Over the past year I’ve come across a few more to add to the collection. So without further ado… adieu!

Nothing At All, Maxim Ludwig
You said I wasted your time, but that’s ok ‘cause you wasted mine
Between you and nothing, I choose nothing at all.

Audio Download: Maxim Ludwig and the Santa Fe Seven, “Nothing At All”

My Little Blue One, Cowboy Mouth
I remember and try to forget
With a bottle of wine
I remember and try to forget
That the ring you’re not wearing is mine
No no no no you don’t wear it anymore
You’re gone and I don’t even think of you, my little blue one

Audio Download: Cowboy Mouth, “My Little Blue One”

(Not So) Sad, Mike Errico
The stupid things you said to me, I chalk ‘em up to history
I only hope my bitterness will fade into experience
The greatest curse I have for you is someday I hope you meet you.

Audio Download: Mike Errico, “(Not So) Sad”

Leavin’ Yesterday, John Howie, Jr.
The day you told me you were leavin’, I bet you thought you’d see me cry
When I said that I’d be grievin’, to tell the truth I told a lie.
I don’t think that I’ll stand and wait, I’m not the kind to take that bait
The fact is I’ve already said goodbye.

Audio Download: John Howie, Jr. and the Rosewood Bluff, “Leavin’ Yesterday”

Fool’s Gonna Fly, Will Hoge
Real life ain’t the movies, all bathed in black and white
Ain’t no script been written that can make this turn out right
You ain’t no Audrey Hepburn and I ain’t no leading man
But if this was a movie I’d say, “I don’t give a damn”

Audio Stream: Will Hoge, “Fools Gonna Fly”

As Long As You Don’t Come Back, Justin Currie
So I’m talking to myself, not you
and it ain’t so bad
At least I don’t put myself down

And sometimes I even sound like you,
well I know I should be making amends
but why would I do that?
when I won’t feel alone as long as you don’t come back

Audio Download: Justin Currie, “As Long As You Don’t Come Back”

You Can’t Keep Me, Amy Lavere
You can’t make me stay, I’m not your pet
I’m gonna break the chain you have tied around my neck.
I’m stomping out of here, I hope the dishes rattle down off your shelf
And if I see you first, I’ll run like hell

Audio Download: Amy Lavere, “You Can’t Keep Me”

Petered Out, Melodine
All you managed to do is ruin everything
When I bit my tongue, your words would sting
I’d like to take back from you both of those years
When I let it pass you abuse my ears, you go on and on and on… I’m petered out.

Audio Download: Melodine, “Petered Out”

You’re Breaking My Heart, Harry Nilsson
You’re breakin’ my heart, you’re tearing it apart, so fuck you

Audio Download: Harry Nilsson, “You’re Breakin’ My Heart”

Call it Off, Brian Charles
I really liked you better back when you were dumb,
now you talk while I just watch amazed at what you’ve become
the fact remains, that you have changed
I’d feel a lot better if we called it off

Audio Download: Brian Charles, “Call It Off”

You’re Breaking My Heart, Harry Nilsson
You’re breakin’ my heart, you’re tearing it apart, so fuck you

Audio Download: Harry Nilsson, “You’re Breakin’ My Heart”

And be sure to check out Part 1 and Part 2, Part 3 and Part 4 for more ways to say goodbye.

Live At Lincoln Hall, by Joe Pug
Since arriving on the singer-songwriter scene in 2008, it didn’t take long for Joe Pug to establish himself as a rising star. This live album, recorded in Chicago last spring and comprising songs from his one full-length album and two eps, is a spectacular demonstration of his songwriting prowess.

Album opener “Nobody’s Man”, from his debut ep, is a personal favorite. “I’d rather be nobody’s man than somebody’s child,” sings Pug. It is a statement of independence but not without some regret at his loneliness. “There’s an ugliness growing up inside me, from where it has come I don’t know.”

“Lock the Door Christina,” from the In the Meantime ep, serves as both a love letter and a warning. “Lock the door, Christina, I’m standing on your porch tonight,” he sings with a gentle sway.

An electric guitar joins Pug’s acoustic to give “Speak Plainly Diana” some extra punch. Not that it needs it as Pug’s lyrics pack plenty of punch already. To wit, “And when there’s too much to get rid of, and you get rid of me, speak plainly to me Diana, there’s nothing you must be.”

“Call It What You Will” finds Pug struggling with heartache. “I call today a disaster, she calls it December the 3rd,” he laments, “call it what you will, I’m heartbroken still, words are just words.”

Live At Lincoln Hall is a great introduction for those who haven’t heard him and a treat for those who already have. And with a new release shortly to follow, it is the perfect set-up for what could be Pug’s best year yet.

Audio Download: Joe Pug, “Call It What You Will”

Grand Hotel, by The Explorers Club
This talented sextet from Charleston, SC whip up a magical blend of three minute pop masterpieces. Each track is masterfully crafted, filled with spectacular musicianship and brilliant harmonies.

Lead single “Run Run Run” opens with some regal horns before giving way to a bouncy pop beat. A percussive march towards the chorus is rewarded with a blast of airy harmonies as the band sings, “I’ll run run run ‘til I get back to you, run run run, do what I have to do, run run run ‘til I get back in your arms again.”

“Anticipatin’” starts off with a guitar, piano and organ riff that recalls the opening of the Beatles “Get Back.” The opening quickly transforms into a classic pop melody that leads to a falsetto-led chorus. Throw in some tasty guitar riffs and you’ve got a feel-good classic.

Did I mention harmonies? “Go For You” brings them in full force. The song’s already head-bobbing and harmony-laden chorus reaches even higher when the horns join the fray. The fun continues with “I’ve Been Waiting,” which matches percussion and taut guitars with honeyed harmonies.

Album closer “Open the Door” starts with a bit of flamenco guitar before launching into an emotional ballad that builds towards a symphonic conclusion. This is the kind of music that makes Brian Wilson smile.

Audio Stream: The Explorers Club, “Run Run Run”

THE PLAYLIST
Abaddon Blues b/w All the Good You Lose (demo), Kasey Anderson and the Honkies
Kasey Anderson and the Honkies rocked out on 2011’s Twangville fave Heart of a Dog. But last year is so last year. A new year is upon us now and Anderson and crew have hatched plans for a new album.

