Dying Art)
Let it not be said that they don’t know how to rock in Minneapolis. And High on Stress will be happy to prove it to ‘ya. The band’s latest serves up a healthy dose of Midwestern rock and roll, the kind that sounds better the louder that you play it. And I mean that as a compliment.

Audio Download: High On Stress, “Bite Your Tongue”

Says Lately, Scotty Alan (from the Spinout Records release Wreck and the Mess)
The Michigan native went to Los Angeles to record his latest release. Arriving in LA, Alan gathered an impressive group of players, including long-time Jackson Browne and Ry Cooder collaborator David Lindley and legendary Ian McLagan among others. The results speak for themselves, songs vibrant and pulsing with energy.

Audio Download: Scotty Alan, “Says Lately”

The opening song is Chocolate Cake with its newgrass instrumentation and tight harmonies.  It sets some good expectations for the rest of the album with a well-balanced mix of vocals and tasty instrumental licks.  And yet there’s more than meets the ear when an otherwise upbeat song about finding one’s place in the world ends with an admission that the singer is “looking for something I can believe” and also “looking for something I can betray.”

Most of the songs on the disc have that similar toe-tapping groove of mandolin, guitar, and bass, with some fiddle, harmonica or banjo thrown in.  The lyrics tend to more of a poetic and experiential nature than of the narrative variety.  In addition to Chocolate Cake I’m enamored with End Of The Horse Drawn Zeppelin with its lazy Sunday feel and rat race observation that “everything slow becomes mere scenery”.  Still Waiting In Line is a humorous little ditty that probably has a pretty good story behind it.  The record finishes with Kentucky Steel, a bluesier number that loops back to the beginning of the album and its theme of searching for where you belong.

With their mix of Colin Meloy lyrics and Avett brothers harmonies, Sinful Savage Tigers are a side stage appearance at Coachella or Bonnaroo away from being the next darling of the indie grass crowd.  The Last Night Of The Revels is good primer on their ability and with it you’ll be able to gloat that you knew of them back when.

Over the past several years, Columbia Records has dug into their vaults to unearth some vintage Cash recordings. Their latest release documents some classic Cash live shows dating back to an early 1956 show in Dallas through his 1964 Newport Folk Festival appearance and a 1970 visit to the Nixon White House. All told, the two-disc set includes over 50 tracks from 10 shows spanning more than 20 years.

Here’s your chance to win this impressive collection. To win, post a comment with your favorite live performance of this year. A winner will be selected at random when the contest ends on Monday, 19 December 2011 at midnight ET.**

“Here is a young fellow that’s really been sellin’ the records throughout the country and a guy that’s got a million fans all over these United States.” said the announcer introducing Cash at the 1956 Dallas show captured here. If he only knew then…

**By participating in Twangville contests you agree to allow Twangville to post the winner’s name and city on our web site. We pass along the winning addresses to the record company or pr agency for fulfillment. Twangville will not use your address for any other reason. Contest open to US residents.