I suppose I could try to write an introduction to this video but does this video really need one? Here are the Beatles performing “Don’t Let Me Down” on the roof of Apple Records back in 1969.
We lost Johnny Winter last week. Johnny, known for his blistering fast guitar playing, burst onto the national scene as a solo act in the late 1960s. A guitar prodigy, Johnny and younger brother Edgar – both albino – had formed a band as they were growing up in Beaumont, Texas, and had a single released when Johnny was just 15 and Edgar 12 or 13. Over the years, Johnny often shared the stage or studio with his brother, but their careers were distinct. Johnny stayed faithful to blues throughout his career, with occasional forays into rock, while Edgar has been more of a rocker. Johnny’s guitar playing ability was astounding, but he also built his legacy by producing several of Muddy Waters’ late-career masterpieces, including Hard Again and King Bee.
The years and the rock ‘n’ roll lifestyle took their toll on Johnny. When I saw him three years ago, he needed to be helped onto the stage and performed his entire show seated, but the music was still there as he played effortlessly. Below are some memories.
Johnny in his prime:
In 1987, starting to show the years, but still in great playing shape:
This past year on Letterman, very decrepit with apparent vision issues, but the music was still there:
(from the Loud Romantic Records release Alexandria)
Mills lulls you in with a lilting melody before unleashing the jaw-dropping emotion of lyrics and voice. The results are heartwrenching.
(from the Bloodshot Records release Somewhere Else)
This is the way rock and roll is supposed to sound: honest, boisterous and alive.
(from the ATO Records release English Oceans)
The opening track from the Truckers was a lock for this list based on the title alone. The fact that it is rocks like only the Truckers can? Just icing on the cake.
(from the Melvin Records release Hard Working Americans)
This is the very definition of win-win – a group of phenomenally-talented musicians recording a raucous version of a song written by one of my favorite songwriters.
(from the Fat Possum Records release Jimbo Mathus)
This is swamp rock at its finest — unbridled and whiskey-infused.
(from the Isotone Records release Salvation Town)
While the lyrics reflect on a rough break-up, the music bristles with a raw and defiant energy.
(from the Signature Sounds Records release Bad Self Potraits)
Who knew a break-up song could sound so uplifting? Pure pop perfection.
(from the Welding Rod Records release Hang Your Hopes on a Crooked Nail)
If there is such a thing as a perfectly-weathered song, this is it. Picott has a knack for songs that are well-worn in topic, tone and voice.
Photo credits: Todd Cooper (Lydia Loveless), David McClister (Drive-By Truckers), James Martin (The Hard Working Americans), Elizabeth DeCicco (Jimbo Mathus), Jarrod McCabe (Lake Street Dive), Stacie Huckeba (Rod Picott)
A friend introduced me to the music and legend of the late New Orleans pianist James Booker. The “Bayou Maharajah,” as he was called, lived a flamboyant life. While he never found true commercial success, he built gained popularity in Europe and even played a couple of shows with the Jerry Garcia Band (before being replaced by Dead pianist Keith Godchaux).
Here’s a full solo concert performance captured at famed New Orleans venue the Maple Leaf back in 1983. As if the music wasn’t enough, the early 1980′s cable tv introduction is good for a chuckle.
Our friends at Red Line Roots spearheaded a really cool project this past spring. With support from the Club Passim Iguana Fund, they invited a plethora of local artists to cover one another’s songs. Locals Covering Locals, the resulting collection, is now available for download. Even better, you can get it for free here.
I suppose that the project could have been called “Locals Covering Favorites” as the artist’s clearly enjoyed covering favorite songs written by their neighbors and peers. This was clearly a labor of love.
Among the highlights are Jenee Halstead and Danielle Miraglia covering (and backing one another) on the former’s “Building You an Alter” and the latter’s “Choir” and Patrick Coman covering Tim Gearan’s “City of Refuge,” to name just a few.
Here’s a personal favorite, the Bean Picker’s Union recording Sean Staples “Dance at the Plough.” Have a listen and then download the full release here!