Here are two tracks recorded for the album to be known as Let the Bloody Moon Rise. One is a bruising blues number with the Honkies; the other is an Anderson demo recording of a brilliant ballad.

Like what you hear? Anderson and the Honkies are going the sponsorship route to fund Let the Bloody Moon Rise. Click here for more details on the campaign and here to lend your support.

Gloryland, Kevin Gordon (from the self-released Gloryland)
Gordon is Louisiana’s answer to James McMurtry, spinning tales of weathered characters that come across as part song, part short-story. Check out the bluesy, dark and edgy title track.

Audio Download: Kevin Gordon, “Gloryland”

Bandit of Love, Jenny Dee and the Deelinquents (from the DeeVeeUs Records single Bandit of Love b/w That Moon Was Low)
For years Boston musician Jenny D’Angora has played with various punk and rock bands. Now she’s stepping out with a new outfit that pays homage to the 1960’s girl groups and their shiny pop sound. It’s retro with all the trimmings, what’s not to like?

Audio Download: Jenny Dee and the Deelinquents, “Bandit of Love”

Caught Me Thinking, Bahamas (from the Universal Republic release Barchords)
Toronto-based singer-songwriter-guitarist Afie Jurvanen, who records as Bahamas, reminds me of Harry Nilsson. His simple and airy arrangements stand in contrast to the often dark side of his lyrics. He actually pulls off a slight Caribbean feel with this track as he sings, “Back when we started, before we parted, I would wonder what would make her stay; what was I thinkin’, as if my drinkin’ was the only thing that drove her away.”

Audio Stream: Bahamas, “Caught Me Thinking”

One Voice Together, Martin Sexton (from the Kitchen Table release Fall Like Rain)
Simply put, Sexton has one of the most magical voices singing today. It is a voice soulful and smooth as molasses.

Audio Download: Martin Sexton, “One Voice Together”

A Good Feelin’ to Know, Tom Gillam (from the Great Tone Records release Rustic Beauty)
Austin by way of Philly singer-songwriter Gillam takes on the free-wheelin’ Poco classic. It is a great cover selection as it fits comfortably along side Gillam’s originals. He and his band have a relaxed feel that just makes the music fun.

Audio Download: Tom Gillam, “A Good Feelin’ to Know”

Aim For the Heart, Ruthie Foster (from the Blue Corn Music Release Let It Burn)
“When in Rome,” the old saying goes. Foster took it to heart, figuratively if not literary, with her latest release. The album came to life in New Orleans, where it was infused with the spirit of local musicians including the Funky Meters rhythm section of bassist George Porter Jr. and drummer Russell Batiste. While most of the album is covers ranging from the Band’s “It Makes No Difference” to Adele’s “Set Fire to the Rain,” Foster includes a couple of originals including this soulful track.

Audio Download: Ruthie Foster, “Aim For the Heart”

Honolulu Blues, Craig Finn (from the Vagrant Records release Clear Heart, Full Eyes)
At this point there should be little doubt that Finn is one of rock’s most literate lyricists. He puts the point on that exclamation with his debut solo release. Finn leaves the rock and roll musical bravado of the Hold Steady behind and proceeds with more subdued arrangements that shine an even brighter light on his lyrics.

We’re all good, we’re all bad
We’re euphoric and we’re sad
We roll the rock away and check the tomb

Audio Stream: Craig Finn, “Honolulu Blues”

Runaway, Imperial Teen (from the Merge Records release Feel the Sound)
The winter snow may be falling as I type this but the shimmery sounds of Imperial Teen are transporting my spirit to a summery place. The arrival of the band’s latest release, filled with upbeat melodies and bright harmonies, is a sure sign that summer will soon be upon us, right? If not, you’ll find me cranking this one by the fireplace.

Audio Download: Imperial Teen, “Runaway”

When My Time Comes, Barnstar! (from the self-released C’Mon!)
I somehow missed this song when it was released on Dawes’ debut back in 2009. My bad. I’ve corrected that now thanks to the guys in Barnstar! Even better, they’ve taken an already great song and made it even greater. Even Dawes agrees.

Audio Stream: Barnstar!, “When My Time Comes”

Time Spent in LA, Dawes (from the ATO Records release Nothing Is Wrong)
The best songs do more than catch one’s ear, they create an experience that takes you away from where you are. The fact that this song is about Los Angeles misses the point. The melancholy of melody and lyric becomes a destination of its own. “You got that special kind of sadness, you got that tragic set of charms, that only comes from time spent in Los Angeles, makes me wanna wrap you in my arms.”

Audio Stream: Dawes, “Time Spent In Los Angeles”

More Like Them, Lydia Loveless (from the Bloodshot Records release Indestructible Machine)
If you had any doubts that Loveless was a free — and feisty — spirit, look no further than this song.

Why can’t I be more like them, the kind of people who feel sad when relationships end
Well honey I don’t want you now, but it’s not about him
Why can’t I be more like them

Audio Stream: Lydia Loveless, “More Like Them”

The Understanding, Jones Street Station
If you’re going to release only one song in a year, it had better be a good one. By that standard, this Brooklyn quintet doesn’t disappoint. What starts with some quiet harmonies and an acoustic guitar builds into a pop song of epic proportions.

Turn to a stranger, take her hand, then you’ll understand. Where are my friends who are lost and alone. May they find their way back home.

Audio Download: Jones Street Station, “The Understanding”

Mannequin Man, Kingsley Flood (from the self-released ep Colder Still)

I was born to be a mover, not a mannequin man
Sworn to shake the sugar, not like a mannequin man
I’ll be damn before you take me like a mannequin man

Audio Stream: Kingsley Flood, “Mannequin Man”

Daydrunk, Butch Walker and the Black Widows (from the Dangerbird Records release The Spade)
I went back and forth between this track and “Summer of ’89.” It was a photo finish to say the least. In typical Walker fashion, this song is a power pop slap in the face – loud, brash and totally awesome.

