Twangville » Chip Frazier

Patty Griffin – Downtown Church

Chip Frazier — Thu, 04 Mar 2010 15:00:44 +0000

Patty Griffin has just released her new album Downtown Church. The album was brilliantly produced by Buddy Miller and has an excellent supporting cast. On this album Griffin captures the soul of the traditional African-American Church, as well as the beauty of more traditional hymns. The mix of songs on this album capture a spirit of forgiveness that is truly the central message of Christianity. These songs don’t have anything to do with the exclusive legalism of the mainstream American Church. Instead there is a soothing redemption given.

I don’t care what your affiliation, songs like “little Fire,” which features Emmylou Harris, will warm you deep in your soul (even if you don’t believe in one). She reinterprets classic Gospel songs and hymns like “Tear This Building Down” and “All Creatures of Our God and King.” Buddy and Julie Miller both join her on this project. On “Never Grow Old” Buddy’s voice adds an authentic roughness to complement the softness of Griffin’s voice. Downtown Church offers no condemnation, just beauty, soul and hope.

Austin Collins – Wrong Control

Chip Frazier — Wed, 17 Feb 2010 02:41:52 +0000

Austin Collins is an artist on the rise. His previous release Roses are Black received a lot of critical praise. With the release of Wrong Control on March 2nd, music fans will no doubt take notice. Along with his band the Rainbirds, Collins is delivering a more rocking twist to accompany his excellent songwriting.

The album begins with the broken love of “Just the Same.” On this song Collins declares “A rose by any other name is just a flower in the rain. She was born to hold your dreams back by strain.” On the title cut we get a glimpse of what he feels gets in the way of Love’s happiness, “you always said that choice was a device in a disguise. Place you bets and leave because the heartache’s in the details.” It seems we can reinvent what is good about a relationship into something entirely different. Then there is “The Island,” which uses seemingly incongruent metaphors to bring it all together in a hopeful way.

All of these conceptual twists and turns have an underlying edgy beat that moves them along. The groove is consistent among the songs, but it is not monotonous. There is an undertone to the music that makes it one of those albums you can play over and over again. Give it a try. I bet you’ll listen more than once.

Elliot Randall & The Deadmen – Caffeine & Gasoline

Chip Frazier — Thu, 04 Feb 2010 04:44:57 +0000

Elliot Randall, along with his band The Deadmen, has released his sophomore album Caffeine and Gasoline. It is a decidedly more Country affair than his previous effort. What hasn’t changed is the depth of the songwriting. A full band, The Deadmen, have a lot to do with the diversity of styles. However, the main influence is producer David Simon-Baker, who has worked with Jackie Greene and The Mother Hips. There is a blend of Country, Rock and troubadour songwriting that reflect Randall’s influences and South Carolina upbringing. He may be based in San Francisco but his influences range from coast to coast. Common themes are love on the mend and love gone wrong.

The way Randall pours out the soul of his protagonists is a manner exhibited by more seasoned songwriters. Randall will no doubt go from a popular regional Northern California artist to a true touring songwriter. He has recently opened for Junior Brown, Cross Canadian Ragweed, Hayes Carll and The Steve Miller Band. The diversity of this album should firmly establish him in the Americana landscape. There is no sophomore slump. In fact, it appears there are even better things to come.

Beautiful Loser Society – The Long Slow Decline

Chip Frazier — Fri, 29 Jan 2010 04:00:54 +0000

Following up their brilliant effort Aim Low, The Beautiful Loser Society delivers a somewhat lighter effort. Don’t get me wrong the album is haunted by a similar cast of characters as the previous release. They even take you on a highway ride with Lucifer. That’s right ol’ scratch himself is on “Highway 666 South.” Also on “The long slow decline ‘Elvis is in the building.’ The song is “Elvis, The King,” which captures the King in his young cool style as well as sequined jumpsuit Elvis.

As I said, much of the characters are unchanged. Like the Honky Tonk anthem “Shade Tree Mechanic” (which could easily be about a particular uncle of mine), “Rich folks spend their time countin’ money and the poor spend their time gettin’ drunk. Whose to say what is worse what’s a blessing what’s a curse but old Billy is just shit out of luck.” A dark character on the album is the “Suicide Trucker.” One touching romantic ballad shows the beauty of the one relationship you can count on in “Good ‘ol Dog.” “Hot Rod Daddy” combines guitar work that could be mistaken for Dick Dale with a Rockabilly back beat.

Straight from Colorado to your ears “The Beautiful Loser Society” is a social club I want to join. The initiation fee is only a 12 pack and the will to drink it. Long Slow Decline is a more Country affair than its predecessor. So put the sawdust on the floor. I’m ready to go.

MySpace

Chip’s Best of 2009

Chip Frazier — Thu, 17 Dec 2009 04:28:34 +0000

The Winner is…
Tis the season… The best of lists are coming out in force. The Twangville eitors list just came out and now it is time for us in “The Posse” to reveal our individual lists. I am going first because I am the best looking.

