Women & Work, by Lucero
Lucero jumped on the major label train for their last release, 2009’s stellar 1372 Overton Park. Things didn’t go quite as planned but Lucero are a band that just won’t give up. Good thing, too, as the band are in peak form with a sound that marries their bar band roots with the soulful heritage of their native Memphis.

“Like Lightning” is a great example of how it all comes together. Rick Steff’s boogie-woogie piano opening the song before Brian Venable‘s guitar chimes in and the rhythm section of John Stubblefield and Roy Berry kick in with a heavy beat. And then there are the horns, which add real depth and character to the song.

The title track hearkens back to the bars of Lucero’s youth. A wisened Ben Nichols offers, “Now it’s one shot of women, one shot of work, one shot’s sweeter but both can hurt; Just let it go kid, just let it go.” Of course Nichols ignores his own advice on the rousing “On My Way Downtown,” pleading with a woman to meet him for a drink. “I ain’t looking for forever, I ain’t asking for your hand,” he sings, “I’m just on my way downtown, And I thought I’d take a chance.”

I love the burning intensity of “I Can’t Stand to Leave You,“ all the more so for the restraint in the band’s performance. They prove equally skilled on “It May Be Too Late,” a ballad that bristles with a southern soul.

Quite simply, Women & Work is the sound of a band kicking back and having a good time. And there is nothing wrong with that.

Audio Stream: Lucero, “Like Lightning”

(See what other members of the Twangville posse have to say about Lucero’s latest release here.)

THE PLAYLIST
See Me Through, Josh Ritter (from the Pytheas Recordings release Bringing In the Darlings)
Love, whether thriving or troubled, has been the inspiration for countless songs. On his recently released ep, Ritter carries on the tradition as he explores the crevices of a failed relationship. While it is hard to say that Ritter finds answers to his questions, there are few artists who tackle them with as much intelligence and thoughtfulness.

Where are the statues, colossal and bronze
That stood at the gates of our great love and kept watch
And now over the hills, over the horizons somebody’s army advances
I had faith in you darlin,’ even when I questioned our chances

Audio Stream: Josh Ritter, “See Me Through”

(See Jeff’s take on Josh Ritter’s latest here.)

On the Banks of the River Where I Died, Anthony D’Amato (from the self-released Paper Back Bones)
There’s a timeless quality to this track from D’Amato’s latest release, like an old folk tune reincarnated for another life. Against a rollicking beat, punctuated by harmonica and rinky-dink piano, D’Amato tells the tale of a fugitive on his last days. “Tell my wife and brothers that I’m sorry, tell my sons and daughters that I tried, all I ask is that you lay my body by the banks of the river where I died.”

Says D’Amato of the track, “I was thinking about what Woody Guthrie would be singing about if he were alive today when I wrote it. I expect he’d be happy about a lot of the progress we’ve made, but he’d sure be disappointed about how little some things have changed.”

Audio Download: Anthony D’Amato, “On the Banks of the River Where I Died”

Get Back, The Right Ons (from the Love Monk release Get Out)
This quintet from Spain knows how to rock. They’ve just unleashed a raucous new record filled with thunderous guitars and pounding beats sweetened by the right amount of vocal harmonies. And as good as they sound on record, they sound even better live. So when is the next US tour, boys?

Audio Download: The Right Ons, “Get Back”

Fourth of July, Dave Alvin (from the Yep Roc Records release Eleven Eleven Expanded Edition)
I’m usually not a fan of re-released “expanded edition” releases, even more so for albums that aren’t even a year old. I’ll make an exception for this one, though, as the bonus live cd is simply spectacular. Alvin and his band the Guilty Ones were clearly in fighting shape as they passed through Ann Arbor, MI in July 2011. They tear through selections from the latest release and a few choice Alvin classics. Here’s the crew performing one of my all-time favorite songs.

Audio Stream: Dave Alvin, “Fourth of July”

Why Would You Not Want to Go There?, Hoots & Hellmouth (from the sonaBLAST! Release Salt)
The Philly folksters offer up a study in contrasts, mixing melancholy and daydreams just as they surround acoustic guitars with an atmospheric glow.

Audio Download: Hoots & Hellmouth, “Why Would You Not Want to Go There?”

You Possess Me, Marvin Etzioni (from the Nine Mile Records release Marvin Country!)
The former Lone Justice guitarist invited an outstanding roster of friends and fellow musicians to join him on this impressive double-release. Duet partners range from Steve Earle to Lucinda Williams to Richard Thompson while the musical cast includes Buddy Miller, Gurf Morlix and Greg Leisz, among others. Pretty darn impressive. I’m partial to this track that features Etzioni’s former bandmate Marie McKee on guest vocals.

Audio Stream: Marvin Etzioni, “You Possess Me”

No Plans, Cold Chisel (from the forthcoming Warner Records release No Plans)
One of Australia’s finest rock and roll bands returns from an extended hiatus (14 years) with a powerhouse new collection. Singer Jimmy Barnes has one of those classic graveled rock and roll voices; his bandmates rock with a steady yet ferocious abandon. “I’m feeling no pain, I got no iPhone plugging into my brain, I’m hanging all alone in the sun, smoking a cigarette, no plans. Yeeeah, fuck you.”

Audio Stream: Cold Chisel, “No Plans”

Go Fly a Kite, by Ben Kweller
Kweller’s last outing was a more moody affair, however that comment can’t be made of his latest release.While there are some acoustic moments, Kweller has brought the rock. And damn it sounds good.

“Time Will Save the Day” is the song Weezer’s Rivers Cuomo wishes that he wrote; spit-fire lyrics set against bombastic guitar chords. “A problem’s a wave you gotta ride to the other side and wave bye-bye-bye.”

“Mean to Me” leads with muscular guitars, punctuated by sharp horn blasts. Yet the song also finds Kweller staying true to his power pop heritage with a quiet, harmony-soaked chorus. Meanwhile “Free” has a musical vibe that recalls the Steve Miller classics. The song has a groove-heavy beat propelled by chugging guitars.

“The Rainbow” finds Kweller in a reflective mood. “Why do I sing these songs, all of these mixtures of pain,” he sings. Piano and strings join as the song builds towards the chorus, “still I can’t figure out why I act this way, just trying to live my life day by day.” It is this moment of reflection that illustrates the strength of Kweller’s songwriting – an innate ability to be introspective and a musical restlessness that finds him constantly searching for emotional clarity in song.

Audio Download: Ben Kweller, “Mean To Me”

Sugar & the Hi-Lows, by Sugar & the Hi-Lows
The first thing that you’ll notice about the debut release of Nashville duo Sugar & the Hi-Lows is the timeless quality of their songs. These are immaculately crafted pop songs that are beautifully packaged, deftly balancing a contemporary feel with a retro-sheen.

The second thing you’ll notice are the handsome harmonies by principals Trent Dabbs and Amy Stroup. Their voices blend magnificently.

I was hooked at the gentle sway of opener “Show and Tell.” It is nearly impossible to not get lost in the song as Dabbs and Stroup let their voices glide effortlessly across the melody. A string arrangement adds an extra flourish.

“See It For Yourself” is edgy yet alluring. “You spend a life time looking when a life time is in front of your eyes,” sings Stroup while Dabbs lets loose with some jagged guitar riffs. When Stroub lets loose a wail during Dabbs guitar solo, you know that you are hearing one of those magical moments when two musicians are totally connected with the song.

“Think I Said Too Much” is noteworthy for its simplicity. A heavy beat propels the song while Dabb’s guitar sets the stage for the duo’s glossy vocals. The groove continues on “This Can’t Be the Last Time,” which finds Stroup chastising a lover.

Dabbs and Stroup announce their arrival with a release that is both fresh and inviting. Mark this down as the first stand-out debut of 2012.

Audio Download: Sugar and the Hi-Lows, “See It For Yourself”

THE PLAYLIST
Country Girl, Carolina Chocolate Drops (from the Nonesuch Records release Leaving Eden)
I have to admit that I’m late to the Carolina Chocolate Drops party. I’m finally arriving with a proper listen to their latest release. It is filled with moving acoustic music that is filled with a welcoming down-home warmth and authenticity. Some may say that it is about damn time, but I prefer to say better late then never. (See Bill’s review here.)

Audio Download: Carolina Chocolate Drops, “Country Girl”

When I Was Young, Nada Surf (from the Barsuk Records release The Stars Are Indifferent to Astronomy)
Matthew Caws just has a knack for sublime power pop hooks. While most of the band’s latest release is filled with concise rock gems, this track is a more sprawling affair. It starts as an acoustic ballad but then shifts into a mid-tempo rocker. “Now I’ve grown up, I wonder what was that world I was dreaming of,” sings Caws in a wistful reflection on the freedoms and ambitions of youth.