Audio Stream: Butch Walker and the Black Widows, “Day Drunk”

Stopping By, Jason Isbell and the 400 Unit (from the Lightning Rod Records release Here We Rest)
Isbell is at his best when he explores the thoughts and emotions of troubled characters. He has an innate ability to provide an honest portrayal that captures the tension in both lyric and music. This track is a prime example, the tale of a child making a surprise visit to an estranged father.

I think the best of me’s still standing in the doorway
Counting cars and counting days and counting years
I could say you made me go through life the hard way
But it might’ve been worse if you were here…

Audio Stream: Jason Isbell and the 400 Unit, “Stopping By”

No Easy Way Out, The Duke and the King (from the So Recordings release The Duke and the King)
I was first enchanted by the sense of wanderlust that permeates this song. Repeated listens, however, showcase the band’s impressively nuanced musicianship.

Audio Stream: The Duke and the King, “No Easy Way Out”

Guilty Girls, Buffalo Tom (from the Scrawny Records release Skins)
From the opening guitar riff to the final fade, the band impeccably combines sparkling harmonies with an edgy rock sound. This is the kind of song that was made to be played loud. And often.

Audio Stream: Buffalo Tom, “Guilty Girls”

Maybe, Paul Collica (from the self-released It’s Not Me, It’s You )
This is a great high-energy power pop song but that’s not the sole reason that it is on this list. Collica infuses the song with a sonic quality that should make many “top 40″ artists green with envy. All the more impressive, he wrote, performed and produced it entirely on his own.

Audio Download: Paul Collica, “Maybe”

Too Drunk to Truck, by Roy Sludge
This album was tailor-made for Twangville. Old school in all the best ways, it might as well be a collection of lost classics from the Sun Studios archive.

The title track kicks off the album with a strong indication of what will follow. Yup, songs about trucks, drinking and ornery women, although not necessarily in that order.

Well I drive all over this country, roaming from town to town
When day is done I’m gonna have my fun I’ll pick ‘em up and put ‘em down.
I’ll flirt with some old waitress, try to push my luck.
But when push comes to shove I’m too tired for love ‘cause I’m too drunk to truck.

The song also unleashes Sludge’s secret weapons: Boston-based guitarists Duke Levine and Kevin Barry. Both have a sound pristine and precise, yet filled with character, Barry on the lap steel and Levine on the electric guitar. And I shouldn’t neglect bassist Jim Haggerty, who brings his own rockabilly cred from his role as bassist for Wanda Jackson.

Sludge sings of drinkers remorse on the amusing “I Got Hammered (Then I Got Nailed).” Haggerty’s walking bass line mimics the pounding that comes from a bad hangover as Sludge laments, “spent the next five days in jail, but the rest I can’t recall ‘cause of too much alcohol.”

I’m sure that there are two sides to every story, and “Hell Hath No Fury” provides Sludge’s perspective on a love gone wrong. “She lives to hurt me, she lives to make me mad,” he sings, “she loves to burn me, when I’m sad it makes her glad.” Ouch.

Sludge and crew bring out the country shuffle as on the swinging “Eight Would Be Great.” A few tracks later, the band cranks it up in fine Sun Records fashion on “If You Can’t Rock Me.” Levine, in particular, lets it fly with some magnificent guitar licks and solos.

The record closes with a mighty fine cover of Johnny Cash’s “Drive.” It is the perfect capstone to a release that showcases a classic sound with skill and flair. But don’t take my word for it. Bruce Springsteen recently stopped by to check out Sludge during a recent run of residency shows.

Audio Download: Roy Sludge, “If You Can’t Rock Me”

This Round Is On Me, by Maxim Ludwig and the Santa Fe Seven
My favorite musical discovery this year was LA-based Maxim Ludwig and the Santa Fe Seven. The band has the perfect combination of great songwriting and playing that is playful and loose. As we move towards the close of the year, Maxim and the Seven have just released a new ep that features his strongest songs yet.

“Stacy C’Mon,” the opening track is one that should be familiar to Twangville readers. Maxim was kind enough to share it with us earlier this year. I, for one, can’t get enough of it – from the catchy riff to the sing-along chorus, it has simply lodged itself in my head.

“Nothing At All” adds a bit of R&B shuffle to the mix, in large part courtesy of a soulful sax that joins the fray. Maracas give the song an extra flair, complimenting the wailing slide guitar. Ludwig leaves no doubt where he stands on the future of a relationship: “Between you and nothing, I choose nothing at all.”

The opening of “On Bunker Hill” teases with a mournful woman’s voice set against a somber synthesizer. When a piano joins the mix, the song builds into a majestic rocker reminiscent of the Band. The maracas return on “Red Eyes,” which has a restrained boogie beat that hearkens back to Little Feat.

Take a shot, this round is on me,” Ludwig sings on the rousing closer “From the Alley View.” I’ll join in with a toast to this ep and more great music to come!

Audio Download: Maxim Ludwig and the Santa Fe Seven, “Nothing At All”

THE PLAYLIST
Mannequin Man, Kingsley Flood (from the self-released ep Colder Still)
I’d forgotten how potent the Kingsley Flood live show was until I saw them light up the Lizard Lounge in Cambridge this past weekend. Although acoustic guitar and fiddle are part of their instrumentation, they are way more than a roots band. They pack their songs with an aggressive yet infectious edge. I’m lovin’ this track that reminds me a bit of the Violent Femmes.

Audio Stream: Kingsley Flood, “Mannequin Man”

Parade, Oldjack (from the self-released Maxi-Single)
The headline on Oldjack’s web site says “Old Soul Rock and Roll” and damn if that ain’t what they deliver. This is classic rock – think Joe Cocker, Leon Russell, the Rolling Stones and maybe even some Lynyrd Skynyrd – played to perfection. Lead singer Dan Nicklin howls while a bevy of female singers wail. Throw in multiple guitars, an organ and a rock solid rhythm section and you’re primed for a rock and roll revival.

Audio Download: Oldjack, “Parade”

One Guitar, Willie Nile (from the River House Records release The Innocent Ones)
“I’m a soldier marching in an army, got no gun to shoot but what I’ve got is one guitar, I got this one guitar,” sings Nile on this stand-out track from his latest release. It is a fitting lyric for an artist whose songs are filled with an unbridled passion for rock and roll. Rock on, Willie, rock on!

