JW-Jones – Belmont Boulevard

JW-Jones is one slick guitar slinger from north of the border.  Cut from the mold of a Jimmie Vaughan or the late Johnny Winter, Jones hails from Ottawa, Canada, an unexpected cradle for an artist sure to be recognized for his impressive guitar skills.

Somewhat of a prodigy, Jones recorded his first album, Defibrilatin’, in 2000 when Jones was not yet 20 – and that was after only receiving his first electric guitar in 1996 when he decided to switch from drums to guitar.  Within a few short years of taking up the guitar Jones (whose initial song-writing credits were for “Josh Wynne-Jones”) was winning regional competitions on the instrument.  Among Jones’ earlier albums, 2008’s Bluelisted stands out as an example of what this young man could do.

Belmont Boulevard, Jones’ first release on the prominent blues label Blind Pig, shows what a mature artist can do.  There are some great songs on the album, including the opener “Love Times Ten,” which was written by album producer and drummer Tom Hambridge and Colin Linden; Bobby Parker’s “Watch Your Step,” which features some searing guitar work; Jones and Hambridge’s “Don’t Be Ashamed,” with more hot guitar work; Jones’ monumental instrumental “Magic West Side Boogie,” with Jones’ guitar prowess on full display; “What Would Jimmie Do?” by Hambridge and Jones, an homage to Jimmie Vaughan employing a style reminiscent of the former Fabulous Thunderbird and solo guitar icon; and Buddy Guy’s “What’s Inside of You,” on which Jones demonstrates his ability to capture the musical soul of the blues.

Jones’ band features Reese Wynans on keyboards, Rob McNelley on guitar, Dave Roe on bass and Hambridge on drums, with Laura Greenberg on bass on four tracks and Jamie Holmes on drums on those tracks.  Give a listen.

Audio Stream: JW-Jones, “Magic West Side Boogie”

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

 

Mayer’s Playlist for Oct 2014, Part 1

ALBUMS OF THE MONTH

Boxers, by Matthew Ryan

Matthew Ryan

Boxers is an album of discontent. Life, love, work — you name it — the characters that inhabit this collection of songs are dissatisfied. There is rage, resentment and restlessness. Through it all, however, Ryan manages to find a glimmer of hope — sometimes it’s a lyrical cue, other times it is a shimmering melody. It isn’t always bright but it’s there if you want to find it.

Ryan sets the tone early with the blaring guitars and pounding drums of the title track. “How do you say goodbye to a dream that just won’t die,” he asks. While some might view this as a song of resignation and defeat but I consider it a more an acknowledgement that the road is rarely easy. “You’re a boxer against the ropes & there’s blood running down your throught,” he continues, “but this is the fight you chose… Here we go.”

“Suffer No More” tells the tale of a couple dealing with job loss and economic hardship. “All we want today is something like a fair shake,” Ryan sings, “and all we want tomorrow is a ladder that won’t fall away.” An acoustic guitar and a sauntering beat convey at least a touch of hope.

Ryan recalls painful early lessons in love on on the boisterous “The First Heartbreak.” I’m sure that many a listener can relate to the line, “I was there the night you got that tattoo, some scars got nothing to hide and everything to lose.” It is a line that is vivid, raw and meaningful, a hallmark of Ryan’s writing.

Songs like the noisy “This One’s For You, Frankie” and the potent “Heaven’s Hill” showcase the exceptional band that Ryan assembled for Boxers. Producer and guitarist Kevin Salem left the rough edges intact as musicians Brian Bequette, Joe Magistro and Brian Fallon (the Gaslight Anthem) unleashed a sonic fury across most of the album.

In the midst of all the bruising rock songs are occasional quiet moments such as the stunning acoustic ballad “A Song to Learn & Sing (Until Kingdom Come).” In many ways it plays as the album’s musical centerpiece as Ryan quietly reflects on hardship and pain yet still remains optimistic.

So let’s sing “Dirty Old Town” at the top of our lungs
Don’t look now here comes the sun
Your head is a map and your heart is a drum
And the road is the road you’re on ‘til kingdom come.