Audio Download: Nada Surf, “When I Was Young”

It’s All Over Now, Baby Blue, Bad Religion (from the Amnesty International release Chimes of Freedom: The Songs of Bob Dylan)

I know that some will take offense to this take on the Dylan classic. To me, however, it is a real treat. I love how Bad Religion stay true to both themselves and the song – a straight-forward rendition with the electric punch that is all Bad Religion. Note to self: listen to more Bad Religion.

Audio Stream: Bad Religion, ” It’s All Over Now, Baby Blue ”

Soul Power, Ray Ganucheau (from the self-released Ray Ganucheau and the Bande Le Rois)
What is it about New Orleans? The city just oozes with musical talent. I’ve had Ganucheau’s 2010 release in my queue for quite some time and finally gave it a spin. The interplay and balance between the instruments on this track, from the crispness of the drums to the simmering organ to the jazz-influenced piano, create a brilliant musical palate. Soul power indeed.

Audio Download: Ray Ganucheau and the Bande Le Rois, “Soul Power”

Inspiration, by Shurman
One of the things that I have always appreciated about Shurman is the ragged edge of their music. And man do they serve it up by the bucket on their latest release.

Album opener and title track “Inspiration” starts things out on a positive note, both musically and lyrically. “Let me be your inspiration,” sings Aaron Beavers alongside some mighty fine harmony vocals from the band.

“Hometown Judgment Day” is a great tale of getting fed up with gossip with one approach for dealing with it. “It seems like everyone turns to look my way, another hometown judgment day,” laments Beavers, “when the rumors start to get around, you know I got to roam.” The song has a bit of a Jackson Browne vibe a la “Running On Empty,” albeit with gloriously roughed-up edges.

Things really start cooking with “Apartment #9 Blues.” The song starts off with a restrained guitar accompanied by a cymbal-led beat but you know what’s coming. Bassist Mike Therieau’s smoldering vocals set the stage for guitars to kick the song into Stones-y overdrive. This is a song meant to be played loud.

Regular Twangville readers know of my penchant for kiss-off songs. A tip of the hat to Shurman for providing another for the collection with “Leaving Song.” “I’m sick and tired of your carrying on, I’ve had enough of your shit, you need a leaving song baby, leave right now,” they sing as the guitars wail.

If you’re in the mood for some classic rock, this will hit the spot.

Audio Download: Shurman, “Inspiration”

THE PLAYLIST
Morning Light, Jones Street Station (from the self-released ep The Understanding)
I sometimes chuckle when I recall this band’s early days as bluegrass artists. Don’t get me wrong, they did, and undoubtedly still do, play it well. It is just that there music has evolved to take on an amazing pop sophistication. They keep some of the bluegrass elements, like spectacular harmonies and a subtle banjo, but the rest is pure pop perfection.

Audio Download: Jones Street Station, “Morning Light”

Reinvent the Wheel, Highway Ghosts (from the self-released Beyond All Help)
There’s so much to like about the Highway Ghosts. From the jangly guitars to shining harmonies, there is an earnestness to their music that is downright endearing. They even make songs about the trials and tribulations of relationships charmingly infectious. “Sometimes loving you is like trying to re-invent the wheel, it shouldn’t be so hard, baby that’s how it feels.”

Audio Download: Highway Ghosts, “Reinvent the Wheel”

Radio, the Rationales
This Boston quintet caught our attention last year with a stellar power pop release. They follow it up with this catchy new single built around furious guitars and a driving beat. Keep it comin’, boys, keep it comin’!

Audio Download: The Rationales, “Radio”

Against the River, Dead Fingers (from the Fat Possum Records release Dead Fingers)
There are some songs that just radiate fun. This is one of ‘em. The duo of Kate Taylor and Taylor Hollingsworth take a simple classic rock riff and pump it up with horns and a boogie-woogie piano. “Everywhere I go, I’m yelling ‘no, I go against the flow of the river’,” they declare with a Alabama roadhouse flair.

Audio Download: Dead Fingers, “Against the River”

Oh I See, Adam Arcuragi (from the Thirty Tigers release Like A Fire That Consumes All Before It…)
Singer-songwriter Arcuragi refers to his music as “death gospel.” While one may debate the significance of the genre, it is hard to dispute the power of Arcuragi’s music. His songs command a listener’s attention. This track is a great example, driven by a percussive beat and Arcuragi’s impassioned vocals.

Audio Download: Adam Arcuragi, “Oh I See”

Temple Beautiful, Chuck Prophet (from the Yep Roc release Temple Beautiful)
Prophet pays tribute to his hometown of San Francisco. The hand-clap beat and the shouted chorus give the song a vibrant feel reflective of the city it honors.

Audio Stream: Chuck Prophet, “Temple Beautiful”

First Day on the Job, Hobart Brothers and Lil’Sis Hobart (from the Freedom Records release At Least We Have Each Other)
You gotta love the story behind this release. Three singer-songwriters gathered in a backyard one afternoon to write songs about their early days working in restaurants. Jon Dee Graham, Freedy Johnston and Susan Cowsill take the songs seriously while letting the fun shine through.

Audio Download: The Hobart Brothers and Lil’ Sis Hobart, “First Day on the Job”

Over the past year I’ve come across a few more to add to the collection. So without further ado… adieu!

Nothing At All, Maxim Ludwig
You said I wasted your time, but that’s ok ‘cause you wasted mine
Between you and nothing, I choose nothing at all.

Audio Download: Maxim Ludwig and the Santa Fe Seven, “Nothing At All”

My Little Blue One, Cowboy Mouth
I remember and try to forget
With a bottle of wine
I remember and try to forget
That the ring you’re not wearing is mine
No no no no you don’t wear it anymore
You’re gone and I don’t even think of you, my little blue one

Audio Download: Cowboy Mouth, “My Little Blue One”

(Not So) Sad, Mike Errico
The stupid things you said to me, I chalk ‘em up to history
I only hope my bitterness will fade into experience
The greatest curse I have for you is someday I hope you meet you.

Audio Download: Mike Errico, “(Not So) Sad”

Leavin’ Yesterday, John Howie, Jr.
The day you told me you were leavin’, I bet you thought you’d see me cry
When I said that I’d be grievin’, to tell the truth I told a lie.
I don’t think that I’ll stand and wait, I’m not the kind to take that bait
The fact is I’ve already said goodbye.

Audio Download: John Howie, Jr. and the Rosewood Bluff, “Leavin’ Yesterday”

Fool’s Gonna Fly, Will Hoge
Real life ain’t the movies, all bathed in black and white
Ain’t no script been written that can make this turn out right
You ain’t no Audrey Hepburn and I ain’t no leading man
But if this was a movie I’d say, “I don’t give a damn”

Audio Stream: Will Hoge, “Fools Gonna Fly”

As Long As You Don’t Come Back, Justin Currie
So I’m talking to myself, not you
and it ain’t so bad
At least I don’t put myself down

And sometimes I even sound like you,
well I know I should be making amends
but why would I do that?
when I won’t feel alone as long as you don’t come back

Audio Download: Justin Currie, “As Long As You Don’t Come Back”

You Can’t Keep Me, Amy Lavere
You can’t make me stay, I’m not your pet
I’m gonna break the chain you have tied around my neck.
I’m stomping out of here, I hope the dishes rattle down off your shelf
And if I see you first, I’ll run like hell

Audio Download: Amy Lavere, “You Can’t Keep Me”

Petered Out, Melodine
All you managed to do is ruin everything
When I bit my tongue, your words would sting
I’d like to take back from you both of those years
When I let it pass you abuse my ears, you go on and on and on… I’m petered out.

Audio Download: Melodine, “Petered Out”

You’re Breaking My Heart, Harry Nilsson
You’re breakin’ my heart, you’re tearing it apart, so fuck you

Audio Download: Harry Nilsson, “You’re Breakin’ My Heart”

Call it Off, Brian Charles
I really liked you better back when you were dumb,
now you talk while I just watch amazed at what you’ve become
the fact remains, that you have changed
I’d feel a lot better if we called it off

Audio Download: Brian Charles, “Call It Off”

You’re Breaking My Heart, Harry Nilsson
You’re breakin’ my heart, you’re tearing it apart, so fuck you

Audio Download: Harry Nilsson, “You’re Breakin’ My Heart”

And be sure to check out Part 1 and Part 2, Part 3 and Part 4 for more ways to say goodbye.

Live At Lincoln Hall, by Joe Pug
Since arriving on the singer-songwriter scene in 2008, it didn’t take long for Joe Pug to establish himself as a rising star. This live album, recorded in Chicago last spring and comprising songs from his one full-length album and two eps, is a spectacular demonstration of his songwriting prowess.