Audio Download: Willie Nile, “One Guitar”

Turn It Up Or Turn It Off, Harrison Hudson (from the Favorite Gentlemen Recordings release American Thunder)
There is some music, loaded with hooks and overflowing with energy, that is just tailor-made to be the soundtrack of any party. Put this one down on that list. The songs on Harrison Hudson’s latest have the feel of classic 1960’s rock and roll while maintaining a modern-day sound. And did I mention the hooks?

Audio Download: Harrison Hudson, “Turn It Up Or Turn It Off”

Westside Street, The Deep Dark Woods (from the Sugar Hill Records release The Place I Left Behind)
This quintet from Saskatchewan, Canada was a pleasant surprise at the recent Americana Music Conference. Their songs are like aural pictures, soundscapes regal yet forlorn. In the Robbie Robertson tradition, these boys prove that some of the best Americana comes from North of the border.

Audio Download: The Deep Dark Woods, “Westside Street”

Bite Your Tongue, High on Stress (from the self-released Living Is a Dying Art)
Let it not be said that they don’t know how to rock in Minneapolis. And High on Stress will be happy to prove it to ‘ya. The band’s latest serves up a healthy dose of Midwestern rock and roll, the kind that sounds better the louder that you play it. And I mean that as a compliment.

Audio Download: High On Stress, “Bite Your Tongue”

Says Lately, Scotty Alan (from the Spinout Records release Wreck and the Mess)
The Michigan native went to Los Angeles to record his latest release. Arriving in LA, Alan gathered an impressive group of players, including long-time Jackson Browne and Ry Cooder collaborator David Lindley and legendary Ian McLagan among others. The results speak for themselves, songs vibrant and pulsing with energy.

Audio Download: Scotty Alan, “Says Lately”

Long Live All of Us, by Glossary
Glossary have always had a reputation as a scrappy rock band from Murfreesboro, TN. While their latest doesn’t abandon the past, the band has injected a healthy dose of southern soul into the mix. And, man, does it sound good.

Opener “Trouble Won’t Always Last” matches hopeful lyrics with a lilting beat driven by a percussive piano. “When trouble comes around, don’t you be afraid,” sing husband and wife Kelly and Joey Kneiser, “This world can take your life, but it can’t take the love you’ve shown away.”

“Shoulder to Cry On” has the type of soulful swagger that hearkens back to the late 1970’s, yet with a sound that feels fresh today. Some stellar Stax-style horns punctuate the Kneisers’ harmonies, “So crawl with me out of the dark, let it be us the light shines on, for nothing is promised or guaranteed, but I’ll be the post that you can lean on.”

Lest anyone think otherwise, “When We Were Wicked” and “Heart Full of Wanna” prove that the band still has the chops for straight-up rock and roll. Electric guitars burst from the former track while a great bass line propels the latter.

“Some Eternal Spark” showcases the band’s quiet side and shines a light on Joey Kneiser’s thoughtful lyrics. “But listen to your heart and it will lead you through the dark,” he sings, “‘Cause somewhere in you burns a light lit by some eternal spark.”

See Eli’s take on the new Glossary release here.

Audio Download: Glossary, “Heart Full of Wanna”

THE PLAYLIST
Everyone Has Their Day, Warren Zanes (from the self-released I Want To Move Out in the Daylight)
The New Jersey by way of Boston musician and rock and roll scholar channels the end of a relationship into a mature and meaningful release. “It got a little crowded there in your cage, the trash piled up no one took it away,” sings Zanes in a pop song subtle and sublime.

Audio Download: Warren Zanes, “Everyone Has Their Day”

Not Once, Todd May (from the self-released LTD)
May, the songwriter behind Twangville faves the Mooncussers, has quietly put out a solo, primarily acoustic release. The format puts his impressive songs front and center, emphasizing the country flavor of his writing. There are songs that can be described as about having a tear in one’s beer, this one goes straight for the whiskey.

These songs are billed as demos, but I’ll take them just the way they are, thanks. Download some additional tracks here.

Audio Download: Todd May, “Not Once”

Tin Can, Wires in the Walls (from the self-released New Symmetry)
The LA-based quintet caught my ear with this pop anthem. Electric guitars ring out gloriously as the song works its way to an explosive chorus. This one is meant to be played loud.

Audio Download: Wires in the Walls, “Tin Can”

Sara Smile, Vance Gilbert (from the self-released Old White Men)
The New England folk musician is blessed with a sweet and soulful voice. Gilbert will captivate regardless of whether performing his originals, which range from solemn to humorous, or taking on a cover. I challenge you to not get in his dazzling cover of the Hall and Oates classic.

Audio Download: Vance Gilbert, “Sara Smile”

Sweet and Fine, Tom Evanchuck and the Old Money (from the Peloton Records release The Evanchucks)
This 22 year-old from Cleveland, Ohio knows how to coax some deep and lowdown sounds from his guitar. His sound hearkens back to the classic rock of the 1960’s, heavy with blues-based riffs alongside a rumbling organ. The song title says it all.

Audio Download: Tom Evanchuck and the Old Money, “Sweet and Fine”

Pretty In Pink, The 65’s (from the Dromedary Records release Strike Hard!)
The members of this New York-based quartet honed their craft in a number of regional bands and solo acoustic outings. Together, they bring on the rock with a healthy dose of guitar, bass and drums. Their debut has some enticing originals, but I’m going to take the cover route as they rock this song proud. And if you like the scruffy guitars here, I’m quite certain that you’ll like the rest of this release.

Audio Download: The 65′s, “Pretty In Pink”

Beauty, Wit & Speed, by Nathan Hamilton
“Give me the mad ones, the sad ones, the ones who’ve got nothing to lose,” sings Hamilton in “Through Ether and Time” from his latest release. It is a telling comment and a great introduction to an album that deftly explores the search for comfort and contentment in one’s passing years.

“In All That We Might Find” finds Hamilton longing for the past, recalling the excitement to be found in earlier times. “In the age of information the screens of isolation, Bathe us in a cool blue glow,” he reflects, “The network imperfection, the lack of real connection has left us feeling more alone.”

