We here at Twangville get to hear tons of great music. We share as much of it as we can with you and just hope that you like it as much or more than we do. On a personal note, in the past year or so, I’ve had a hard time getting as excited about [...] more »

by Kelly Dearmore

As much as it pains me to say it, MTV had a good idea.  It was back in the 90′s and someone there decided it would be unique to hear a rock band playing acoustic and unplugged.  And very quickly, the better bands discovered they could turn that opportunity into a new sound; something that [...] more »

by Shawn Underwood

It is hard to believe that summer is nearly over. How do I know this? I was at a music club on Saturday that had changed over their Sam Adams tap from Summer to Octoberfest. Talk about jumping the gun! Anyway, the next few weeks will unleash an abundance of great new music just in [...] more »

by Mayer Danzig

A few months ago, we took an initial look at the latest record from Hayes Carll, KMAG YOYO (And Other American Stories), and decided that yes, it was worth having and was indeed a good record, but wasn’t the greatest record of Carll’s young career. Well, a few months later, those feelings haven’t necessarily changed, [...] more »

by Kelly Dearmore

By now, surely it’s no secret that country and punk go together about as good as peanut butter and chocolate. And typically, when these two classic American forms of music are welded together, the result seems to resemble a harder, thrashing product. Of course, the overall ethos attached to artists that practice either style in [...] more »

by Kelly Dearmore

Not so long ago when someone said the latest record from a group was more “radio friendly” it meant they’d sold out and gone from what made them unique to something more appealing to the mainstream, at least as judged by some nameless, faceless A & R guy.  But with most people listening to music [...] more »

by Shawn Underwood

ALBUMS OF THE MONTH: Queen of the Minor Key, by Eilen Jewell It is perhaps fitting that Dave Alvin and Eilen Jewell have just released new albums. Both are flagbearers of American roots music, adept at a wide array of styles but imbuing everything that they do with integrity and authenticity. Jewell is often compares [...] more »

by Mayer Danzig

ALBUMS OF THE MONTH: I’ll Never Get Out of This World Alive, by Steve Earle Steve Earle could perhaps be America’s most honest songwriter. When one listens to his albums there is never a doubt what he is thinking. Whether railing against George W. Bush (“Little Emperor”) or pledging his love (“Every Part of Me”) [...] more »

by Mayer Danzig

Listening to Jason Isbell’s newest album was a true revelation. A few album’s later and he’s really moved beyond his life with the Drive-by Truckers. Now when I hear about a concert on the other side of DC from me, I think twice about heading out to H street. But when I heard Isbell was [...] more »

by Jeff McMahon

READERS PICK: APRIL 2011 Twangville readers picked Jason Isbell & The 400 Unit‘s Here We Rest as their favorite album of April 2011. His third album since parting ways with the Drive-by Truckers and second with band The 400 Unit. The album title, Here We Rest, takes it’s name from the original Alabama state motto [...] more »

by Tom Osborne

“Cosmic American Music” is what Gram Parsons called his own music. I think the term also fits Sundrunk Angels, the new release by Old Californio. The length of the songs puts them in Jam Band territory. In fact, it is a bit odd that the Jam Band crowd hasn’t widely discovered these guys yet. “Jewels [...] more »

by Chip Frazier

OK, look. It’s not that I’m unaccustomed to gushing over a record I really love here on Twangville, it’s just that I try and at least tell you why it is that I feel a record is so gush-worthy, when called for. In the case of Israel Nash Gripka’s latest, Barn Doors & Concrete Floors, [...] more »

by Kelly Dearmore

Savannah Georgia’s The Train Wrecks’ recently released sophomore disc entitled Saddle Up is an alt-country effort that hits all the right spots. Opening with the Cash-inspired “Tennessee Mare” and featuring one of the tightest rhythm sections this side of the Mason-Dixon line in Markus Kuhlmann and Eric Dunn, along with singer Jason Bible’s rusty vocals [...] more »

by Todd Mathis

ALBUMS OF THE MONTH: Wander Away, by Mike Errico I can think of less than a handful of times where I have seen an artist silence a room with a song. One of the most impressive was watching Errico, armed with just his guitar, silence a rowdy New York audience with just a single song. [...] more »

by Mayer Danzig

Every year at this time, a couple of weeks after all the glitterati have left South By, one of the best music festivals in the country kicks off 20 minutes outside of Austin: the Old Settler’s Music Festival.  It’s a great mix of old and new talent, with enough people to get a good vibe [...] more »

by Shawn Underwood