Album opener “Nobody’s Man”, from his debut ep, is a personal favorite. “I’d rather be nobody’s man than somebody’s child,” sings Pug. It is a statement of independence but not without some regret at his loneliness. “There’s an ugliness growing up inside me, from where it has come I don’t know.”

“Lock the Door Christina,” from the In the Meantime ep, serves as both a love letter and a warning. “Lock the door, Christina, I’m standing on your porch tonight,” he sings with a gentle sway.

An electric guitar joins Pug’s acoustic to give “Speak Plainly Diana” some extra punch. Not that it needs it as Pug’s lyrics pack plenty of punch already. To wit, “And when there’s too much to get rid of, and you get rid of me, speak plainly to me Diana, there’s nothing you must be.”

“Call It What You Will” finds Pug struggling with heartache. “I call today a disaster, she calls it December the 3rd,” he laments, “call it what you will, I’m heartbroken still, words are just words.”

Live At Lincoln Hall is a great introduction for those who haven’t heard him and a treat for those who already have. And with a new release shortly to follow, it is the perfect set-up for what could be Pug’s best year yet.

Audio Download: Joe Pug, “Call It What You Will”

Grand Hotel, by The Explorers Club
This talented sextet from Charleston, SC whip up a magical blend of three minute pop masterpieces. Each track is masterfully crafted, filled with spectacular musicianship and brilliant harmonies.

Lead single “Run Run Run” opens with some regal horns before giving way to a bouncy pop beat. A percussive march towards the chorus is rewarded with a blast of airy harmonies as the band sings, “I’ll run run run ‘til I get back to you, run run run, do what I have to do, run run run ‘til I get back in your arms again.”

“Anticipatin’” starts off with a guitar, piano and organ riff that recalls the opening of the Beatles “Get Back.” The opening quickly transforms into a classic pop melody that leads to a falsetto-led chorus. Throw in some tasty guitar riffs and you’ve got a feel-good classic.

Did I mention harmonies? “Go For You” brings them in full force. The song’s already head-bobbing and harmony-laden chorus reaches even higher when the horns join the fray. The fun continues with “I’ve Been Waiting,” which matches percussion and taut guitars with honeyed harmonies.

Album closer “Open the Door” starts with a bit of flamenco guitar before launching into an emotional ballad that builds towards a symphonic conclusion. This is the kind of music that makes Brian Wilson smile.

Audio Stream: The Explorers Club, “Run Run Run”

THE PLAYLIST
Abaddon Blues b/w All the Good You Lose (demo), Kasey Anderson and the Honkies
Kasey Anderson and the Honkies rocked out on 2011’s Twangville fave Heart of a Dog. But last year is so last year. A new year is upon us now and Anderson and crew have hatched plans for a new album.

Here are two tracks recorded for the album to be known as Let the Bloody Moon Rise. One is a bruising blues number with the Honkies; the other is an Anderson demo recording of a brilliant ballad.

Like what you hear? Anderson and the Honkies are going the sponsorship route to fund Let the Bloody Moon Rise. Click here for more details on the campaign and here to lend your support.

Gloryland, Kevin Gordon (from the self-released Gloryland)
Gordon is Louisiana’s answer to James McMurtry, spinning tales of weathered characters that come across as part song, part short-story. Check out the bluesy, dark and edgy title track.

Audio Download: Kevin Gordon, “Gloryland”

Bandit of Love, Jenny Dee and the Deelinquents (from the DeeVeeUs Records single Bandit of Love b/w That Moon Was Low)
For years Boston musician Jenny D’Angora has played with various punk and rock bands. Now she’s stepping out with a new outfit that pays homage to the 1960’s girl groups and their shiny pop sound. It’s retro with all the trimmings, what’s not to like?

Audio Download: Jenny Dee and the Deelinquents, “Bandit of Love”

Caught Me Thinking, Bahamas (from the Universal Republic release Barchords)
Toronto-based singer-songwriter-guitarist Afie Jurvanen, who records as Bahamas, reminds me of Harry Nilsson. His simple and airy arrangements stand in contrast to the often dark side of his lyrics. He actually pulls off a slight Caribbean feel with this track as he sings, “Back when we started, before we parted, I would wonder what would make her stay; what was I thinkin’, as if my drinkin’ was the only thing that drove her away.”

Audio Stream: Bahamas, “Caught Me Thinking”

One Voice Together, Martin Sexton (from the Kitchen Table release Fall Like Rain)
Simply put, Sexton has one of the most magical voices singing today. It is a voice soulful and smooth as molasses.

Audio Download: Martin Sexton, “One Voice Together”

A Good Feelin’ to Know, Tom Gillam (from the Great Tone Records release Rustic Beauty)
Austin by way of Philly singer-songwriter Gillam takes on the free-wheelin’ Poco classic. It is a great cover selection as it fits comfortably along side Gillam’s originals. He and his band have a relaxed feel that just makes the music fun.

Audio Download: Tom Gillam, “A Good Feelin’ to Know”

Aim For the Heart, Ruthie Foster (from the Blue Corn Music Release Let It Burn)
“When in Rome,” the old saying goes. Foster took it to heart, figuratively if not literary, with her latest release. The album came to life in New Orleans, where it was infused with the spirit of local musicians including the Funky Meters rhythm section of bassist George Porter Jr. and drummer Russell Batiste. While most of the album is covers ranging from the Band’s “It Makes No Difference” to Adele’s “Set Fire to the Rain,” Foster includes a couple of originals including this soulful track.

Audio Download: Ruthie Foster, “Aim For the Heart”

Honolulu Blues, Craig Finn (from the Vagrant Records release Clear Heart, Full Eyes)
At this point there should be little doubt that Finn is one of rock’s most literate lyricists. He puts the point on that exclamation with his debut solo release. Finn leaves the rock and roll musical bravado of the Hold Steady behind and proceeds with more subdued arrangements that shine an even brighter light on his lyrics.

We’re all good, we’re all bad
We’re euphoric and we’re sad
We roll the rock away and check the tomb

Audio Stream: Craig Finn, “Honolulu Blues”

Runaway, Imperial Teen (from the Merge Records release Feel the Sound)
The winter snow may be falling as I type this but the shimmery sounds of Imperial Teen are transporting my spirit to a summery place. The arrival of the band’s latest release, filled with upbeat melodies and bright harmonies, is a sure sign that summer will soon be upon us, right? If not, you’ll find me cranking this one by the fireplace.

Audio Download: Imperial Teen, “Runaway”

I love a good rock & roll band. Marah are a sweaty, raw, energetic rock band and I’ve been lucky enough to see them play live many times (my favorite time was at “The Tree House”, a residential living room in Tacoma Park, MD). The core of the group is Dave Bielanko, Serge Bielanko, and Christine Smith. The band has had many members come and go throughout the years but the albums have remained pretty consistent.  I’m going to take you through their catalog to pick out my favorite songs  and I have ranked each album as well.

Let’s Cut the Crap and Hook Up Later On Tonight (1998): A stellar first album. You should listen to it all the way through but here are my favorites. Rank #2

Fever

Phantom Eyes (My absolute favorite Marah song ever. This song made me want to hear everything else they have ever recorded). Also, one of my photographs is shown during this video!

Firecracker

Boat

Limb

Kids in Philly (2000): Love this record. It was fun to go to Philly and see some of the places that they sing about. Rank #3

Faraway You

Point Breeze (another favorite- listen to this song and tell me you didn’t want to dance!)

Round Eye Blues

Barstool Boys

Float Away with the Friday Night Gods (2002): Rank #9

Soul

Leaving

20,000 Streets Under the Sky (2004): Rank #5

Freedom Park

Going Thru the Motions

Tame the Tiger

Pizzeria (Serge Bielanko’s ode to pizza parlors)

Float Away Deconstructed (2005): The band decided to release “deconstructed” versions of the songs from the album “Float Away with the Friday Night Gods.” These versions are far superior in my opinion! Rank #8

Float Away (acoustic demo)

Revolution (demo)

People of the Underground (demo)

Crying on an Airplane (acoustic demo)

A Christmas Kind of Town (2005): The perfect rock & roll Christmas album! I play it every year along with Bob Dylan’s “Christmas in the Heart.” Rank #6

New York is a Christmas Kind of Town

Christmas with the Snow

Holly Jolly Christmas

Baby it’s Cold Outside

If You Didn’t Laugh… You’d Cry (2005): My favorite Marah album. It is fantastic. Listen to it now! Rank #1

The Closer (it’s okay… you can start dancing like I do every time I hear it)

City of Dreams

Sooner or Later (Serge’s best song ever)

The Demon of White Sadness

Walt Whitman Bridge (most well-known Marah song)

Angels of Destruction (2008): Rank #4

Coughing Up Blood

Old Time Tickin’ Away

Santos De Madera (this video was shot at the “Tree House” concert that I mentioned earlier- amazing show)

Songbirds

Life is a Problem (2010): Rank #7

Valley Farm Song

Life is a Problem

Put ‘em in the Graveyard

BONUS:

Kids in Amsterdam (2004)- excellent studio versions of songs from “Kids in Philly”

Sooner or Later in Spain (2006)- CD and DVD of live concerts in Spain

Now go find some Marah to listen to!!