“Fire to Metal” is a haunting reflection on the wound’s left by an ex-lover. A drum beat that echoes a heart-beat starts the song, soon joined atmospheric synthesizers and an acoustic guitar. “There is no greater pain or consolation than the memory and phantom feeling of your touch,” he sings as the song’s musical accompaniment and intensity increase.

The piano and muted trumpet on “Rust of Age” recall a late night jazz club, the perfect feel for the confessional tone of the song. “We all must face our grave mistakes of body, mind and soul,” he sings, “But I believe I’ll take the dirt and leave behind the hole.”

The tempo, if not the sentiment, quickens on “The Heart That Aches to Open.” Electric guitar solos at the beginning, middle and end of the song weave a shimmering melody as Hamilton takes a more assured tone in his quest. Don’t get me wrong, Hamilton is still feeling lonely and alone, but there is a welcome sense of contentment on this track.

Amy Cook joins Hamilton for the slowly burning “Days of Caution.” The song perfectly captures the swirl of emotion between two lovers:

The days of caution rise
And lift themselves to show
Surrender in our eyes
And a hunger in our soul

It is a rare find to encounter an album that commands attention with an alluring blend of intelligence and restraint. Put this one down on that list.

Audio Download: Nathan Hamilton, “The Heart That Aches to Open”

Number Seven, by Will Hoge
Can anyone guess what studio album release this is for Hoge? I thought that you could. Looking at this release in the context of its predecessors shows the evolution of the artist. If the early years were spent as an carefree rocker, Hoge has mellowed and matured over his last few releases. That said, his songs have lost little of their charm and appeal.

“Fool’s Gonna Fly” finds Hoge saying goodbye to a lover. Longtime readers know that I have a sarcastic streak and love a good “kiss off” song, so there should be no doubt that I would enjoy this one:

Shakespeare was a traitor as far as I’m concerned
He wrote a bunch of stories ’bout stuff he never learned
He never loved a woman least not one as mean as you
Romeo would’ve just split town and tried to find somebody new

If “Fools Gonna Fly” is his break-up song, “No Man’s Land” is his ode to falling short in a quest for love. “I count my blessings on the days we get along, but I can count on one hand the days that I do nothing wrong,” he laments. The song becomes a fine bar-room sing-along as Hoge kicks into the chorus, “She’s like a fine wine, I’m like whiskey from a jar…”

“Too Old Now to Die Young” finds Hoge reflecting on the wild years of youth with the perspective of middle-aged maturity. “I loved the pleasure and cursed the pain, oh, foolish things I’ve done, I’m too old now to die young,” he sings while a bristling slide guitar wails.

Hoge slows things down for “Trying to Be a Man,” a tender ballad that chronicles the celebration and tragedy of a young man finding love and family. Vince Gill guests with some solemn acoustic guitar accompaniment for added effect.

While a part of me misses the more raucous songs of Hoge’s early career, it is refreshing to see an artist explore new musical horizons.

Audio Stream: Will Hoge, “Too Old Now to Die Young”

THE PLAYLIST
Midwest Winters, Bradley Wik and the Charlatans (from the forthcoming release Burn What You Can, Bury the Rest…)
“Those midwest winters will suck your soul away,” sings Wik on this song that starts off melodic and brooding before exploding into a cathartic guitar fury. Although he now resides in Oregon, these songs were born from growing up in the Midwest and have the hearty rock feel of that region. Burn What You Can, Bury the Rest… is filled with this heartland rock and roll, rich with tales of hard-working, well-intentioned characters.

Audio Download: Bradley Wik and the Charlatans, “Midwest Winters”

Pine, The Poison Oaks (from the self-released Pine)
What happens when you gather together a large group of Americana musicians in the studio to “experiment”? Apparently you end up with some great pop tunes and performances. Boston-based fiddler Laura Cortese, the cornerstone of this new collective, is joined by a talented group of friends whose musical pedigree includes Crooked Still, The Low Anthem and Josh Ritter’s Band, among others. If this is an experiment than we will call it a resounding success.

Audio Download: The Poison Oaks, “Pine”

Good Luck and True Love, Reckless Kelly (from the No Big Deal Records release Good Luck and True Love)
Austin’s Reckless Kelly have always been a bit of a paradox. The boys established themselves in Austin with songs rooted in the Americana storytelling tradition. Yet the boys clearly live to rock and roll. Don’t believe me? Check out their latest release. Pure rock and roll, Texas style.

Audio Stream: Reckless Kelly, “Good Luck and True Love”

Gimmie Back, 13ghosts (from the This Is American Music release Liar’s Melody)
My recollection of 13ghosts was a band that produced music dark, brooding and demanding. Well, this doesn’t sound like that band. The tempos are faster and the songs are grittier. All the better, I say. As singer-songwriter Brad Armstrong says, “I got my radio tuned to the independent rock and roll station.”

Audio Download: 13ghosts, “Gimmie Back”

The Weight of Changing Everything, Tim Easton (from the self-released release Since 1966, Volume 1)
Easton has blessed us with two albums this year, the first a rollicking rocker and the second an acoustic gem. This track is from the latter release and is a shining example of Easton’s powerful songwriting. In a single song he deftly tackles politics, both personal and national, with a message of positive change.

Nobody’s perfect, nobody should be
Nobody can get it right every day
Maybe you happen to have some answers
Please shine your light to help us spread
The weight of changing everything.

Audio Download: Tim Easton, “The Weight of Changing Everything”

Maybe, Paul Collica (from the self-released It’s Not Me… It’s You)
I’ve always had a musical sweet tooth and this track – and album – is downright cavity-inducing. The guitars sizzle, the bass pounds and the chorus soars. Knowing that Collica recorded all the instruments himself, mostly in his home studio, is just icing on the cake. This is a sonic boom of the best kind.

Audio Download: Paul Collica, “Maybe”

Punchline, The Farewell Drifters (from the Heart Squeeze release Echo Boom)
If you like your bluegrass with a pop sensibility, this just may be the band for you. The instrumentation may say bluegrass, but the vocals and songs have a clean-cut 1960’s pop feel.