In my mid-year list, Buddy and Julie were on top, but they have been replaced by Band of Heathens in the final list. This was actually a close call and was decided by addiction. Once I listened to the first song, One Foot in the Ether became audio crack. Here is my top 25:

1 Band of Heathens – One foot in the Ether
2 Buddy & Julie Miller – Written in Chalk
3 Roseanne Cash – The List
4 Ryan Bingham and the Dead Horses – Roadhouse Sun
5 Roman Candle – Oh Tall Tree in the Ear
6 Two Tons of Steel – Not That Lucky
7 M. Ward – Hold Time
8 Charlie Robison – Beautiful Day
9 Sam Bush – Circles Around Me
10 Grant Langston – Stand Up Man
11 Lucero – 1372 Overton Park
12 Wrinkle Neck Mules – Let the Lead Fly
13 Monsters of Folk – Self Titles
14 Wilco – The Album
15 Slaid Cleaves – Everything You Love Will be Taken Away
16 Justin Townes Earle – Midnight at the Movies
17 Stephen Kellog and the Sixers – The Bear
18 Brendan Benson – My Old Familiar Friend
19 Sarah Jarosz – Song Up in Her Head
20 Sarah Borges & the Broken Singles – The Stars are Out
21 Nitty Gritty Dirt Band – Speed of Life
22 Elvis Costello – Secret, Profane and Sugarcane
23 Guy Clark – Sometimes the Song Writes You
24 Scott Miller & the Commonwealth – For Cryin’ Out Loud
25 Hill Country Review – Self Titled

For my full list visit Amber Waves of Twang

Sam Bush – Circles Around Me

Chip Frazier — Wed, 09 Dec 2009 17:00:12 +0000

Circles Around Me, Bush’s seventh solo album is a mix of classic bluegrass covers and new originals. Quite possibly this is Bush’s most cohesive release. Bush has always been a dichotomy. He is influenced by the old but is the original innovator of the new. Hell, he literally coined the term new grass with his original band New Grass Revival, which he founded. The young innovators of today like Chris Thile, Infamous Stringdusters, Old Crow Medicine Show, Chatham County Line, Hackensaw Boys, Crooked Still and more recently the likes of Sarah Jarosz, owe their success to Bush, Bela Fleck, John Cowan and their peers.

On this new release, Bush blends the old and new seamlessly with both covers and original compositions. Produced by Bush, Circles Around Me includes appearances by Del McCoury, Edgar Meyer and Jerry Douglas to name a few. Let’s not forget Bush’s own band; Scott Vestal, Stephen Mougin, Byron House and Chris Brown, which is one of the best in all of Bluegrass.

The album includes some great songwriting collaborations. The title cut was co-written with Jeff Black. My favorite is “The Ballad of Stringbean and Estelle,” which Bush co-wrote with Guy Clark and Verlon Thompson. This song is a true story of the 1973 murder of Grand Ole Opry star David “Stringbean” Akeman and his wife. “Souvenir Bottles” and “Whisper My Name” are re-workings of New Grass Revival songs. These songs build a nice bridge to the traditional tunes on the record. Del McCoury lends his unmistakable tenor on two Bill Monroe covers, “Roll On Buddy, Roll On” and “Midnight on the Stormy Deep.” However, the most poignant and powerful of the traditional songs is the excellent rendition of “Diamond Joe.”

Whatever you perspective, Circles Around Me gives us an artist that obviously is content where he is now, where he came from and where he is headed. Maybe that is why he just received the AMA lifetime achievment award.

Check out his AMA performance:

Wrinkle Neck Mules – Let the Lead Fly

Chip Frazier — Wed, 04 Nov 2009 23:00:26 +0000

With the release of their fourth album the Wrinkle Neck Mules have established themselves as one of the premier roots rock bands. Let the Lead Fly is a bit less electric but rocks just as hard. With the use of banjo, mandolin and pedal steel, the roots move to the forefront on this release. As usual the band tells stories of the people on the margins of society. The poignant vignettes are especially effective at a time when the margins of society are growing However, this is not an album about sorrow and despair. As they say on the title cut, “Don’t just stand there raise, your guns and let lead fly.” Instrumentally the linchpin that brings the traditional and the electric rock together is “Medicine Bow.” This song stands in contrast to “The Waters all Run Dry,” which would have been a country standard if it had been recorded in the 40’s or 50’s.

The band has two members that contribute lead vocals and each gives the band a different feel. Andy Stepanian has a raw, edgy voice. ~~Mason Brent~~ Chase Heard has a smoother voice that gives a folksier feel. To put it in terms of bourbon it is like Old Grand Dad versus Basil Hayden. However, either one can result in a good time. This two singer, two style concept has a direct correlation to the Drive-by Truckers. The formula works pretty well for both the Truckers and the Mules. The comparison to the Truckers is not entirely fair given the depth of the Truckers catalogue. However, after four albums the Wrinkle Neck Mules have firmly established themselves. They seem to be here to stay and getting better. If you haven’t listened to them yet it is time for you to Let the Lead Fly.