When My Time Comes, Barnstar! (from the self-released C’Mon!)
I somehow missed this song when it was released on Dawes’ debut back in 2009. My bad. I’ve corrected that now thanks to the guys in Barnstar! Even better, they’ve taken an already great song and made it even greater. Even Dawes agrees.

Audio Stream: Barnstar!, “When My Time Comes”

Time Spent in LA, Dawes (from the ATO Records release Nothing Is Wrong)
The best songs do more than catch one’s ear, they create an experience that takes you away from where you are. The fact that this song is about Los Angeles misses the point. The melancholy of melody and lyric becomes a destination of its own. “You got that special kind of sadness, you got that tragic set of charms, that only comes from time spent in Los Angeles, makes me wanna wrap you in my arms.”

Audio Stream: Dawes, “Time Spent In Los Angeles”

More Like Them, Lydia Loveless (from the Bloodshot Records release Indestructible Machine)
If you had any doubts that Loveless was a free — and feisty — spirit, look no further than this song.

Why can’t I be more like them, the kind of people who feel sad when relationships end
Well honey I don’t want you now, but it’s not about him
Why can’t I be more like them

Audio Stream: Lydia Loveless, “More Like Them”

The Understanding, Jones Street Station
If you’re going to release only one song in a year, it had better be a good one. By that standard, this Brooklyn quintet doesn’t disappoint. What starts with some quiet harmonies and an acoustic guitar builds into a pop song of epic proportions.

Turn to a stranger, take her hand, then you’ll understand. Where are my friends who are lost and alone. May they find their way back home.

Audio Download: Jones Street Station, “The Understanding”

Mannequin Man, Kingsley Flood (from the self-released ep Colder Still)

I was born to be a mover, not a mannequin man
Sworn to shake the sugar, not like a mannequin man
I’ll be damn before you take me like a mannequin man

Audio Stream: Kingsley Flood, “Mannequin Man”

Daydrunk, Butch Walker and the Black Widows (from the Dangerbird Records release The Spade)
I went back and forth between this track and “Summer of ’89.” It was a photo finish to say the least. In typical Walker fashion, this song is a power pop slap in the face – loud, brash and totally awesome.

Audio Stream: Butch Walker and the Black Widows, “Day Drunk”

Stopping By, Jason Isbell and the 400 Unit (from the Lightning Rod Records release Here We Rest)
Isbell is at his best when he explores the thoughts and emotions of troubled characters. He has an innate ability to provide an honest portrayal that captures the tension in both lyric and music. This track is a prime example, the tale of a child making a surprise visit to an estranged father.

I think the best of me’s still standing in the doorway
Counting cars and counting days and counting years
I could say you made me go through life the hard way
But it might’ve been worse if you were here…

Audio Stream: Jason Isbell and the 400 Unit, “Stopping By”

No Easy Way Out, The Duke and the King (from the So Recordings release The Duke and the King)
I was first enchanted by the sense of wanderlust that permeates this song. Repeated listens, however, showcase the band’s impressively nuanced musicianship.

Audio Stream: The Duke and the King, “No Easy Way Out”

Guilty Girls, Buffalo Tom (from the Scrawny Records release Skins)
From the opening guitar riff to the final fade, the band impeccably combines sparkling harmonies with an edgy rock sound. This is the kind of song that was made to be played loud. And often.

Audio Stream: Buffalo Tom, “Guilty Girls”

Maybe, Paul Collica (from the self-released It’s Not Me, It’s You )
This is a great high-energy power pop song but that’s not the sole reason that it is on this list. Collica infuses the song with a sonic quality that should make many “top 40″ artists green with envy. All the more impressive, he wrote, performed and produced it entirely on his own.

Audio Download: Paul Collica, “Maybe”

Best of 2011

1. THE DECEMBERISTS, The King Is Dead [★★★★★/4.700]
   
   Album number 6 for the Portland, OR based group. A slight departure from previous concept albums featuring cameos by Peter Buck and Gillian Welch. Post-Appalachian influences reign in this pop-infused, folk-rock barnstormer. This is my favorite so far by The Decemberists. Standouts: Calamity Song, Rox in the Box, January Hymn, Down By The Water, June Hymn, This Is Why We Fight, Dear Avery
2. BUTCH WALKER & THE BLACK WIDOWS, The Spade [★★★★★/4.700]
   
   Standouts: Bodegas And Blood, Every Single Body Else, Summer of ’89, Synthesizers, Dublin Crow, Bullet Belt, Suckerpunch
3. THE DAMNWELLS, No One Listens To The Band Anymore [★★★★★/4.583]
   
   Last time around The Damnwells gave away One Last Century for free. This time, the fans gave back by fully funding No One Listens To The Band Anymore. While the band makeup has changed over the years, anchors Alex Dezen and Ted Hudson keep things going strong. Densely layered guitars and thoughtful lyrics continue to define the distinctly Damnwell sound. It’s hard to believe these guys aren’t a household name. Standouts: No One Listens To The Band Anymore, She Goes Around, Werewolves, Let’s Be Civilized, Death Defier, Last Day Of The New Age, The Experts
4. WILL HOGE, Number Seven [★★★★/4.545]
   
   Will Hoge’s seventh studio album, aptly titled “Number Seven”, is countrier sounding than I remember him to be. He’s still the big rocker I’ve come to love but he’s noticeably dialed up the twang on this on. I seem to recall a tour with Jason Isbell a few years back. One can only guess those two big time talents fed of each other. “Number Seven” certainly seems like it takes influence from Isbell and the 400 Unit in a grand way. With themes of mortality and a title that references the number seven you can tell Hoge is counting his blessings following a near-fatal motorcycle accident in 2008. His previous release “The Wreckage” was nearly complete before the accident which means “Number Seven” may not be reflective of the timeliness of that event but it certainly is in terms of an appreciation of life and a song called “Too Old To Die Young”. There’s a number of standouts here but it’s “Goddam California” that takes the podium for me with its angst driven vocals and underlying steel pedal. Keep ‘em coming, Mr. Hoge, the road before you is paved in gold. Standouts: Too Old To Die Young, Goddam California, The Illegal Line, Nothing To Lose, No Man’s Land, When I Get My Wings
5. JASON ISBELL & THE 400 UNIT, Here We Rest [★★★★/4.455]
   
   His third album since parting ways with the Drive-by Truckers and second with band The 400 Unit. The album title, Here We Rest, takes it’s name from the original Alabama state motto. Like his former band, Isbell continually pays homage to his home state and the Muscle Shoals sound. This record pours on the soul to a higher degree than we’ve seen thus far. Therefore, it’s not as rockin’ as the previous self-titled album but it’s strength is in its range. Isbell is now, more than ever, in control of his destiny to rule the alt-country airwaves. Standouts: Alabama Pines, Go It Alone, Codeine, Stopping By, Heart On A String
6. SOCIAL DISTORTION, Hard Times and Nursery Rhymes [★★★★/4.455]
   
   Seven years since their last album, Hard Times and Nursery Rhymes marks the band’s seventh studio album and first for Epitaph Records. The Hank Williams cover “Alone and Forsaken” anchors the rest with a more countrified sound than we’ve heard so far from the punk rooted, SoCal band. This album has it all. Rock, blues, soul – it’s rock and roll the way it’s supposed to be. Standouts: Gimme The Sweet And Lowdown, Machine Gun Blues, Far Side of Nowhere, Alone and Forsaken, Still Alive
7. BRETT DENNEN, Loverboy [★★★★/4.429]
   
   With his 4th studio album Brett Dennen is exuding confidence. He’s set aside more serious subject matters to create a toe-tappin, feel-good album that celebrates life to the fullest. Musically you’ll hear touches of reggae and funk with catchy pop hooks that stick in your head in a good way. This is his most fun album to date and I’ll my favorite thus far. Standouts: Surprise, Surprise, Dancing At A Funeral, Comeback Kid (That’s My Dog), Sydney (I’ll Come Running), Make You Fall In Love With Me, Only Rain, Little Cosmic Girl
8. GLOSSARY, Long Live All Of Us [★★★★/4.417]
   
   Standouts: Trouble Won’t Last Always, A Shoulder To Cry On, The Flood, When We Were Wicked, Heart Full Of Wanna, Keep It Coming, Cheap Wooden Cross
9. FLEET FOXES, Helplessness Blues [★★★★/4.417]
   