Audio Download: The Farewell Drifters, “Punchline”

American Tune, Crooked Still (from the Signature Sounds release Friends of Fall)
The Boston folk quintet celebrate their 10th anniversary with a splendid ep, placing their distinctive stamp on some cover songs and sharing a few originals. This take on the Paul Simon classic is a prime example, with Aoife O’Donovan under-stated vocals accompanied by the band’s sublime arrangement.

Audio Download: Crooked Still, “American Tune”

Message To Ya, Daryl Hall (from the Verve Forecast release Laughing Down Crying)
It’s been seven years since Hall’s last solo release and a few more than that since his last proper release with John Oates. Yet Hall hasn’t been idle, hosting a web series “Live From Daryl’s House“, a cool show that finds Hall hosting veteran and emerging artists for song and conversation. Perhaps those collaborations sparked the creative burst behind fun-loving tracks like this.

Audio Download: Daryl Hall, “Message To Ya”

I Am Trying to Break Your Heart JC Brooks & the Uptown Sound (from the Bloodshot Records release Want More)
It may seem odd for Bloodshot Records, notorious for a roster full of outstanding Americana artists, to sign a soulful old school R&B artist like Brooks. It isn’t, though, when you consider that Bloodshot’s hallmark is music as accomplished as it is authentic. Brooks fits right in when measured against that criteria. His soulful croon, matched with the rich grooves of the Uptown Sound, makes for some potent R&B. And what better introduction then to hear the band’s killer take on this Wilco classic.

Audio Stream: JC Brooks & the Uptown Sound, “I Am Trying to Break Your Heart”

Eli –
I am surprised by how much I like Mockingbird Time. Now you may be asking yourself “surprised? really? what’s wrong with this sap—it’s the Jayhawks—the original line-up with Louris and Olson back together again.” And you would be right, such a momentous reunion of one of alt. country’s defining bands and one of my personal favorites to boot would ordinarily involve me drooling for months on end awaiting the release date. The problem here being that Louris and Olson have been playing for a couple years now and recorded a duo album in 2009, the Chris Robinson produced Ready for the Flood. And I was psyched for Ready for the Flood, perhaps way too psyched, as the album was a good, but not great, set of fairly relaxed songs. My favorite part of the album may have been the cover art. So, when I heard the Jayhawks were reuniting and recording a new album, my ears perked up a little, but I wasn’t foaming at the mouth and preaching to random people in the street about its impending release.

Well maybe I should have been. Mockingbird Time features all the same hallmarks as the band’s heralded records of the 1990’s (Hollywood Town Hall, Tomorrow the Green Grass). Olson and Louris haven’t missed a beat with their achingly beautiful harmonies or their top-notch songwriting. The influences are all fairly predictable given the band’s back catalog (Neil Young, the Stones, the Kinks, The Band, etc.), but the influence I was most struck by this time around is The Beatles. Certainly the post-Olson Jayhawks veered towards a more elaborately produced pop-rock sound, but what we get here is the gruffer side of the Beatles. “Highwater Blues” and “Hey Mr. Man” strike me as the kind of songs that Lennon would have smoked 4 cigarettes and then belted out. The piano coda of “Mockingbird Time” sounds like a McCartney number, or a Harrison one, or for that matter a late-era, Lennon solo composition.

Not that any of that matters too much, because this album sounds like the Jayhawks. In other words, it sounds awesome. Check out “She Walks In So Many Ways”, “Closer to Your Side”, or “Stand Out in the Rain”, it’ll take you back to the glorious 90’s and the heyday of the alt. country revolution.

Jeff –
“Even though they haven’t made an album together as the Jayhawks in over 15 years, Mark Olson and Gary Louris have never been that far apart. They seemed to be moving back toward this reunion for a long time. First impression is, where’s Gary? He’s there for harmony and guitar, but where are his songs? It seems like Mark Olson, the absentee songwriter, has come back and replaced Gary Louris as a frontman. I’ve always been a bit more of a Gary Louris fan and the interplay between the two was never more perfect than on Tomorrow the Green Grass. The record feels a bit more like Hollywood Town Hall but not as confident.

A lot of the more poppy elements are subtle in favor of Mark Olson’s rather solid but unexciting batch of songs. Louris and Olson’s harmonies certainly shine through the mix but they don’t have the beautiful poppy hooks of “Nothing Left to Borrow” or “Blue.” Those songs were instant classics. Even compared to Rainy Day Music, Mockingbird Time seems much less assured and more tentative. It’s as though the band is getting to know itself again. Perhaps their next foray will be a bit more exciting.”

Chip –
It was suggested, when this Jayhawks tag team review was assembled, that there would be many Beatles references for Mockingbird Time. However, a contrarian’s perspective reveals a more diverse set of influences. On the Jayhawks new release, The Byrds influence is ever present with the harmonizing of Louris and Olson. However, there is also a strong Neil Young influence that comes through on songs like “High Water Blues”.

Mockingbird Time is more than a showcase of influences. The Jayhawks have expanded their sound with rich guitar textures. In prior releases, the guitar work was more understated. This time around, a melodic and at times almost psychedelic feel moves to the forefront, and enhances the characteristic vocal harmonies. Certain songs even revisit old territory. Consider “Pouring Rain at Dawn”, which conjures up memories of Hollywood Town Hall. With the release of Mockingbird Time, Louris and Olson have given their fans a welcome reunion. Fortunately, there is an obvious rejuvenation, which suggests this reunion is also a new beginning.

Audio Download: The Jayhawks, “She Walks In So Many Ways”

So who are these guys? Mark Erelli is a staple on the folk circuit, known both for his own songs and his work as an in-demand guitar sideman. He’s also got a greatest voice for Americana, with a warm and rich tone possessing the right amount of twang. Taylor and Jake Armerding, father and son, are also regulars on the New England folk scene and play the mandolin and fiddle, respectively. Rounding out the quintet are Charlie Rose on banjo and bassist Zack Hickman, the latter gentleman known for his work with Josh Ritter and a host of other artists. Let’s call ‘em a badass bluegrass quintet.