Boxers also contains “An Anthem for the Broken,” a song that Ryan released earlier this year to raise funds for longtime friend of Twangville John Anderson as he battles ALS. You can read more about it here, but I challenge anyone to not be moved by the song’s furious jolt of electricity and optimism.

An anthem for the brotherhood
The light in the dark and the lean for good
The knowing not which way to go
But here but for the grace of the unknown I know
Adollar’s not a peace nore end
I’d do it all and all again
An anthem for the broken hearts
That made it worlds from where they’d start.

Even in its darkest moments there is a message that resonates across Boxers – life may be harsh but it needn’t be bleak. We all have the power to find satisfaction and contentment, even if it isn’t in a way that we originally intended or expected. We just need to find it. Leave it to Ryan to craft a raggedly beautiful album to remind us of this fact.

Audio Download: Matthew Ryan, “Boxers”

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.


THE PLAYLIST


Words From a Letter The Far West (from the Medina River Records release Any Day Now)
I caught this Los Angeles-based quintet play an afternoon show at the Americana Conference and was damn impressed. They skillfully mine the Southern California brand of Americana, recalling Gram Parsons and the legends of the Bakersfield Sound. Singer Lee Briante has an appealing melancholy to his voice. It lends the right country feel to their more rock-laced songs while giving added depth to the country-oriented ballads.

Audio Download: The Far West, “Words from a Letter”

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.


Jailhouse, Marty Stuart and the Fabulous Superlatives (from the Superlatone Records release Saturday Night/Sunday Morning)
Marty Stuart’s latest release borrows a title and concept from Dr. Ralph Stanley. The impressive double album celebrates the decadence of Saturday night and the penance of Sunday morning. While some might frown on reproducing the concept, Stuart is one of the few who has the credentials to pull it off. Stuart is a rightful heir of the country music tradition, an honor that he wears with pride with this release.

Joined by a crack band dubbed the Fabulous Superlatives, Stuart romps, rumbles and strolls through the 23 glorious tracks on Saturday Night/Sunday Morning. They infuse every song with an enthusiasm and joy that is infectious.


I Wasn’t the One, Joshua Black Wilkins (from the self-released Settling the Dust)
It shouldn’t be a surprise to learn that the Nashville-based Wilkins is a phenomenally talented photographer. He approaches music in a similar manner, creating songs that have an evocative appeal. The musical arrangements are minimal without being sparse. They are often punctuated by a wistful pedal steel. To these ears it conjures up images of a drifter riding the rails, singing songs that are dusty, weathered and downright intoxicating.

Audio Download: Joshua Black Wilkins, “I Wasn’t the One”

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.


Domino Sugar, Luke Winslow-King (from the Bloodshot Records release Everlasting Arms)
I’ll openly admit that I have a bias towards New Orleans musicians. It’s not because they live in one of the world’s greatest cities. Rather it’s because they are often musical scholars versed in genres from jazz to rock to rhythm and blues. The best ones bring that expertise to life in their music.

Put Luke Winslow King in that category. His latest release shifts with ease from the New Orleans jazz of “La Bega’s Carousel” to the Southern rock-tinged boogie of “Domino Sugar” to the bluesy folk of “Traveling Myself.” We’ll call it eclectic in all the right ways. We’ll also say that, perhaps reflective of the city that Winslow King calls home, this album makes for one hell of a listening party.


Coffin Black, The Pine Hill Haints (from the K Records release The Magik Sounds of the Pine Hill Haints)
Although the Pine Hill Haints have been around since circa 2000, the Twangville introduction to the Pine Hill Haints came via our Muscle Shoals series. Their self-described “Alabama Ghost Music” blends is a potent mix of folk, rockabilly and bluegrass. The group shifts with ease from the down-home roots of “Scarlet Fever” to the fuzzed-out guitar rock of “Coffin Black.” If you’re looking for some music that overflows with a raw and rootsy enthusiasm, you’d do right to check out the Pine Hill Haints.