   Helplessness Blues is the follow-up recording to their self-titled release in 2008 which lit up the charts and gained a gold rating by year’s end. The band lives up to high expectations with this one while adding a ton of new instrumentation including rarities like the tympani, marxophone, zither, and Tibetan singing bowls (what!?). Like My Morning Jacket, Fleet Foxes has a unique way of channeling folk rock of the mid 60s to early 70s. Easy parallels can be drawn to the Beach Boys, Van Morrison, and most notably Crosby, Stills, Nash & Young. Play it loud. Standouts: Bedouin Dress, Sim Sala Bim, Helplessness Blues, Someone You’d Admire, The Shrine / An Argument, Grown Ocean
10. WILCO, The Whole Love [★★★★/4.417]
    
    Standouts: I Might, Dawned On Me, Born Alone, Capitol City, Standing O, Whole Love
11. JAMES MADDOCK, Wake Up And Dream [★★★★/4.333]
    This is Maddock’s one-two punch. After taking a near decade long hiatus after a successful rise as the front-man to the band Wood, James Maddock has released two amazing albums in less than two years. If all that time was spent pulling together Sunrise on Avenue C and Wake Up And Dream then it was worth the wait. His latest, Wake Up And Dream is full of colorful love stories like “Beautiful Now” which proclaims “you were beautiful then, but you’re way more beautiful now”. One of America’s great singer/songwriters is back and hopefully there’s no stopping him now. Standouts: Beautiful Now, Stella’s Driving, Mr. Universe, Positive
12. MARC BROUSSARD, Marc Broussard [★★★★/4.400]
    The fifth studio album from Louisiana’s Marc Broussard shows an artist who has perfected his vocals but still trying to find his voice. At it’s best it’s weak-in-the-knee, soulful R&B with powerful hooks. The kind of sound that would turn the head of John Legend. At it’s worst it’s over-produced, sugary music that’s a little hard to pin down. It’s missing is some of authenticity we heard in Carencro. Still, I can’t help but love everything Broussard creates so while not his best, it’s pure listening joy. Standouts: Lucky, Only Everything, Our Big Mistake, Bleeding Heart
13. OLD 97S, The Grand Theatre, Vol. 2 [★★★★/4.308]
    This is side two of last year’s full length originally conceived of as a double album. The band says that releasing with time in between afforded them time to adjust the songs and add a few more. Good call. Most reviews I’ve read have pinned Vol. 2 as slightly lesser than Vol. 1. I’ll be the first to say I think this is the better album. Put the two together and you’ve got a great set. “Bright Spark” is worth the album cost alone with its pounding drums, warbling guitar, and raucous vocals. It’s a good thing they’re still going strong after 20 years with their unique power-pop meets folk-punk approach to rock and roll. Standouts: Perfume, No Simple Machine, Bright Spark (See What I Mean), You Call It Rain
14. RYAN ADAMS, Ashes & Fire [★★★★/4.273]
    Standouts: Ashes & Fire, Do I Wait, Chains Of Love
15. TEDDY THOMPSON, Bella [★★★★/4.273]
    Thompson recorded his fifth album in New York City. His vocal styling is reminiscent of Roy Orbison or more recently Raul Malo. Lyrically he’s been better but the pristine string arrangements and rich country-pop melodies make for a tremendous album. Standouts: Looking For A Girl, I Feel, The Next One, The One I Can’t Have
16. LUCINDA WILLIAMS, Blessed [★★★★/4.250]
    Guest appearances by Matthew Sweet (vocals) and Elvis Costello (guitar) with help from Grammy Award-winning producer Don Was. Album includes Grammy nominated Kiss Like Your Kiss (Best Song written for motion picture, television or other visual media) from the True Blood: Music From The HBO Original Series – Volume 2 album. Rockers like Buttercup an Seeing Black are amongst the best we’ve heard from her in ass-kicking mode. Absolutely marvelous. Standouts: Buttercup, Copenhagen, Seeing Black
17. MY MORNING JACKET, Circuital [★★★★/4.200]
    If there’s anyone out there redefining classic rock it’s Jim James and My Morning Jacket. Circuital the band’s sixth LP takes me back to 70′s era Pink Floyd where sound was used to paint vivid pictures of voyages we could only have in our minds. MMJ conjures up the similar dreamscapes with Circuital. We’ve seen this in this decade from bands like Radiohead and the Flaming Lips but neither carry the authenticity to 70′s psychedelia that Kentucky’s MMJ does. Sometimes you don’t recognize brilliance until you seek to understand. That said, I haven’t found the same kind of thread you’ll find in Pink Floyd era concept albums that may have put Circuital over the top. Still, this album rocks. Standouts: Circuital, First Light, You May Wanna Freak Out
18. KASEY ANDERSON, Heart of a Dog [★★★★/4.182]
    The fifth album for the Seattle-based artist and first with new band, The Honkies. Pounding rock and roll abounds with the new players. An amazing follow up to “Nowhere Nights”. There’s so much to love with the energy and attitude of this record. Standouts: Mercy, Exit Ghost, Sirens and Thunder, My Baby’s A Wrecking Ball, Save It For Later
19. TEDESCHI TRUCKS BAND, Revelator [★★★★/4.167]
    I don’t know what took so long for Susan Tedeschi to formally join her husband’s band but the dream is finally here. With pipes like Bonnie Raitt and a backing band that rivals Derek Trucks former stint with the Allman Brothers the combination is glorious – just like you’d imagine. Both Tedeschi and Trucks boast songwriting credits with help from notables such as John Leventhal, Sonya Kitchell, Gary Louris, Oliver Wood, Doyle Bramhall II, and more. I only wish there were a few more tracks like “Love Has Something Else to Say” where Tedeschi’s wails are backed by wah-wahs and horns. Let’s hope this is the first of many. Standouts: Come See About Me, Bound For Glory, Love Has Something Else To Say
20. AMOS LEE, Mission Bell [★★★★/4.167]
    The fourth album on EMI’s Blue Note Records for the Philly-based, Amos Lee. This album reminds me of Ray Lamontagne’s “God Willin’…” release last year in that a little more depth goes a long, long way. The Calexico-backing and guest additions like Lucinda Williams and Willie Nelson send the soulful Lee into orbit. Standouts: Cup of Sorrow, Flower, Windows Are Rolled Down
21. TELEKINESIS, 12 Desperate Straight Lines [★★★★/4.167]
    Drummer Michael Benjamin Lerner heads up the Seattle-based band. Big bass, meaty drums, and pop sensibilities reminiscent of the late 80s (think Cure or Janes Addition). Sure to be among the best indie-pop selections of the year. Standouts: You Turn Clear In The Sun, Fever Chill, Gotta Get It Right Now
22. GILLIAN WELCH, The Harrow & The Harvest [★★★★/4.100]
    There’s no doubt careful thought was put into the title of the first album in 8 years from Gillian Welch and long-time compadre, David Rawlings. The two allegedly produced two or three albums worth of songs since 2003′s Soul Journey but weren’t happy with what they’re results. Thus when they finally settled on The Harrow & The Harvest, a bounty of 10 new songs emerged for us to feast on. I’d say it was worth the wait.With The Harrow & The Harvest, Welch and Rawlings stay true to form. Images of dust bowl era struggles still emerge with each track. There’s nothing uplifting about these songs. If anything the pain of each track serves to let the music be the elixir to conquer the sadness and distress painted in each song. Standouts: The Way It Goes, Tennessee
23. STEVE EARLE, I’ll Never Get Out Of This World Alive [★★★★/4.091]
    On his 14th studio album, Earle enlists T Bone Burnett to produce his first collection of original material since Grammy award winning album (Best Folk/Americana Album) Washington Square Serenade. The result is a precisely crafted body of work that represents the Steve Earle we’ve come to know and love. He’s still singining about outlaws and finds ways to talk about current issues like oil wells in the Gulf (“The Gulf of Mexico”) in ways others aren’t. “God is God” previously written for Joan Baez which she originally recorded in 2008 is a particular highlight. Standouts: The Gulf Of Mexico, God is God
24. MATT THE ELECTRICIAN, Accidental Thief [★★★★/4.083]
    I first saw former electrician, Matt Sever, at the Saxon Pub in Austin opening for Bob Schneider. It didn’t take long for his music to be on constant rotation at the house. He’s got to be one of the best songwriters around and it’s hard not to like his light-hearted acoustic approach to making music. Long known as a humble family man, his artist wife and two kids pitched in make a video to raise money on Kickstarter to fund the newest album, Accidental Thief. At last look they tripled their goal of $8k and made a second video for album track “All I Know”. Consistent with anything he’s ever done, the result is a crowd pleaser for sure. Standouts: All I Know, Ghost Story
25. FRANK TURNER, England Keep My Bones [★★★★/4.083]
    England Keep My Bones, the 4th solo album from Frank Turner, is about “mortality” and “Englishness” according to the artist – hence the Shakespeare inspired album title. At it’s best it is the kind of energetic, fist-pumping album you’d want to play after watching your favorite football team score the winner. Channeling Colin Meloy (Decemberists), “Rivers” offers a softer, acoustic contrast to much of the shouting heard through most of the album. Standouts: I Am Disappeared, Redemption
26. EILEN JEWELL, Queen Of The Minor Key [★★★★/4.071]
    Boston-based Eilen Jewell has had my attention for some time now. If you take the painful songwriting of Lucinda Williams, the sugary vocal styling of Norah Jones, and the country-fried soul of Shelby Lynne and tossed it in a blender you’d get Eilen Jewell. A writers block allegedly prompted Boston-based Jewell to head to a quiet cabin in her native Idaho to write for Queen of the Minor Key. The result is pure magic. Supported by her amazing band comprised of Jason Beek (vocals, drums, purcussion), Jerry Miller (acoustic guitar, electric and pedal steel guitar) and Jonny Sciascia (upright bass) the album pulls in traditional country, 60s-inspired surf music, and folk noir. The result will knock your socks off. Standouts: Queen Of The Minor Key, That’s Where I’m Goin, Warning Signs, Hooked
27. DRIVE-BY TRUCKERS, Go-Go Boots [★★★★/4.071]
    There’s lots to love about the Drive-by Truckers eleventh album, Go-Go Boots. The murder ballads paint dark but vivid pictures of deceit and wrong-doing that no other band but the DBTs could compose in such a perfectly poetic southern drawl. A return to the Muscle Shoals soulful sound they adopted in recordings with Bettye LaVette and Booker T. Jones adds an layer of brilliance to this recording that I hope sticks around for a while. Standouts: Everybody Needs Love, Used To Be A Cop, Mercy Buckets
28. LIAM FINN, FOMO [★★★★/4.000]