Among the originals, Erelli offers up “Charlottesville,” a song with an enchanting melody that almost overshadows the tale of a man heading South to find a new life after a failed relationship. “I wish you well, that probably don’t seem like much but we both know its true,” he sings, “of all the ways two people can fall out of love, babe, I never quit on you.” Armerding’s “Northern Rail” hums along like the train it chronicles, punctuated by some impressive solos by all of the musicians. “When you’re running away there, you ain’t gonna be looking back,” he sings in this break-up tale, “I never wanted to do it this way but there was no good reason to stay when the feelings die.”

The covers are a treat. Do you remember “I Think We’re Alone Now” by Tommy James and the Shondells, later recorded by Tiffany? Well, you’ve likely never heard it in this arrangement, with banjo and mandolin leading the charge. The percussive feel of bluegrass lends itself perfectly to Paul Simon’s “Boy in the Bubble” while the Neil Young ballad “Cowgirl in the Sand” gets re-worked with an up-tempo beat and a haunting fiddle solo. Erelli’s voice shines on a brilliant cover of Dawes’ “When My Time Comes,” maintaining the sense of longing of the original and showcases the group’s brilliant harmonies.

The group closes with a take on the Traveling Wilbury’s “Handle With Care.” It is a fitting conclusion that, true to the original, finds each of the five singers taking a turn at the microphone.

Thanks, gents, for sharing this exclusive download from the release.

Audio Download: Barnstar!, “Northern Rail”

THE PLAYLIST
I Hate the World (And Everyone In It), John Shade (from the self-released All You Love is Need)
You know that you’re in for some intelligent and clever songwriting from an artist who takes his stage name from a Vladimir Nabokov novel. Exhibit A is this track, a song that finds the protagonist moving from hopelessness to solace in a scant two minutes.

Well perhaps I’ve had a few too many, but a penny saved is only a penny,
Take a look at the world, it’s an oyster with no pearl, no caviar, no frankincense and mirth.

Cynical, yes, but sharp and incisive.

Audio Download: John Shade, “I Hate The World (And Everyone In It)”

So Easy, The ‘Mericans (from the self-released So Late It Hurts)
There’s an uneasy comfort in the ‘Mericans music. Singer-songwriter Chris Daltry sings with a vocal warmth that recalls Jeff Tweedy, surrounded by harmonies and jangly guitars from the rest of the band. The melodies and lyrics, however, have a sense of wanderlust and abandon. “From here it seems everything’s alright, but I still don’t know where nowhere is,” considers Daltry in a lyric that captures a sentiment reflective of this impressive release.

Audio Download: The ‘Mericans, “So Easy”

Try To Tell Me, The Rationales (from the self-released The Distance In-Between)
I find it humorously ironic that my DC-based comrade Tom brought this release to my attention. Why ironic? Because the band in based in Boston and regularly plays clubs in walking distance from my house. That said, I’m glad that he did. These guys know their way around a power pop hook, serving ‘em up by the barrel with choruses that stick in your head for days on end. Don’t believe me? Listen to this.

Audio Download: The Rationales, “Try To Tell Me”

Living In a Country, Rose Polenzani (from the self-released The Rabbit)
It is hard to get past Polenzani’s voice, simultaneously haunting and enlightening. Once you do, you’ll find an impressive depth to her songwriting. Her latest release is filled with evocative folk melodies, surrounded by rich harmonies and accompanied by a haunting guitar wail on this particular track.

Audio Download: Rose Polenzani, “Living In a Country”

Are You Coming Around?, The Vivs (from the self-released ep Why So Dark?)
Singer-songwriter Karen Harris writes angular pop songs that are perfectly complemented by the dark tone of her voice. Lest the songs sound too sinister, Keyboardist Terri Brosius adds some terrific harmonies to give the songs a polished sheen.

Audio Download: The Vivs, “Are You Coming Around?”

Lights Are Changing, Mary Lou Lord (from the Kill Rock Stars ep Mary Lou Lord)
There was a period in time that one couldn’t travel through Boston without finding Mary Lou Lord busking, mostly on the subway or occasionally a street corner. Lord built an exceptional reputation on the strength of these live performances, one that led to a brief ride down the major label track. Alas, it wasn’t meant to be and Lord retreated from active performing. Twas a shame, really, as she was as likely to champion her favorite songwriters’ material as she was to showcase her own impressive songs. The silver lining? She has recently launched a Kickstarter campaign in support of a new release. Not surprisingly, it will include a mix of originals and covers. I, for one, am eagerly waiting.

Audio Download: Mary Lou Lord, “Lights Are Changing”

Fast forward twelve years and the band has just released Sooner or Later, an 18-track compilation. Depending on your point of view, it is hard to imagine a better introduction to or reminder of a band that coulda, shoulda been huge.

These are perfect little pop songs, raised on sour mash and grits. With multiple singer-songwriters, each song had a different personality. Scott Miller could sing about the backwoods of his native West Virginia one minute and a rocker the next, oftentimes with tongue firmly in cheek. Mic Harrison seemed perpetually ready to rock. Throw in the ace rhythm section of bassist Paxton Sellers and and drummer Jeff Bills and this was a band that pulsed with electricity.

And here is the best part. The band is offering one lucky Twangville citizen an autographed copy of this release. To win, post a comment with your favorite artist from the band’s home state of Tennessee. A winner will be selected at random when the contest ends on Saturday, 8 October 2011 at midnight ET.**

As a special bonus, here is a track (man, those horns!) plus a vintage live performance video.

Audio Download: The V-Roys, “Amy 88″

**By participating in Twangville contests you agree to allow Twangville to post the winner’s name and city on our web site. We pass along the winning addresses to the record company or pr agency for fulfillment. Twangville will not use your address for any other reason. Contest open to US and Canadian residents.

Old Mad Joy, by The Gourds
The Gourds latest is a bit deceiving. The band has built a reputation as a bluegrass and backporch country band, but things aren’t always what they seem.

The album open as one would expect. “I Want You So Bad” is built around an accordion and a bouncing beat. “We all know that life ain’t fair,” the band sings, “but we forget it when desire becomes despair,” with the latter line sung in rich multi-part harmony.

