North Carolina’s American Aquarium has certainly made the most of their tenacious touring and effective self-promotion over the past few years. With their last two studio albums, Dances for the Lonely and Small Town Hymns possessing an irresistibly comfortable blend of country and rock, and the band’s live shows having gained a reputation for being [...] more »
There aren’t many voices out there that are fair or worthy companions to the singular, sultry and smokey groan of Lucinda Williams. The California-dwelling Walter Rose released Cast Your Stone last month, and while it’s a solid album to be sure, it’s tough to deny the magic this song has. Want proof of said magic? [...] more »
Most of the time, a band with a gimmick is more gimmick than band. Hokey, jokey one-hit wonders litter our memories like so many bumper stickers on a hippies VW Van. Sometimes – just sometimes – a gimmick is worth more than a disposable three minutes of our time. Austin’s The Possum Posse, a self-described [...] more »
We here at Twangville get to hear tons of great music. We share as much of it as we can with you and just hope that you like it as much or more than we do. On a personal note, in the past year or so, I’ve had a hard time getting as excited about [...] more »
Chicago-based four-piece Maps & Atlases aren’t a math-rock band. O.K., good, we’ve got that out of the way now. Sure, there are some rather math-y elements to the band’s indie-folk informed sound, but not to the extent where those intricacies define their overall sonic contributions in the way that many would have one believe. While [...] more »
A few months ago, we took an initial look at the latest record from Hayes Carll, KMAG YOYO (And Other American Stories), and decided that yes, it was worth having and was indeed a good record, but wasn’t the greatest record of Carll’s young career. Well, a few months later, those feelings haven’t necessarily changed, [...] more »
By now, surely it’s no secret that country and punk go together about as good as peanut butter and chocolate. And typically, when these two classic American forms of music are welded together, the result seems to resemble a harder, thrashing product. Of course, the overall ethos attached to artists that practice either style in [...] more »
OK, look. It’s not that I’m unaccustomed to gushing over a record I really love here on Twangville, it’s just that I try and at least tell you why it is that I feel a record is so gush-worthy, when called for. In the case of Israel Nash Gripka’s latest, Barn Doors & Concrete Floors, [...] more »
Let’s get this much out of the way: Everyone’s right about the new Fleet Foxes album, Helplessness Blues (Sub Pop). It’s astonishing. Sorry. It’s a safe bet that many out there were hoping the gentle, bearded, harmonizing folkies form the Northwest would fall flat on their nature loving faces. But, alas, they stand triumphantly, even [...] more »
English Folkster Bobby Long, the man with a name that (to me, at least) recalls more baseball and apple pie than London Bridge and Boddington’s, is back with an album that, at first blush, seems like a relatively stright-forward folk record, A Winter Tale. Sure, the album’s title has a certain Stratford-on-Avon feel to it, [...] more »
The new album from J. Mascis, Several Shades of Why (Sub Pop), is a thoroughly predictable affair. But wait, that doesnt mean what you may think it does. It should be of little shock that Mascis’ laconic, and iconic, delivery is indeed tailor-made for an album comprised of primarily acoustic arrangements. But, given that Mascis [...] more »
Now, I’ll be honest: I still haven’t made my way completely through Brian Wright’s new Sugar Hill album, House on Fire. It’ll be released next week, but what I’ve heard thus far, I really like. See for yourself with these two videos. One shows the softer acoustic side, while the one below it displays a [...] more »
In what is shaping up to be the label roster of the year, Bloodshot has released another trademark, insurgent country gem. Eddie Spaghetti, the leader of infamous Seattle group the Supersuckers, stepped away from his buds of over 20 years to craft Sundowner, an album that might have a bit less venom, a tad more [...] more »
The benefits of landing a tune on a prime-time drama can obviously be plentiful, and make no mistake, The Civil Wars, a duo out of Nashville have certainly been reaping those riches in the form of monumental buzz and sold out club shows all over the country. Of course, the side of that which isnt [...] more »
Producing some stellar, if not downright seminal, works can be a real pain for an artist. Ask Lucinda Williams what’s it been like to answer questions about why each of her albums can’t be Car Wheels on a Gravel Road? Ryan Adams has tried for years to overcome the “Where’s the next Heartbreaker?” stigma. Classic [...] more »
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Because spoon-fed music sucks and twang is cheaper than therapy. Alt-Country, Americana, Indie, Rock, Folk & Blues. Est. 2005.
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