    When I caught Liam Finn at SXSW the same year as his brilliant debut “I’ll Be Lightning” I saw a future music icon in the flesh. He was playing the drum kit the same way Jack White plays guitar all while maintaining a pop melody with his vocals. Think Elliott Smith behind the microphone. He waited three years before releasing “FOMO” his sophomore release but it was well worth the wait. If “I’ll Be Lightning” was set to prove himself, “FOMO” aka “fear of missing out” proves he’s having fun. Standouts: Don’t Even Know Your Name, Reckless, Chase The Seasons
29. MATTHEW RYAN, I Recall Standing As Though Nothing Could Fall [★★★★/4.000]
    This is the 13th album from Matthew Ryan whose songwriting keeps getting better and better with each release. Number thirteen is filled with politically and socially charged reflections upon current events and casual discussions with friends as described by the artist. From what I can tell, this is Ryan’s Ghost of Tom Joad (Springsteen) in that it’s filled with hazy and gray narratives that just needed to be told in these colorful times. The drum machine gets to me in parts but the must-be Edge-inspired (U2) guitar riffs heard on Hey Kid and All Hail The Kings Of Trash make up for it. “All Of That Means Nothing Now” which thematically could have fit on the previous album, Dear Lover, with it’s talk of heartbreak is one of the best tracks of the year. Standouts: Hey Kid, All Of That Means Nothing Now, Here Comes The Snow
30. R.E.M., Collapse Into Now [★★★★/4.000]
    Their 15th studio album with a career spanning three decades as a band. “Collapse Into Now” is less like “Accelerate” and more like “Out of Time” in that there are quirky songs like “Alligator_Aviator_Autopilot_Antimatter”, “That Someone Is You”, “Me, Marlon Brando, Marlon Brando And I”. Finer moments include a collaboration with Eddie Vedder on “It Happened Today” and the weightless voyage of “ÜBerlin”. A solid release but not quite the rocker that “Accelerate” was to this reviewers dismay. Standouts: All The Best, ÜBerlin, It Happened Today
31. THE STROKES, Angles [★★★★/4.000]
    With their fourth full-length and first in four years, The Strokes are back and they’ve taken some chances. Sprinkled through out are late seventies guitar riffs and beats from the eighties. This is the closest I’ve heard a band get to The Cars in years. Standouts: Under Cover of Darkness, Two Kinds of Happiness, Taken For A Fool
32. MOUNT MORIAH, Mount Moriah [★★★★/4.000]
    Out of North Carolina we find Jenks Miller and Heather McEntire together as Mount Moriah. There’s everything to love about this band. McEntire sings from the gut, heart, and brain (the triad) with tinny guitars, crisp percussion, and melancholy organ setting the foundation for an amazing americana / folk sound. They almost have a Manchester quality about them but with a glorious twang. Keep them on the radar. Standouts: Social Wedding Rings, Lament
33. ZOE MUTH & THE LOST HIGH ROLLERS, Starlight Hotel [★★★★/4.000]
    This is the second release from Seattle-based, Zoe Muth. She’s the kind of artist who could play honky-tonk one minute and transition to a pop number seamlessly. Wisdom far beyond her years emanates from her solemn words and comforting vocals. She sits comfortably among other young artists like Caitlin Rose and Eileen Jewel. Credits don’t belong to her alone, her band The Lost High Rollers take Starlight Hotel to the next level especially the pedal steel played by Dave Harmonson. Standouts: Whatever’s Left, Come Inside
34. THE WAILIN’ JENNYS, Bright Morning Stars [★★★★/3.923]
    Jazz vocalist Heather Masse joins Ruth Moody and Nicky Meht as the third Jenny in their first studio album in 5 years. Each contributed 4 songs each for a total of 12 original songs plus the album’s namesake “Bright Morning Stars” a traditional folk song. Masse, Moody, and Meht offer a unique authenticity to the record since all three sing, write, and play instruments. Sweeter and sweeter with each listen. Standout: Bright Morning Stars
35. THE ONLY SONS, American Stranger [★★★★/3.917]
    Third full-length album from the Murfreesboro-based group with Joey Kneiser of Glossary on board to help produce the record. Screaming guitar chords and precisely restrained vocals by Kent Goolsby prevail in this powerful southern rock record. Standouts: Put Up a Fight, Gone Down Swinging
36. HOTEL LIGHTS, Girl Graffiti [★★★★/3.909]
    Hotel Lights is new to me but apparently they’ve been around since 2003 and have had songs featured on Grey’s Anatomy and One Tree Hill. The band was formed by former Ben Folds Five drummer and songwriter Darren Jessee and borrows Jay Brown (bass) and Zeke Hutchins (drums) from Tift Merritt’s band. Jessee gets songwriting credits for BFF’s hit “Brick” and similarly applies that experience on Girl Graffiti with “My Asshole Friends”. That may be were comparisons end. Girl Graffiti is far more ethereal and sublime than we’ve heard from his time with BFF. I’m drawn to pop tracks “Falling Down” and “My Pretty Quirk” which have a Elliott Smith meets Nada Surf vibe to them. A great addition to the Fall lineup. Standouts: Falling Down
37. RECKLESS KELLY, Good Luck & True Love [★★★★/3.900]
    This is the ninth album from the Texas-based Reckless Kelly and first release with new material since 2008′s Bulletproof. More recently the produced a tribute to songwriter Pinto Bennett titled Somewhere In Time (2008). Fifteen years after forming the band they are ditching their label and trying it on their own. It’s not quite the rocker that we heard with Bulletproof nor as country as Somewhere in Time. Where Good Luck & True Love lacks edge it makes up for with thoughtful songwriting, solid musicianship, and twang the way it should be played. Reckless Kelly remains one of the best rock & country bands around.
38. THE V-ROYS, Sooner Or Later [★★★★/3.889]
    Standouts: Mary, Fade Away
39. PJ HARVEY, Let England Shake [★★★★/3.833]
    Recorded in a church on a cliff-top overlooking the sea this record takes a look at England, its people, and its history of conflict. I guess you could call it a move from personal introspection to that of her home country. It ended a bit flat for me but a nice surprise overall since I hadn’t really sat down and listened to PJ Harvey in nearly 20 years. Standout: Bitter Branches
40. JOHN HIATT, Dirty Jeans And Mudslide Hymns [★★★★/3.818]
    Two things ring true about John Hiatt’s 20th solo album, Dirty Jeans And Mudslide Hymns… 1) he makes a less than perfect world lovable and 2) he’s still a badass – no surprises here. While I’m not as fond of Dirty Jeans… as I am Master of Disaster, a personal favorite, it stands among his best work. Standout: Adios To California
41. MATT WOODS, The Matt Woods Manifesto [★★★★/3.75]
    Matt Woods is described as the kind of musician we love here at Twangville. He’s characterized as a hard-working and unrelenting but also a nice guy to be around who just loves playing music. The Knoxville-based artist marks a turn in his career from pop-rocker to hard twanger with The Matt Woods Manifesto. He and the band follow the righteous path of Steve Earle, The Drive-by Truckers and Scott Miller with his heartfelt lyrics and the band’s punishing rock. If this manifesto is a proclamation of things to come I hope he and the band stick to the plan. Great stuff! Standout: A Broken Heart
42. RAPHAEL SAADIQ, Stone Rollin’ [★★★★/3.700]
    Twangville readers will appreciate Raphael Saadiq’s 5th album as being somewhere between Sharon Jones & The Dap Kings and Eli “Paperboy” Reed. The former Tony! Toni! Toné! singer and bassist takes 60′s Motown and 70′s Philly soul and gives it a new twist. For lack of a better reference I’d call it neoclassical soul. Saadiq plays bass, mellotron, keys, guitar, percussion and drums on most songs on the album. That’s no small feat. Listen for guest appearance by Robert Randolph on “Day Dreams”. It’s among the best R&B albums of the year for me. Standouts: Stone Rollin’, Day Dreams
43. AMERICAN GUN, Therapy [★★★★/3.700]
    The Columbia, SC based foursome’s fourth full-length underscores why they’ve opened for bands like Lucero, The Avett Brothers and Jason Isbell – they rock! Previous albums highlighted their twangy roots. This one features heavy layering of boisterous instrumentation and powerful lyrics. The title says it best, rock and roll is the best therapy. Standout: Moving On Down The Line
44. TOMMY KEENE, Behind The Parade [★★★★/3.700]
    Tommy Keene is one of the greatest living guitarists. His jangly sounding power-pop is the aural equivalent of a Jackson Pollock painting – it’s nothing and everything at the same time. The sound calls to mind The Byrds and in more recent times reminiscent of Matthew Sweet’s work. While the desirable guitarist has played alongside Robert Pollard and Paul Westerberg, Behind The Parade shows Keene is his own man and musician. The vocals largely take a back seat to the music but that’s not entirely a bad thing.
45. THE DUKE & THE KING, The Duke & The King [★★★★/3.667]
    The Duke & The King is a four-piece outfit led by Simone Felice of the Felice Brothers and Robert ‘Chicken’ Burke. The self-titled album is like a post-modern revival of 70′s era peaceful, easy, feeling folk rock harmonies and all. Each song is in a twisted way reminiscent of classic bands like Crosby, Stills, and Nash, The Eagles, Lou Reed, and even the Bee Gees. Each member takes a turn at vocals to add a nice variety to the album. A few songs drag on but it’s an otherwise powerful album. Standout: Shine On You
46. THE GROWNUP NOISE, This Time With Feeling [★★★★/3.500]
    Story has it that Paul Hansen (guitar/vocals) and Adam Sankowski (bass/vocals) formed The Grownup Noise back in 2005 when the two attended Berklee College of Music. The Boston-based band delivers a solid folk-pop effort with melodic poise and painterly lyrics. Katie Franich (cello) adds a nice touch with her soft vocals and moody strings.
47. CAITLIN ROSE, Own Side Now [★★★★/3.500]
    The first full-length album for the Nashville-based artist. A bit of a throw-back in vocal style, much like Eilen Jewell. She’s been touring with Justin Townes Earle. Standout: Shanghai Cigarettes
48. SCOTTY ALAN, Wreck And The Mess [★★★/3.467]
49. BLACKIE & THE RODEO KINGS, Kings & Queens [★★★/3.429]
50. DAVID WAX MUSEUM, Everything Is Saved [★★★/3.417]
51. THE RATIONALES, The Distance In Between [★★★/3.400]
52. BROTHERS THROUGH THE HILL, Adelaide [★★★/3.400]
53. RICHARD ASHCROFT, United Nations Of Sound [★★★/3.385]
54. THE LATEBIRDS, Last Of The Good Ol’ Days [★★★/3.385]
55. BODEANS, Indigo Dreams [★★★/3.308]
56. THE FELICE BROTHERS, Celebration, Florida [★★★/3.182]
57. NICK 13, Nick 13 [★★★/3.000]
58. DOPP & THE INSIDE OUTLAWS, What Am I Supposed To Do [★★★/3.000]
59. PLAIN & SIMPLE, Bipolar 101 [★★★/3.000]
60. GRANT PEEPLES, Okra And Ecclesiastes [★★★/3.000]
61. NOT WAVING BUT DROWNING, Processional [★★★/2.917]
62. D. CHARLES SPEER & THE HELIX, Leaving The Commonwealth [★★★/2.889]
63. GRAVETOWN, Red River [★★★/2.667]
64. CONNIE KIS ANDERSEN, Connie Kis Andersen [★★★/2.583]
65. ZACHARY CALE, Noise of Welcome [★★/2.417]