Sample Title Cut

Two Tons of Steel – Not that Lucky

Chip Frazier — Thu, 08 Oct 2009 20:25:38 +0000

The band was named after the vintage restored Cadillac owned by lead singer Kevin Geil. This is appropriate considering Not that Lucky is a cruise through the Country and Rockabilly of the 50s delivered with a punk attitude. Two Tons of Steel certainly deliver a fresh interpretation of what a Honky Tonk band should be. This is their first since 2005’s Vegas and is already creating a buzz, debuting at number 8 on the Americana charts and is now number 4. They enlisted the expertise of the ubiquitous Texas musician and producer Lloyd Maines. Maines touch is evident on this masterpiece. Another notable contributor is Tom Gilliam, who plays on the title cut and wrote the ending track, “Bottom of the Bottle. “ All of the other songs on the album were written by Geil except for the brilliant cover of Fred Eaglesmith’s” Alcohol and Pills.”

The Punk attitude of this album really shows up when they use the thumping upright bass and fuzzy guitar riffs as on “Wanna Dance.” Make no mistake though this album is also a vintage Honky Tonk party. One listen to Not That Lucky will have you pouring sawdust on your hardwood floors and clearing the furniture. So call the neighbors and have plenty if PBR on hand because they will want to join the party. After all something this fun needs be shared and enjoyed by all, at least until the Cops arrive. Not that Lucky was released last month by the Texas label Smith Entertainment Group. Get your copy today but be sure to get the PBR first.

Stream on the Two Tons Website

This review also appears on Amber Waves of Twang

Kieran Kane – Somewhere Beyond the Roses

Chip Frazier — Mon, 14 Sep 2009 22:00:30 +0000

An album doesn’t have to have great lyrics for me to connect with it. A good song doesn’t need to possess deep meaning for me to enjoy it. In fact there is nothing more formulaic and boring than a guy with an acoustic guitar pretending to hold the meaning of life. However, when I come across an album with lyrics that have a genuine and distinctive reflection on life I develop a spiritual connection that goes beyond the music. That is the way I feel about the new Kieran Kane release Somewhere Beyond the Roses. It would be great if it stopped there; but in this case the instrumentation and arrangement of the songs makes the album one of the top releases of the year. Kane has been cranking out the brilliance in the last several years both as a solo artist and with Kane, Welch and Kaplan. However, with this release Kane is playing his trump card.

To begin with it is hard to even adequately describe the style of his banjo playing it is so eclectic. He combines this on the songs with a Baritone Sax that hearkens back to the alternative rock band Morphine. Deanna Varagona (Lambchop) supplies this baritone sax, Richard Bennett (Neil Diamond, Mark Knopfler) is on electric guitar, and Lucas Kane (Kane’s son and contributor to Kane, Welch, Kaplin) is on drums. David Olney provides backing vocals on “Don’t Try To Fight It” and Fats Kaplin plays steel guitar on “Unfaithful Heart”. The unusual banjo and Sax combination gives the music complexity even though the production is stripped down and raw. In almost perfect harmony with this minimalist yet edgy instrumentation the lyrics are infused with a raw spirituality. The spirituality is earthy. There is nothing esoteric about the lyrics. They are deep and infused with timeless truth.

Sample Tracks

Mindy Smith – Stupid Love

Chip Frazier — Sun, 23 Aug 2009 19:05:28 +0000

The best way to understand the present state of Mindy Smith’s career is to put that career in the context of how it really began. Mindy Smith was included in an all-star tribute album to Dolly Parton, Just Because I’m a Woman (Sugar Hill, 2003). However, in 2003 Smith was no All-Star, but there she was on an album with Allison Krauss, Emmylou Harris, Kasey Chambers, Shelby Lynne and Norah Jones among others. Dolly Parton was so impressed with her cover of “Jolene” that she sang on the version recorded for Mindy Smith’s 2004 debut album. In fact,the two of them remain close Friends. Fast forward to 2009, and you see a Mindy Smith taking a step away from those rootsy and acoustic beginnings and embracing a more diverse sound, and potentially a wider audience.

Widening your appeal can be a tricky proposition, often to create breadth an artist will sacrifice depth. Fortunately, there is nothing shallow about Stupid Love. There is a theme to the album. Love is tough and involves heartache and disappointment. However, there is enough good to make it worthwhile. Maybe that is why love is stupid. There is more heartache than happiness for humans when it comes to love. Is it really worthwhile? Is it worth all the heartache we go through in the search for true love? When you look at human behavior the answer seems to be yes. Mindy Smith seems to have noticed this also, and to her it seems to be stupid. How ironic! The fact that we are stupid enough to look for true love makes it all the more satisfying when we find it. It is the depth of her music that ha always made me connect with it. On Stupid Love I see a Mindy Smith that has widened her appeal in a way that will not weaken her connection with her existing fan base.

This review also appears on Amber Waves of Twang