But then things start to change. The guitars emerge and the traditional sound fades into the background. “Haunted,” the fifth track on the album, opens up into what could easily become an extended jam. Electric guitars, particularly a steel guitar, glisten as they wander around a classic southern rock riff. A steel guitar and a Southern drawl stand mostly alone as the connections to the band’s roots base.

“Ink and Grief” is a gem, a ballad both tender and bittersweet. Steel guitar and fiddle intertwine beautifully as Kevin Russell plaintively counsels, “when love is gone, carry on.”

“Your Benefit,” the closing track, reaches a pinnacle of the jam-band sound. The song has an angular chorus that is complimented by some great harmonies. The song has, dare I say it, a Grateful Dead feel. Given Jerry Garcia’s penchant for bluegrass, I suspect that the Gourds – and certainly this release – would have had his seal of approval.

Download “I Want It So Bad” here.

The Spade, by Butch Walker & the Black Widows
If there is one thing that is clear about The Spade, it is that Butch set out to have a good time. The electric guitars are a blazin’ right out of the gate on “Bodegas and Blood.” As if removing any doubt about his intentions, Walker sings “It’s days like these that keep me on my winning streak.”

“Day Drunk” raises the festivities to an epic level. The band’s harmonies on the chorus are downright aggressive, daring the listener to not break into an ear-to-ear grin. I know that I couldn’t resist.

“Suckerpunch” finds Walker lamenting a disastrous drunken bar brawl. This being Walker, of course, it crackles with a playful attitude. “I hope I said something really good just before I got suckerpunched,” he sings, “somebody’s fist took my face to lunch.”

Listen closely and you’ll hear some great pop references. “Every Single Body Else” would musically fit well on the “Rocky Horror Picture Show” soundtrack while “Synthesizers” hearkens back to the Dexy’s Midnight Runners classic “Come On Eileen.”

And then there’s “Summer of 1989,” Walker’s play on Bryan Adams’ “Summer of 1969.” In Walker terms, this track took a bit longer than usual to claw its way into my head. By that I mean it took maybe three listens, but now I can’t get it out of my head. The track finds Walker spinning tales of spirited teenage antics, “we would listen to Kiss (with rockets for fists), acting like Saturday’s fools.”

For some extra amusement, Butch and the crew leave some of the studio banter in the mix. You hear them debating the opening riff to “Bullet Belt” and coaching one another mid-song on “Suckerpunch.” The fun is infectious.

My only regret? That it wasn’t released in June as it would have been the perfect summer sunshine soundtrack. Ah well, at least it will bring me back to summer mode for a few fleeting moments.

Audio Download: Butch Walker and the Black Widows, “Summer of ’89″

THE PLAYLIST
Girl on the Beach, Jack Oblivian (from the Big Legal Mess/Fat Possum Records release Rat City)
Memphis rocker extraordinaire could almost rival Guided By Voices’ Robert Pollard in the prolific musician category. It would be easy, and in many cases true, to describe Oblivian’s output as garage rock, but that isn’t a full reflection. That is, in part, why I gravitated to this track from his latest release. The bass-infused pop melody would have been enough, but the addition of banjo, accordion and violin make the song irresistible.

Audio Download: Jack Oblivian, “Girl on the Beach”

Destroy Me, Tommy Stinson (from the Done to Death Records release One Man Mutiny)
Stinson is perhaps best known for the bands with whom he has worked throughout his career, from his formative years as a founding member of the legendary Replacements to his more recent work with Guns N’ Roses. This, only his second solo release, shows that he stands just as tall on his own. The pure emotion of this song as it builds from acoustic introduction to electric rocker is a shot in the gut. And you should buy this album for another reason: Stinson is donating half the proceeds to Timkatec, an organization that houses and educates homeless children in Haiti. Pretty damn impressive.

Audio Download: Tommy Stinson, “Destroy Me”

Never Enough, John Doe (from the Yep Roc release Keeper)
I saw John Doe in concert a few months back and he talked about the inspiration for this song. Listen to the lyrics and you can probably guess – the tv show “Hoarders.” The song reflects Doe’s antipathy toward both commercialism and reality tv. And therein lies the allure in his songs – he marries rough-hewn melodies with lyrics that don’t shy from tough topics, from social commentary to difficult relationships.

Audio Stream: John Doe, “Never Enough”

Na Na Nothing, Mike Doughty (from the Snackbar Records release Yes And Also Yes)
Former Soul Coughing principal Mike Doughty is a songwriter with a distinctive edge. You’ll hear it in his music, usually led by acoustic guitars with a percussive fringe. You’ll also hear it in his lyrics, intelligent and challenging. “Well your man won’t dance but I will, he’s just a cup of punch that you’ll spill, “he tells an apparent former lover, “You got Na Na Nothing, I found out that I’m a chump and you were cold, cold hearted to me.”

Audio Download: Mike Doughty, “Na Na Nothing”

Typhoon, Crooked Fingers (from the Merge Records release Breaks in the Armor)
“There’s a typhoon blowin’,” sings Eric Bachmann against an ominous musical backdrop. It is a potent reminder of the band’s musical prowess. Bachmann’s songwriting is raw and evocative; his voice nearly as expressive as the songs themselves.

Audio Download: Crooked Fingers, “Typhoon”

Sing Your Own Song, John Wesley Harding (from the Yep Roc release The Sound of His Own Voice)
It’s been a few years since Harding’s last album, a period that saw him focusing on Charles Jessold, Considered as a Murderer, his novel release earlier this year. Now returning to music, his latest release is an enjoyable romp from an artist who brings a literary eye to music. This track, the album opener, offers words of encouragement arguably about music but with a deeper perspective. “‘cause if you do what you like and you like what you do, then someone somewhere knows you’re there and the world may come to you.”

Audio Stream: John Wesley Harding, “Sing Your Own Song”

Late Nights with the Power Pop, Matthew Sweet (from the Missing Piece Records release Modern Art)
It’s been awhile since we’ve gotten new music from power popster Matthew Sweet. They say absence makes the heart grow fonder and this case the statement rings true. Even better, Sweet’s latest incorporates all the elements of his classics from sugary pop harmonies to scrappy dueling electric guitars. Ah the sweet sound of electric guitar (pun intended).

Audio Download: Matthew Sweet, “Late Nights with the Power Pop”

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