Best EPs of 2011

1. CARRIE RODRIGUEZ AND BEN KYLE, We Still Love Our Country [★★★★/4.000]
   
   Duo teams up to deliver an EP of covers and originals. The two compliment each other well. One can only hope the EP will lead to a full-length with roots music this good. Standouts: Your Lonely Heart (Kyle), My Baby’s Gone (Hazel Houser)
2. SIDEWALK DAVE, Can’t Be Your Friend [★★★★/3.500]
   Every good night out ends with a good story. “Sidewalk Dave” Van Witt and his booze buds turn these stories into song. Add some Telecaster and Wurlitzer and you’ve got a rockin’ EP. I look forward to more from this crew.
3. POI DOG PONDERING, Audio Love Letter [★★★/3.429]
4. FRANK VIELE & THE MANHATTAN PROJECT, Acoustic Vudu [★★★/3.400]
5. THE LONGWALLS, Careers in Science [★★★/3.375]
6. CARELESS HEARTS, Three Songs [★★★/3.333]
7. LADYTOWN, Darling [★★★/2.857]

Best Compilations of 2011

1. VARIOUS ARTISTS, Rave On Buddy Holly [★★★/4.053]
   
   A fitting tribute for a man who created a huge catalog of music in his far too short lifetime. Contributions include She and Him, Justin Townes Earle, and My Morning Jacket to name a few. I can only imagine that Buddy Holly is smiling somewhere. Standouts: (You’re So Square) Baby, I Don’t Care (Cee Lo Green), Heartbeat (The Detroit Cobras), I’m Gonna Love You Too (Jenny O.), Maybe Baby (Justin Townes Earle), Oh Boy! (She and Him)
2. VARIOUS ARTISTS, Joey’s Song: Volume 1 [★★★/3.438]
   A compilation in honor of the life of Joey Gomoll who passed tragically at age 4. Proceeds go to The Joseph Gomoll Foundation a group working to raise awareness and to fight epilepsy. The foundation plans to release more and reports to have over 80 artists committed. This release features greats like Tim Easton, Justin Currie, Slaid Cleaves, and more. Standouts: If Your Tears Don’t Make A Sound (Del Amitri), People Got A Lotta Nerve (Neko Case)
3. VARIOUS ARTISTS, Sounds Like Brisbane [★★★/3.353]
4. VARIOUS ARTISTS, I Love: Tom T. Hall’s Songs of Fox Hollow [★★★/3.091]

Best Live Album of 2011

1. SLAID CLEAVES, Sorrow And Smoke [★★★★/4.091]
   
   In his twenty years in Austin (by way of Portland, ME) Slaid Cleaves has never released a live album. That would be a shame if it weren’t for the 2 disc / 22 track “Sorrow And Smoke”. If the man wasn’t authentic enough he one ups himself by recording the live set in the very “Horseshoe Lounge” that inspired him to write a song in 2000. Drink clinks and bar banter paint a picture of the setting for these 90 minutes captured in time. The recording of vocals and acoustic guitar are quite remarkable. Every subtle detail is captured. Oliver Steck’s contributions on accordion, harmonica, and trumpet are an added bonus. Standouts: One Good Year, Horseshoe Lounge, Below

Best Greatest Hits of 2011

1. DRIVE-BY TRUCKERS, Ugly Buildings, Whores & Politicans: Greatest Hits 1998-2009 [★★★★/4.750]
   
   Sixteen songs on one album by one of the greatest Southern rock bands of all time. Daaaaaamn! Alone Patterson Hood, Mike Cooley, and Jason Isbell are among the greatest songwriters living today. To have them all back on the same record is amazing even if it is old material. When you add their screaming guitars and the rest of the band you have alt-country bliss. There’s not a bad song on the album but I may have substituted Uncle Frank and A World of Hurt with The Day John Henry Died and Puttin’ People On The Moon Standouts: The Living Bubba, Ronnie and Neil, Zip City, Let There Be Rock, Marry Me, Sink Hole, Carl Perkins’ Cadillac, Outfit, Gravity’s Gone, Never Gonna Change, 3 Dimes Down, Lookout Mountain
2. PAUL KELLY, Songs From The South: Greatest Hits [★★★★/3.975]
   I’ve been trying to figure out the best comparison for Australia’s legendary songwriter, Paul Kelly. On the one hand, he’s largely unknown outside his home country. That is so unfortunate because his talents are so vast. The best I could come up with is a comparison to Elvis Costello. Kelly’s early work with The Messengers reminds me of Costello’s work with The Attractions. Both continue on with solo careers that are Hall of Fame worthy. This compilation of greatest hits is deep with Disk 1 covering the years with The Messengers and Disk 2 covering the decade between 1998 and 2008. Let’s hope these 40 songs help bring Paul Kelly the worldwide notice he deserves. Standouts: Dumb Things, Pouring Petrol On A Burning Man, How To Make Gravy

Too Drunk to Truck, by Roy Sludge
This album was tailor-made for Twangville. Old school in all the best ways, it might as well be a collection of lost classics from the Sun Studios archive.