A Waltz For Old Jeppson (Carl’s Theme), Archie Powell and the Exports (from the single A Waltz for Old Jeppson)
I’ve never tried Chicago home-grown liquor Jeppson’s Malört, whose motto is apparently “Malört is not for the faint of heart.” Nor do I expect the lyrics of this song to change that fact. “Be it your drug of choice or a big last resort,” Powell proclaims, “the results are the same if you’re drinking Malört.”

I am certain of one thing, however. I’ll be listening to this rockin’ song for a long time to come.

(Check out the band’s entertaining video tribute to Jeppson’s Malört here.)


Nothing Left, Elliott Brood (from the Paper Bag Records release Work and Love)
This Canadian trio fall on the rock end of the Americana spectrum. Their songs overflow with catchy melodies propelled by jangly guitars and carefree harmonies. There’s a breezy Sunday afternoon vibe to their music, albeit a breeze that packs a playful and energetic punch. If you enjoy this track, you’ll undoubtedly find plenty more to your liking on their latest release.

Readers’ Pick: Boxers by Matthew Ryan

You picked Boxers by Matthew Ryan as your favorite for the week of October 14, 2014.

Readers’ Top Picks (last 4 weeks)

  1. Boxers by Matthew Ryan (20) [10/14]
  2. Down Where the Spirit Meets the Bone by Lucinda Williams (9) [9/30]
  3. And The War Came by Shakey Graves (7) [10/7]
  4. Indian Ocean by Frazey Ford (5) [10/14]
  5. Lucky 13 by Chris Duarte (4) [10/14]
  6. Love & Logic by Sons of Bill (4) [9/30]
  7. Bela Fleck & Abigail Washburn by Bela Fleck & Abigail Washburn (3) [10/7]
  8. Standing In The Breach by Jackson Browne (3) [10/7]
  9. Saturday Night / Sunday Morning by Marty Stuart & His Fabulous Superlatives (3) [9/30]
  10. Paradise Outlaw by Pieta Brown (3) [9/30]

Don’t forget to vote in our weekly poll:

What is your favorite release for week of October 21?

View Results

Loading ... Loading ...

Cahalen Morrison & Country Hammer – The Flower Of Muscle Shoals

They haven’t allowed smoking in years, but the rafters still have that slight air of stale cigarettes.  The Fire Department long ago made them sweep up the sawdust, but of course you can never really get rid of all it.  The Polaroids above the bar are too faded to know who’s in them, unless of course you know who’s in them.  The same brand of beer has flowed from the taps for 50 years, and it’s brewed in supertanker-sized vats in St. Louis or Milwaukee.  Aside from the beer, the most important thing to know about this place is that every Saturday night there’ll be a band that’s equally perfect for a two-step with your girl or getting lost in a longneck.  They’re a dying breed nowadays with the popularity of outlaw music and Jaeger shots, but thankfully the old-fashioned honky tonk still exists in wide swathes of America where soul is still more important than style.

While the jukeboxes in these wonderful havens of Americana tend to be loaded with George Jones and Merle Haggard, there’s a new album from Cahalen Morrison & Country Hammer that fits in like a favorite pair of boots.  The Flower Of Muscle Shoals is everything you want in good old classic country music, but with all original songs from Morrison it’s like finding a time capsule full of new stuff that’s decades old.

Over And Over And Over Again is one of my favorites on the disc.  Morrison channels some of the sorrowfulness of Raul Malo into a lament about tying one on to forget, “if I tie it tightly, it won’t come undone.”  There’s a nice little Jones or Haggard fatalism in I’ve Won Every Battle, But Lost Every War.  It’s not all melancholy.  Nighttime Is Here On the Valley celebrates the annual event, be that a rodeo or harvest festival, or sometimes just another Saturday night, “they whistle and they cheer, and they guzzle their beer”.  San Luis and Hobbled And Grazing add some sweet Norteno swing from Morrison’s youth growing up in New Mexico.

Morrison cover In case you’re wondering, The Flower Of Muscle Shoals refers to Cahalen’s wife.  The song is a good microcosm of the whole album.  It’s romantic and redneck and twangy and I’ll be damned if it isn’t one of the best records I’ve heard all year.