Mayer’s Playlist for Oct 2014, Part 1

ALBUMS OF THE MONTH Boxers, by Matthew Ryan Boxers is an album of discontent. Life, love, work — you name it — the characters that inhabit this collection of songs are dissatisfied. There is rage, resentment and restlessness. Through it all, however, Ryan manages to find a glimmer of hope — sometimes it’s a lyrical […]

Americana 2014, The Sounds, Part 3

Every fall, The Americana Music Association gathers members, artists and music fans together in Nashville for its annual conference. Starting with the annual Americana Music Awards and continuing through four days of showcases and panel discussions, it is a tremendous celebration of Americana music. Here are my highlights among the many live performances I saw […]

Americana 2014: The Sounds, Part 2

Every fall, The Americana Music Association gathers members, artists and music fans together in Nashville for its annual conference. Starting with the annual Americana Music Awards and continuing through four days of showcases and panel discussions, it is a tremendous celebration of Americana music. MATTHEW RYAN This was, hands-down, the highlight of the week for […]

2014 Americana Music Awards

On September 17th, the glitterati of the Americana Music Scene gathered at the historic Ryman Theater for their annual Awards show and presentation.  Mayer and I were lucky enough to procure a seat to the festivities.  You can get a full list of the award nominees and winners here, but these are the highlights from our […]

Mayer’s Playlist for Sept 2014, Part 2

ALBUMS OF THE MONTH Swimmin’ Time, by Shovels and Rope Cary Ann Hearst and Michael Trent — aka Shovels and Rope — just keep getting better and better. Swimmin’ Time takes their customary percussive guitar and drums and expands their musical palette with piano, horns and a host of other instruments. The result is something […]

Mayer’s Playlist for Sept 2014, Part 1

ALBUMS OF THE MONTH You’ve Got the Wrong Man, by Joe Fletcher Singer-songwriter Joe Fletcher drew inspiration for You’ve Got the Wrong Man from the field recordings of the early 20th century. The process, most notably used by John Lomax during his musical exploration of the Southern US, places particular emphasis on the raw emotion […]