The title track kicks off the album with a strong indication of what will follow. Yup, songs about trucks, drinking and ornery women, although not necessarily in that order.

Well I drive all over this country, roaming from town to town
When day is done I’m gonna have my fun I’ll pick ‘em up and put ‘em down.
I’ll flirt with some old waitress, try to push my luck.
But when push comes to shove I’m too tired for love ‘cause I’m too drunk to truck.

The song also unleashes Sludge’s secret weapons: Boston-based guitarists Duke Levine and Kevin Barry. Both have a sound pristine and precise, yet filled with character, Barry on the lap steel and Levine on the electric guitar. And I shouldn’t neglect bassist Jim Haggerty, who brings his own rockabilly cred from his role as bassist for Wanda Jackson.

Sludge sings of drinkers remorse on the amusing “I Got Hammered (Then I Got Nailed).” Haggerty’s walking bass line mimics the pounding that comes from a bad hangover as Sludge laments, “spent the next five days in jail, but the rest I can’t recall ‘cause of too much alcohol.”

I’m sure that there are two sides to every story, and “Hell Hath No Fury” provides Sludge’s perspective on a love gone wrong. “She lives to hurt me, she lives to make me mad,” he sings, “she loves to burn me, when I’m sad it makes her glad.” Ouch.

Sludge and crew bring out the country shuffle as on the swinging “Eight Would Be Great.” A few tracks later, the band cranks it up in fine Sun Records fashion on “If You Can’t Rock Me.” Levine, in particular, lets it fly with some magnificent guitar licks and solos.

The record closes with a mighty fine cover of Johnny Cash’s “Drive.” It is the perfect capstone to a release that showcases a classic sound with skill and flair. But don’t take my word for it. Bruce Springsteen recently stopped by to check out Sludge during a recent run of residency shows.

Audio Download: Roy Sludge, “If You Can’t Rock Me”

This Round Is On Me, by Maxim Ludwig and the Santa Fe Seven
My favorite musical discovery this year was LA-based Maxim Ludwig and the Santa Fe Seven. The band has the perfect combination of great songwriting and playing that is playful and loose. As we move towards the close of the year, Maxim and the Seven have just released a new ep that features his strongest songs yet.

“Stacy C’Mon,” the opening track is one that should be familiar to Twangville readers. Maxim was kind enough to share it with us earlier this year. I, for one, can’t get enough of it – from the catchy riff to the sing-along chorus, it has simply lodged itself in my head.

“Nothing At All” adds a bit of R&B shuffle to the mix, in large part courtesy of a soulful sax that joins the fray. Maracas give the song an extra flair, complimenting the wailing slide guitar. Ludwig leaves no doubt where he stands on the future of a relationship: “Between you and nothing, I choose nothing at all.”

The opening of “On Bunker Hill” teases with a mournful woman’s voice set against a somber synthesizer. When a piano joins the mix, the song builds into a majestic rocker reminiscent of the Band. The maracas return on “Red Eyes,” which has a restrained boogie beat that hearkens back to Little Feat.

Take a shot, this round is on me,” Ludwig sings on the rousing closer “From the Alley View.” I’ll join in with a toast to this ep and more great music to come!

Audio Download: Maxim Ludwig and the Santa Fe Seven, “Nothing At All”

THE PLAYLIST
Mannequin Man, Kingsley Flood (from the self-released ep Colder Still)
I’d forgotten how potent the Kingsley Flood live show was until I saw them light up the Lizard Lounge in Cambridge this past weekend. Although acoustic guitar and fiddle are part of their instrumentation, they are way more than a roots band. They pack their songs with an aggressive yet infectious edge. I’m lovin’ this track that reminds me a bit of the Violent Femmes.

Audio Stream: Kingsley Flood, “Mannequin Man”

Parade, Oldjack (from the self-released Maxi-Single)
The headline on Oldjack’s web site says “Old Soul Rock and Roll” and damn if that ain’t what they deliver. This is classic rock – think Joe Cocker, Leon Russell, the Rolling Stones and maybe even some Lynyrd Skynyrd – played to perfection. Lead singer Dan Nicklin howls while a bevy of female singers wail. Throw in multiple guitars, an organ and a rock solid rhythm section and you’re primed for a rock and roll revival.

Audio Download: Oldjack, “Parade”

One Guitar, Willie Nile (from the River House Records release The Innocent Ones)
“I’m a soldier marching in an army, got no gun to shoot but what I’ve got is one guitar, I got this one guitar,” sings Nile on this stand-out track from his latest release. It is a fitting lyric for an artist whose songs are filled with an unbridled passion for rock and roll. Rock on, Willie, rock on!

Audio Download: Willie Nile, “One Guitar”

Turn It Up Or Turn It Off, Harrison Hudson (from the Favorite Gentlemen Recordings release American Thunder)
There is some music, loaded with hooks and overflowing with energy, that is just tailor-made to be the soundtrack of any party. Put this one down on that list. The songs on Harrison Hudson’s latest have the feel of classic 1960’s rock and roll while maintaining a modern-day sound. And did I mention the hooks?

Audio Download: Harrison Hudson, “Turn It Up Or Turn It Off”

Westside Street, The Deep Dark Woods (from the Sugar Hill Records release The Place I Left Behind)
This quintet from Saskatchewan, Canada was a pleasant surprise at the recent Americana Music Conference. Their songs are like aural pictures, soundscapes regal yet forlorn. In the Robbie Robertson tradition, these boys prove that some of the best Americana comes from North of the border.

Audio Download: The Deep Dark Woods, “Westside Street”

Bite Your Tongue, High on Stress (from the self-released Living Is a Dying Art)
Let it not be said that they don’t know how to rock in Minneapolis. And High on Stress will be happy to prove it to ‘ya. The band’s latest serves up a healthy dose of Midwestern rock and roll, the kind that sounds better the louder that you play it. And I mean that as a compliment.

Audio Download: High On Stress, “Bite Your Tongue”

Says Lately, Scotty Alan (from the Spinout Records release Wreck and the Mess)
The Michigan native went to Los Angeles to record his latest release. Arriving in LA, Alan gathered an impressive group of players, including long-time Jackson Browne and Ry Cooder collaborator David Lindley and legendary Ian McLagan among others. The results speak for themselves, songs vibrant and pulsing with energy.

Audio Download: Scotty Alan, “Says Lately”

This is the third and final post of my three-part series on Ryan Adams’ catalog. You can check out part 1 here and pat 2 here. I am a huge Ryan Adams fan and have been enjoying his albums for many years. Now I will select my favorite songs from the rest of Ryan’s albums, to date. Let me know what you think of my selections.

Part 3: Most Recent Albums

29 (2005- third album released that year!)

29

Strawberry Wine

Carolina Rain

Easy Tiger (2007)

Two (with Sheryl Crow)

Oh My God, Whatever, Etc.

Pearls on a String

 Cardinology (2008)

Fix It

Cobwebs

Crossed Out Name

Evergreen

 Orion (2010)

This is Ryan’s “metal concept album” and I confess that I did not listen to it all the way through! Not my style. Let’s move on…

III/IV (2010)- Release of double album recorded by Ryan & The Cardinals in 2006

Breakdown Into The Resolve

Lovely and Blue

Happy Birthday

Gracie

Sewers at the Bottom of the Wishing Well

Ashes & Fire (2011)

Dirty Rain

Ashes & Fire

Chains of Love

Invisible Riverside

BONUS! A small sample from Ryan’s VERY large unreleased album catalog!

Angelina- from the unreleased album 48 Hours

Justin Saying Hi (Answering Bell)- from the unreleased album The Suicide Handbook

Mega-Superior Gold- from the unreleased album The Pinkheart Sessions

Hope you all have enjoyed my playlist. Now go listen to those Ryan Adams records!